The Venom symbiote has produced a new symbiote, attaching itself to serial killer Cletus Kasady to give birth to Carnage. As Venom's replacement, Carnage helps Mordo with his plans. Now, Spider-Man ...
Baron Mordo is back. He is planning to steal Tony Stark's technology on dimensions so that he can bring the being known as Dormammu to Earth. But he will also need the help of Spider-Man's greatest ...
At the New York State University, one of Peter Parker's tutors has accidentally given three students all the materials they need to create an atomic bomb. While Peter Parker tries to find ... See full summary »
Robert F. Simon,
A young Bruce Wayne is in his third year of trying to establish himself as Batman, protector of Gotham City. Living in Gotham, a metropolis where shadows run long and deep, beneath elevated... See full summary »
After being bitten by a radioactive spider, young Peter Parker finds that he now has spider-like super powers. Hoping to use his new-found abiilties for wealth and fame, he lets his ego blind him to the needs of others, and indirectly causes the death of his uncle Ben when he refuses to help a police officer catch a fleeing criminal. Humbled by his failure, he resolves to use his talents for fighting crime, and becomes the superhero Spider-Man. While he fights assorted super-villains, Peter also must balance his personal life, including his girlfriend Mary Jane, his job as a photographer at the Daily Bugle, and a an editor who has convinced himself that Spider-man is a criminal that has to be brought down. Written by
Jean-Marc Rocher <email@example.com>
Story editor/producer John Semper said in an online interview that the Fox Kids network did not allow Spider-Man to punch anyone because other countries, such as Canada, were banning Fox Kids shows that featured fantasy violence like Mighty Morphin Power Rangers (1993) and Batman: The Animated Series (1992). This is why no one is ever punched in the gut or punched on the face on this series. Semper admitted he got lots of fan mail from confused viewers wondering why Spider-Man never threw a punch at his enemies. See more »
Come down here and fight like a man!
I don't suppose I could convince you to come up here and fight like a spider.
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The end credits are shown over rough sketches of the characters. See more »
The Greatest rendition of Spider-man there Ever will be.
Spider-man and X-men. There was nothing more a kid needed in the time of the 90s. Between Uncle Ben's sage-like advice and Nightcrawler's Piety, it's a wonder we all didn't revert back to the 1950's.
This show was a marvel of animation when it came out. In the spirit of Hollywood, cartoons coming out now are much blander and boring than what once was good, like this. The blended CGI which it was famous for was unique, and really helped to show New York in a "real" fashion (to us kids.) The story line can't be beat. While the comics go much deeper and have much broader character ties, this cartoon does the same thing as X-men and brings it to a realistic level that you can watch, and understand, without having to dig through comics to see what the hell just went on and who's who. Whereas the movies of both franchises have simple stories and characters (but big special effects), and the comics have HUGE stories and unlimited characters, the shows are a perfect zen of the two.
The best part of the whole series is easily the voices. The voices brought this show from the comic pages to the small screen. Christopher Daniel Barnes will always be Spider-man to me. Edward Asner (JJJ) and Jim Cummings (Shocker.) The absolute best is Roscoe Lee Brown as the Kingpin. The role was made for him.
The end of this show was really perfect, they redid the clone saga (which caused a HUGE upset in the comics) and gave it a much, much happier (and plausible) ending. Scarlet Spider is still there and he still kicks, along with Madam Web and the Beyonder. Spider-Carnage is also there, as evil as ever. Spider-Carnage's character represents a lot of hatred and malice that can be found in each and every person. The end of the series always gives me a sad/happy nostalgia.
This is one of the greatest shows ever made. Hands down.
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