Directed by | |||
| Martin Bell | |||
Writing credits(WGA) | ||
| Peter Silverman | (story) & | |
| Martin Bell | (story) & | |
| Mary Ellen Mark | (story) | |
| Peter Silverman | (screenplay) | |
Original Music by | |||
| James Newton Howard | |||
Cinematography by | |||
| James R. Bagdonas | |||
Film Editing by | |||
| Nancy Baker | |||
Casting by | |||
| Cecily Adams | |||
Production Design by | |||
| Joel Schiller | |||
Set Decoration by | |||
| Rondi Tucker | |||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Makeup Department | |||
| Steven Fitzpatrick | .... | assistant hair stylist | |
| Steven Fitzpatrick | .... | assistant makeup artist | |
| Bob Haaves | .... | tattoo designer: Jack | |
| Kathy C. King | .... | assistant hair stylist (as Kathy Carroll Crouse) | |
| Kathy C. King | .... | assistant makeup artist (as Kathy Carroll Crouse) | |
| Gina Monaci | .... | hair stylist | |
| Gina Monaci | .... | makeup artist | |
Production Management | |||
| Robert V. Girolami | .... | production manager: Vermont | |
| Leslie A. Leitner | .... | post-production supervisor (as Leslie Leitner) | |
| Nancy Rae Stone | .... | production manager | |
| Kathryn Riccio | .... | assistant production manager (uncredited) | |
Art Department | |||
| Dave Barnes | .... | carpenter | |
| Dave Barnes | .... | carpenter | |
| Keith Bergman | .... | construction foreman | |
| Steven E. Eyrse | .... | lead scenic artist (as Steve E. Eyrse) | |
| Richard Joffray | .... | property master | |
| Alexander Lamb | .... | set painter/carpenter | |
| Kim Larsen-Santini | .... | assistant property master (as Kim Larsen) | |
| David Lenz | .... | lead carpenter | |
| Robert A. Maisto | .... | construction coordinator | |
| Sharon Manolopoulos | .... | art department intern | |
| Drew Pinniger | .... | on-set dresser | |
| David Saltzman | .... | leadman (as Dave Saltzman) | |
| Grant Samson | .... | swing (as Grant D. Samson) | |
| Crista Schneider | .... | assistant set decorator | |
| Kirk Thompson | .... | carpenter | |
| Bob Warner | .... | scenic artist (as Robert Warner) | |
| Frederic C. Weiler | .... | location designer: Vermont | |
Special Effects by | |||
| Ray Brown | .... | special effects | |
| Mark McDaniel | .... | additional special effects (as Marc McDaniel) | |
| Bob Riggs | .... | special effects | |
| Terry Shattuck | .... | special effects | |
| Joel Youngerman | .... | special effects | |
Stunts | |||
| Loyd Catlett | .... | precision stunt driver | |
| Gilbert B. Combs | .... | stunt coordinator (as Gil Combs) | |
| Chris Howell | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Michael Baird | .... | video assist operator | |
| Bill Barcroft | .... | best boy grip | |
| Lloyd Barcroft | .... | key grip | |
| Pat Blymyer | .... | gaffer | |
| Eric Budlong | .... | grip | |
| Kris Conde | .... | second assistant camera (as Kris A. Conde) | |
| Tom Connole | .... | camera operator | |
| Bob Fillis | .... | best boy electric | |
| Steve Fugikawa | .... | assistant still photographer | |
| John M. Hennessy | .... | dolly grip | |
| Colin Kell | .... | electrician (as Colin R. Kell) | |
| Rocky Kenworthy | .... | assistant still photographer | |
| Donald E. Lange | .... | electrician | |
| Mary Ellen Mark | .... | still photographer | |
| Marco Nicholas Miller | .... | camera intern | |
| Greg Moring | .... | grip | |
| Don Mosley | .... | electrician (as Donald Ray Mosley) | |
| Marvin C. Newton | .... | grip intern (as Marvin Newton) | |
| Peter Riches | .... | still photographer | |
| Troy Smith | .... | Steadicam operator | |
| Rick Tiedeman | .... | Steadicam operator | |
| Rick Tschudin | .... | first assistant camera | |
| Mitchell J. Wood | .... | video playback operator | |
| Eric Thomas | .... | grip (uncredited) | |
Casting Department | |||
| Amy Caton-Ford | .... | extras casting | |
| Robert Green | .... | extras casting assistant | |
| Barbara Harris | .... | adr voice casting | |
| Alison Roth | .... | casting: Seattle | |
| Jodi Rothfield | .... | casting: Seattle | |
