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The Lu Le,
Thi Kieu Trinh Nguyen,
Huu Thanh Nguyen
Wartime epic involving a poverty-stricken family who struggle to make ends meet, and the mother who does the unthinkable to provide her daughters with the traditional silk dresses required to attend school.
A little girl, Mui, went to a house as a new servant. The mother still mourns the death of her daughter, who would have been Mui's age. In her mind she treated Mui as her daughter. 10 years later Mui (now a young woman) was sent to another family, a young pianist and his wife. The musician falls in love with the peasant, he taught her literacy and they eventually married. A movie about a girl's life. Written by
Zheng Wang <firstname.lastname@example.org>
This stunningly beautiful film has a strong Buddhist theme, so it's unsurprising that many American viewers were perplexed by it even while captivated by its
beauty. It is the story of Mui, a poor servant girl ... except she is no ordinary servant girl, she is an Enlightened One. She lives totally in the here and now, and sees and appreciates everything (and so do we, thanks to the breathtaking color cinematography). She quietly goes through her ordinary life, giving every tiny moment all her attention and invisibly enriching the lives of all those around her, until near the end of the picture she is given off to a family friend whom, coincidentally, she has fancied since she was little. He is engaged to another woman, but one day he picks up a bust of Buddha, and stares at it with recognition, realizing suddenly that the face and the smile of the Buddha are something he has been seeing every day, on Mui. He sees her for what she is, and both their lives are transformed.
Even more astounding than the richness and beauty of this film, is the feat of finding two wonderful actresses 10 years apart, to play the same very unusual girl, both identically beautiful and graceful and having the Buddha smile.
Intoxicating and unforgettable.
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