| Photos (See all 20 | slideshow) | Videos (see all 2) |
| Tran Nu Yên-Khê | ... | Mui Age 20 (as Trân Nu Yên-Khê) | |
| Man San Lu | ... | Mui Age 10 | |
| Thi Loc Truong | ... | La mère (as Truong Thi Lôc) | |
| Anh Hoa Nguyen | ... | La vieille Ti (as Nguyên 'Anh Hoa) | |
| Hoa Hoi Vuong | ... | Khuyen (as Vuong Hòa Hôi) | |
| Ngoc Trung Tran | ... | Le père | |
| Vantha Talisman | ... | Thu | |
| Keo Souvannavong | ... | Trung | |
| Van Oanh Nguyen | ... | Mr. Thuan | |
| Gerard Neth | ... | Tin | |
| Nhat Do | ... | Lam | |
| Thi Hai Vo | ... | La grand-mère | |
| Thi Thanh Tra Nguyen | ... | Mai | |
| Lam Huy Bui | ... | Le médecin | |
| Xuan Thu Nguyen | ... | L'antiquaire | |
| Xuan Loi Phan | ... | Musiciens | |
| Xuan Dung Phan | ... | Musiciens | |
| Van Chung Le | ... | Musiciens | |
| Tho Phuong | ... | Le coiffeur | |
| Long Chau | ... | Clientes | |
| Thi Van Khanh Truong | ... | Clientes | |
| Hông Hanh Luguern | ... | Clientes | |
| Ba Hang Phan | ... | Le livreur d'eau |
Directed by | |||
| Tran Anh Hung | |||
Writing credits | ||
| Tran Anh Hung | (written by) | |
Produced by | |||
| Adeline Lecallier | .... | associate producer | |
| Alain Rocca | .... | associate producer | |
| Christophe Rossignon | .... | producer | |
Original Music by | |||
| Tiêt Tôn-Thât | (as Tôn-Thât Tiêt) | ||
Cinematography by | |||
| Benoît Delhomme | |||
Film Editing by | |||
| Nicole Dedieu | |||
| Jean-Pierre Roques | |||
Casting by | |||
| Nicolas Cambois | |||
Production Design by | |||
| Alain Nègre | |||
Costume Design by | |||
| Jean-Philippe Abril | |||
Makeup Department | |||
| Laurent Blanchard | .... | hair stylist | |
| Amélie Vinson-Rouffio | .... | makeup artist | |
Production Management | |||
| Eric Dangremont | .... | production manager | |
| Pierre Dieulafait | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Sophie Blondy | .... | trainee assistant director | |
| Caroline Broussaud | .... | second assistant director | |
| Nicolas Cambois | .... | first assistant director | |
Art Department | |||
| Jacques Bataille | .... | assistant art director | |
| Thierry Doerflinger | .... | plasterer | |
| Yvan Hart | .... | plasterer | |
| Christian Portal | .... | property master | |
| Claude Suné | .... | set designer | |
| Tran Nu Yên-Khê | .... | art department trainee | |
Special Effects by | |||
| Michel Naudin | .... | special effects | |
Casting Department | |||
| Isabelle Ternat | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Danielle Laffargue | .... | costumer | |
Music Department | |||
| Vincent Bauer | .... | musician: percussions | |
| Frédérique Cambreling | .... | musician: harp | |
| Jeanne-Marie Conquer | .... | musician: violin | |
| Christophe Desjardins | .... | musician: alto | |
| Jacques Ghestem | .... | musician: first violin | |
| Geneviève Ibanez | .... | musician: piano, "Chopin's Préludes no 23" and "Clair de lune" | |
| Christophe Maudot | .... | musician: synthesizer | |
| Emmanuelle Ophéle | .... | musician: flute | |
| Jean-Guihen Queyras | .... | musician: cello | |
| An Tonthat | .... | musician: jazz inprovisations (as An Ton That) | |
Other crew | |||
| Cléo Daran | .... | sfpc coordinator | |
| Guy Fabre | .... | location manager | |
| Patricia Petit | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
This stunningly beautiful film has a strong Buddhist theme, so it's unsurprising that many American viewers were perplexed by it even while captivated by its
beauty. It is the story of Mui, a poor servant girl ... except she is no ordinary servant girl, she is an Enlightened One. She lives totally in the here and now, and sees and appreciates everything (and so do we, thanks to the breathtaking color cinematography). She quietly goes through her ordinary life, giving every tiny moment all her attention and invisibly enriching the lives of all those around her, until near the end of the picture she is given off to a family friend whom, coincidentally, she has fancied since she was little. He is engaged to another woman, but one day he picks up a bust of Buddha, and stares at it with
recognition, realizing suddenly that the face and the smile of the Buddha are something he has been seeing every day, on Mui. He sees her for what she is,
and both their lives are transformed.
Even more astounding than the richness and beauty of this film, is the feat of finding two wonderful actresses 10 years apart, to play the same very unusual girl, both identically beautiful and graceful and having the Buddha smile.
Intoxicating and unforgettable.