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Grief (1993)

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We spend a week in the L.A. offices where the daytime TV show "The Love Judge" is written and produced. Jo, the show's large and loud producer, announces she is leaving the show in two ... See full summary »

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Title: Grief (1993)

Grief (1993) on IMDb 6/10

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Cast

Cast overview, first billed only:
...
Mark
...
Leslie
...
Bill
Kent Fuher ...
Jo
...
Jeremy
Lucy Gutteridge ...
Paula
...
Kelly
William Rotko ...
BIll #2 (as Bill Rotko)
...
Ben
Frank Rehwaldt ...
Mover
Greg Bennett ...
Mover
Mickey Cottrell ...
Judge
Katherine Connella ...
Beverley / Ginger
...
Attorney
Mauri Bernstein ...
Attorney
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Storyline

We spend a week in the L.A. offices where the daytime TV show "The Love Judge" is written and produced. Jo, the show's large and loud producer, announces she is leaving the show in two weeks. Paula (driven and on Prozac) and Mark (gay and moody) compete for Jo's job. Mark, coming onto the first anniversary of the death from AIDS of the love of his life, is attracted to Bill, who claims to be straight. Meanwhile, Jeremy, a close friend of Mark's, is putting the moves on Bill. Leslie, Jo's overworked assistant, tells Mark she wants to be a writer (she even has a script written). How these relationships that combine work and friendship play out is the movie's subject. Written by <jhailey@hotmail.com>

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Comedy

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Release Date:

7 December 1995 (Germany)  »

Box Office

Gross:

$215,428 (USA)
 »

Company Credits

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Aspect Ratio:

1.66 : 1
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Did You Know?

Soundtracks

By the Time It Get's Dark
Produced and Arranged by Richard Herrera Lopez
Vocal performance by Ke Grivois
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User Reviews

 
I Liked It--A Soap Opera About A "Daytime Drama"
15 June 2009 | by (wisconsin) – See all my reviews

I think some other reviewers here have missed the point. It's a soap opera.

The characters--script writers and producers--take details from their soap-opera lives and put them into the cheesy daytime drama they work on. That's obvious, of course, because we hear various references to their lives in the dialog of the show.

They're all grieving for different things, but they deal with the tragicomedy of their lives in a flip, sardonic way most of the time. It's one of the ways they manage to keep a lid on everything. Still, things boil over every once in a while. And, like a soap opera, situations escalate to high melodrama. These are theatrical people, after all.

So, I like the script. And the performances are all good; some are perfect. If there's a weak link in the acting, it's Kent Fuher (Jackie Beat) as Jo. Initially he seems overly wound up and unconvincing, but he's so dedicated to the part that eventually you buy in. Chester and Douglas are wonderful, as usual.

You can tell it's a low-budget production, but it doesn't look cheap or haphazard. Okay, the cinematography isn't the best, but it's good enough.

Yes, by 2009 some of the gay genre story lines are over-familiar. But I say, don't be so hard on this movie. I think it captures the era well, and I, for one, was entertained throughout.


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