We spend a week in the L.A. offices where the daytime TV show "The Love Judge" is written and produced. Jo, the show's large and loud producer, announces she is leaving the show in two weeks. Paula (driven and on Prozac) and Mark (gay and...
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Writer:
Awards:
- 2 wins & 1 nomination.
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Photos and Videos
Complete, Cast awaiting verification
| Craig Chester | ... |
Mark
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| Jackie Beat | ... |
Jo / Harvey
(as Kent Fuher)
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| Illeana Douglas | ... |
Leslie
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| Alexis Arquette | ... |
Bill
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| Carlton Wilborn | ... |
Jeremy
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| Lucy Gutteridge | ... |
Paula
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| Robin Swid | ... |
Kelly
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| Bill Rotko | ... |
Bill #2
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| Shawn Hoffman | ... |
Ben
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Frank Rehwaldt | ... |
Mover #1
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Greg Bennett | ... |
Mover #2
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| Mickey Cottrell | ... |
Judge
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Katherine Connella | ... |
Beverly / Ginger
(as Catherine Connella)
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| Mary Woronov | ... |
Attorney
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| Mauri Bernstein | ... |
Attorney
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Jeffrey Hilbert | ... |
Antonio
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Johanna Went | ... |
Marleen
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| Paul Bartel | ... |
Attorney
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Jason Wolk | ... |
Attorney
(as Jason Woll)
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Joan Valencia | ... |
Tutti
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Beatrice Manley | ... |
Loretta
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| Ian Abercrombie | ... |
Stanley
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| John Fleck | ... |
Ben / Chaz
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Sloane Bosniak | ... |
Susie
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Michael Now | ... |
Attorney
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Mike Ventre | ... |
Attorney
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| Rest of cast listed alphabetically: | |||
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Gary Stella | ... |
Kenny - Mark's boyfriend (uncredited)
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Directed by
| Richard Glatzer | ||
Written by
| Richard Glatzer | ... | (written by) |
Produced by
| Ruth Charny | ... | producer |
| Jack De Palma | ... | associate producer |
| Marcus Hu | ... | executive producer |
| Yoram Mandel | ... | producer |
| Nancy Nickerson | ... | line producer |
| Valery Pappas | ... | associate producer (as Valerie Pappas) |
Music by
| Tom Judson | ||
Cinematography by
| David Dechant | ||
Editing by
| Robin Katz | ||
| William W. Williams | ||
Editorial Department
| Jill D'Agnenica | ... | assistant editor |
| Mark Frazier | ... | post-production coordinator |
| Brian King | ... | negative cutting |
| Bruce McCarthy | ... | post-production coordinator |
| Alyse Rome | ... | post-production coordinator |
| Ted Sawicki | ... | negative cutting |
| Chien-Ei Yu | ... | dailies sync |
Production Design by
| Don Diers | ||
Set Decoration by
| David A. Carpender | ... | (as David Carpender) |
Costume Design by
| Laser Rosenberg | ... | (as Laser N. Rosenberg) |
Makeup Department
| Isabelle Pilliere | ... | hair stylist / makeup artist |
Second Unit Director or Assistant Director
| Christine Choun | ... | second assistant director |
| Gary Stella | ... | first assistant director |
| Don Tinling | ... | second assistant director |
Art Department
| Tom Antell | ... | paintings |
| Ethan Pines | ... | set dresser |
| Mari Porcari | ... | property master (as Mary Porcari) |
| James W. Simeo | ... | additional art director |
| Mark Thompson | ... | title graphics |
| Todd Hughes | ... | art department assistant (uncredited) |
Sound Department
| Darren Barnett | ... | assistant sound mixer |
| Joe Cauley | ... | boom operator |
| Alan Decker | ... | lead sound mixer / sound effects editor |
| Alberto García | ... | dialogue editor (as Alberto Garcia) / sound editor (as Alberto Garcia) |
| James Howe | ... | assistant sound mixer |