| Jessica Wilson | .... | casting assistant: Seattle | |
Costume and Wardrobe Department | |||
| Kathleen McKenzie | .... | seamstress (as Kathleen 'Arias' McKenzie) | |
| Allegra Moody | .... | wardrobe assistant | |
| Vanessa Vogel | .... | wardrobe supervisor | |
Editorial Department | |||
| Sharyl Allensworth | .... | post-production intern | |
| Rick Downey | .... | negative cutter | |
| John Hendrickson | .... | editing intern (as John Hendricson) | |
| Julie Jones | .... | editing intern | |
| David Kolenda | .... | editing intern | |
| George Langworthy | .... | second assistant editor (as George H. Langworthy) | |
| José Luis Manjon | .... | editing intern | |
| Christine Mantey | .... | editing intern | |
| Mike Mertens | .... | color timer (as Michael Mertens) | |
| Jean Marie Offenbacher | .... | first assistant editor | |
| Rob Penque | .... | editing intern | |
| Gavin Tatro | .... | editing intern | |
Music Department | |||
| Peter Afterman | .... | music supervisor | |
| Sally Boldt | .... | music editor | |
| Marc Bonilla | .... | musician: solo guitar | |
| Orion Crawford | .... | music copyist | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Michael Mason | .... | scoring coordinator | |
| Robert Schaper | .... | score mixer | |
| Marc Bonilla | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| George Evans | .... | transportation captain | |
| Tom Featherstone | .... | driver | |
| Jimmy Jones | .... | driver (as James Jones) | |
| Joel McCarthy | .... | driver | |
| Jon McCarthy | .... | transportation coordinator | |
| Sharon McCarthy | .... | driver | |
| Fred Mirante | .... | driver | |
| Mike Sassen | .... | driver (as Michael Sassen) | |
| Leo Schaible | .... | driver | |
| Robert Sullivan | .... | driver (as Bob Sullivan) | |
| Gene Ungersma | .... | driver | |
| Don Weaver | .... | driver | |
| Rick Wiley | .... | driver: camera car | |
Thanks | |||
| Jonathan Weisgal | .... | special thanks | |
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| Freeway | The Woodsman | Hustle & Flow | The Basketball Diaries | River's Edge |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
This is a dramatic, narrative film by Martin Bell, the director of the excellent documentary "Streetwise". And while it is obvious Bell was a little uncomfortable with the narrative format, it is one of the few independent films of the 1990's that doesn't suffer from the Quentin Tarantino syndrome--i.e. it is not just a pastiche of other movies the director has seen. It's clear Bell based a lot of this movie on real life. In fact, many of the characters here were obviously based on real people in "Streetwise"--the kid and his ex-con father, the tomboy lesbian, the 14-year-old amateur hooker. The movies suffers a little in comparison to early Gus Van Sant films ("Mala Noche","Drugstore Cowboy", "My Own Private Idaho")which had similar down-and-out characters and were also set in the American Northwest. But many will find this film refreshingly honest and less pretentious, at least, than some of Van Sant's films.
What really makes this film is the acting. It marked Jeff Bridges return to independent film (five or six years before "The Big Lebowski"), and his performance here makes one forgive him for the Hollywood crap he made in the 80's like "Against All Odds". Edward Furlong is also very good. I remember reading some alarmist claptrap about him in Premiere magazine around the time of this movie, about how he was dating a 30-year-old woman (oh, the horror! the horror!) and about to become another young Hollywood casualty. Well, starting with this film he ended up carving a nice little niche for himself in independent film (i.e. "Pecker", "Animal Factory"). Turns out that just because you're not starring in "Terminator 3" it doesn't necessarily mean you're sharing needles in a crack house with guys named Corey and girls named Shannen. And as a little icing on the cake this movie has a great Tom Waits theme song which you can't find any of his albums. Definitely a recommended movie.