In the Second World War, probably in a concentration camp somewhere, Gary Sinise is a soldier who conducts Jews everyday to some place where only clothes come back, under the eyes of an young prisoner boy (Elijah Wood). This witness disturbs the soldier, driving the story to a tragic and sad end and a new beginning. Excellent short story, with a great duel between the soldier and the boy. The running time of 19 minutes is perfect for the plot. My vote is eight.
3 Reviews
An involving Tv-Movie
Thereza-38 August 1999
Yes it was awful, but this film can't just trade on that
bob the moo18 April 2004
A German officer is responsible for taking the Jewish prisoners from their quarters, up the path and to the gas chambers. He then returns with his cart loaded high with their clothes and possessions. Each trip he walks past the enclosure holding young children. Each time he has to content with the silent stares of a young boy. With time the young soldier begins to buckle under the unspoken judgement of this boy.
I will always give short films a go but I must admit that the films produced under the mantle of `Short Story Cinema' are not much cop. They seem to not really be worried about making them very good - none of them really feel like they have a great sense of style and the substance of most is lacking. The Witness is another in the series of lacking shorts that were part of this stable. The film trades wholly of the fact that the holocaust is an emotional, moving and tragic event in our history. For that reason the film's whole plot is the fact that the young soldier cannot stand the judging of those innocent young eyes each time - no dialogue and no emotion of it's own. Without a story it uses history to draw out feelings in the audience - a rather cheap trick that is effective but lazy. I didn't expect characters but I expected more than just the basic stirring up of real feelings - it is not a film to simply state `this happened, how awful'.
The cast is actually quite good however - even if they don't really actually say anything or deliver emotion that well. Sinise is OK and delivers a cruel role with a good lack of `evil' to him. A young Elijah Wood shows that he has always had Frodo's big wide watery eyes; all he does here is stare with the `pain of generations' in his eyes. I think certainly Sinise knew that history is able to do the emotional work for him and, like the director, was happy to let that do the work.
Overall, a worthy subject but one that is not delivered very well, instead the film just trades off the feelings that the systematic murder of the Jews stirs in us all. As a short film it is worth seeing once but it is far too simplistic and lazy to really engage even if the subject is moving. Not a good film but worth a watch - just a shame that it trades on the `look at this' school of filmmaking.
I will always give short films a go but I must admit that the films produced under the mantle of `Short Story Cinema' are not much cop. They seem to not really be worried about making them very good - none of them really feel like they have a great sense of style and the substance of most is lacking. The Witness is another in the series of lacking shorts that were part of this stable. The film trades wholly of the fact that the holocaust is an emotional, moving and tragic event in our history. For that reason the film's whole plot is the fact that the young soldier cannot stand the judging of those innocent young eyes each time - no dialogue and no emotion of it's own. Without a story it uses history to draw out feelings in the audience - a rather cheap trick that is effective but lazy. I didn't expect characters but I expected more than just the basic stirring up of real feelings - it is not a film to simply state `this happened, how awful'.
The cast is actually quite good however - even if they don't really actually say anything or deliver emotion that well. Sinise is OK and delivers a cruel role with a good lack of `evil' to him. A young Elijah Wood shows that he has always had Frodo's big wide watery eyes; all he does here is stare with the `pain of generations' in his eyes. I think certainly Sinise knew that history is able to do the emotional work for him and, like the director, was happy to let that do the work.
Overall, a worthy subject but one that is not delivered very well, instead the film just trades off the feelings that the systematic murder of the Jews stirs in us all. As a short film it is worth seeing once but it is far too simplistic and lazy to really engage even if the subject is moving. Not a good film but worth a watch - just a shame that it trades on the `look at this' school of filmmaking.
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