| Tom Jones | ... | production sound mixer (as Thomas Jones) |
| Mark Korba | ... | sound effects editor |
| Eric Marin | ... | foley mixer |
| Michael H. Martin | ... | boom operator |
| Michael Salvetta | ... | foley artist |
| Jon Taylor | ... | lead sound mixer |
Visual Effects by
| Mar Elepano | ... | titles & opticals (as Mar Elepaño) |
Camera and Electrical Department
| Jeff Baustert | ... | director of photography: second unit |
| Greg Bennett | ... | best boy |
| Marco Cappetta | ... | second assistant camera |
| Mark J. Coyne | ... | second assistant camera |
| Kevin B. Davis | ... | key grip |
| Jonathan S. Ross | ... | best boy |
| John Patrick Salisbury | ... | still photographer |
| Peter Schmitt | ... | first assistant camera |
| Robert Truitt | ... | second assistant camera (as Robert Paul Truitt) |
| Haakon Wettre | ... | gaffer |
Costume and Wardrobe Department
| Joan Valencia | ... | wardrobe supervisor |
Script and Continuity Department
| Dyane V. Hohr | ... | script supervisor |
| Jon Larson | ... | script supervisor |
Additional Crew
| Greg Bennett | ... | production assistant |
| Kevin Bryant | ... | production assistant |
| Jeffrey Hilbert | ... | title design |
| Daniel Huber | ... | production assistant |
| Richard Huggard | ... | production coordinator |
| Kim Moore | ... | production assistant |
| Ameeta Nanji | ... | title design |
| Alyse Rome | ... | production assistant |
| Sue Snyder | ... | production associate |
| Tracy Young | ... | caterer |
Thanks
| Thomas D. Adelman | ... | special thanks (as Tom Adelman) |
| Mindy Affrime | ... | special thanks |
| Donald Berry | ... | dedicatee |
| Tim Birmingham | ... | special thanks |
| Daniel Cady | ... | special thanks: Cineaste |
| Mark Campbell | ... | special thanks |
| Samantha Conner | ... | special thanks: Great Western Bank |
| William E. Dennler | ... | special thanks: Integrated Transportation Services |
| Scott Dinger | ... | special thanks |
| Michael Duncan | ... | special thanks |
| David Etzen | ... | special thanks |
| Jim Farguhar | ... | special thanks: Dinks Sportswear |
| John Gerrans | ... | special thanks |
| Sam Hamm | ... | special thanks |
| Walter Herlitschek | ... | special thanks |
| Katie Joklik | ... | special thanks: Coca Cola Promotions |
| Michael Lumpkin | ... | special thanks |
| Dan Marks | ... | special thanks |
| Lois Nichols | ... | special thanks |
| Saeed Nourmand | ... | special thanks |
| Michael Now | ... | special thanks |
| Steve Ogden | ... | special thanks |
| Merav Ozeri | ... | special thanks (as Mirav Ozeri) |
| Molly Radford | ... | special thanks |
| David Schneiderman | ... | special thanks |
| Lorey Sebastian | ... | special thanks |
| Barry Sloane | ... | special thanks |
| Lakesha Townsend | ... | special thanks |
| Christa Vausbinder | ... | special thanks |
| Ron Winchel | ... | special thanks |
Production Companies
Distributors
- Strand Releasing (1994) (United States) (theatrical)
- Academy Home Entertainment (1994) (United States) (VHS)
- BQHL (2006) (France) (DVD)
- TLA Releasing (2004) (United States) (DVD)
Special Effects
Other Companies
- Third Street Sound (audio post-production)
- Fuji Film (film)
- Rosenthal Group (lighting equipment)
- Cinesound Company (sound transfers)
- FPC Inc. (sound stock)
- Seismic Productions (video editing services)
- Lindsay Studios (special thanks)
- Cineaste Inc. (special thanks)
- Atlas Restaurant (special thanks)
- Gilbert's El Indio Restaurant (special thanks)
- Out of the Closet Thrift Stores (special thanks)
- Arturos Flowers (special thanks)
- Casablanca (special thanks)
- Coca-Cola Promotions (special thanks)
- Integrated Transportation Services (special thanks)
- Great Western Bank (special thanks)
- Dinks Sportswear (special thanks)
Storyline
| Plot Summary |
We spend a week in the L.A. offices where the daytime TV show "The Love Judge" is written and produced. Jo, the show's large and loud producer, announces she is leaving the show in two weeks. Paula (driven and on Prozac) and Mark (gay and moody) compete for Jo's job. Mark, coming onto the first anniversary of the death from AIDS of the love of his life, is attracted to Bill, who claims to be straight. Meanwhile, Jeremy, a close friend of Mark's, is putting the moves on Bill. Leslie, Jo's overworked assistant, tells Mark she wants to be a writer (she even has a script written). How these relationships that combine work and friendship play out is the movie's subject.
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Did You Know?
| Trivia | Richard Glatzer's only film where he did not collaborate with his writing/directing partner and husband, Wash Westmoreland. See more » |
| Soundtracks | Dead Horse Alive With Flies See more » |