We spend a week in the L.A. offices where the daytime TV show "The Love Judge" is written and produced. Jo, the show's large and loud producer, announces she is leaving the show in two ... See full summary »
As Magdalena's 15th birthday approaches, her simple, blissful life is complicated by the discovery that she's pregnant. Kicked out of her house, she finds a new family with her great-granduncle and gay cousin.
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In 1994 Pedro Zamora was the first HIV-positive homosexual to appear in a reality show on MTV. The audience of 'The Real World: San Francisco' identified easily with this intelligent, ... See full summary »
Three young and good-looking brothers live with and support their parents in Manila; they dance at the male Club Exotica and work as "call boys." Joel has a wife and child; he and Dennis ... See full summary »
Alex Del Rosario,
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in ... See full summary »
T. Wendy McMillan
John, a gay Illinois small town cop moves to Los Angeles, hoping to fit into a place more welcoming of his sexuality. He soon discovers the "circuit," where he meets an insecure hustler, who draws John into drug abuse and illicit sex.
Brian Lane Green
We spend a week in the L.A. offices where the daytime TV show "The Love Judge" is written and produced. Jo, the show's large and loud producer, announces she is leaving the show in two weeks. Paula (driven and on Prozac) and Mark (gay and moody) compete for Jo's job. Mark, coming onto the first anniversary of the death from AIDS of the love of his life, is attracted to Bill, who claims to be straight. Meanwhile, Jeremy, a close friend of Mark's, is putting the moves on Bill. Leslie, Jo's overworked assistant, tells Mark she wants to be a writer (she even has a script written). How these relationships that combine work and friendship play out is the movie's subject. Written by
I think some other reviewers here have missed the point. It's a soap opera.
The characters--script writers and producers--take details from their soap-opera lives and put them into the cheesy daytime drama they work on. That's obvious, of course, because we hear various references to their lives in the dialog of the show.
They're all grieving for different things, but they deal with the tragicomedy of their lives in a flip, sardonic way most of the time. It's one of the ways they manage to keep a lid on everything. Still, things boil over every once in a while. And, like a soap opera, situations escalate to high melodrama. These are theatrical people, after all.
So, I like the script. And the performances are all good; some are perfect. If there's a weak link in the acting, it's Kent Fuher (Jackie Beat) as Jo. Initially he seems overly wound up and unconvincing, but he's so dedicated to the part that eventually you buy in. Chester and Douglas are wonderful, as usual.
You can tell it's a low-budget production, but it doesn't look cheap or haphazard. Okay, the cinematography isn't the best, but it's good enough.
Yes, by 2009 some of the gay genre story lines are over-familiar. But I say, don't be so hard on this movie. I think it captures the era well, and I, for one, was entertained throughout.
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