Scudder is a detective with the Sheriff's Department who is forced to shoot a violent suspect during a narcotics raid. The ensuing psychological aftermath of this shooting worsens his ... See full summary »
After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city ... See full summary »
A talented young photographer, who enjoys snapping photos of his satirical, perverted Baltimore neighborhood and his wacky family, gets dragged into a world of pretentious artists from New York City and finds newfound fame.
San Francisco heiress Page Forrester is brutally murdered in her remote beach house. Her husband Jack is devastated by the crime but soon finds himself accused of her murder. He hires ... See full summary »
The character of "Freddie" was based on a real life street kid, named Lulu. Lulu was featured in the documentary Streetwise, and just like Freddie, she stood up for other street kids. Lulu was stabbed to death after Streetwise filmed, her funeral was covered by CNN and over 200 people attended. See more »
Near the end of the movie, the ferry is leaving Seattle (towards Bainbridge Island or Bremerton). However a few seconds later we see the boat wake with the Olympic Mountains in the distance indicating the boat is headed towards Seattle, not away from it. See more »
This is a dramatic, narrative film by Martin Bell, the director of the excellent documentary "Streetwise". And while it is obvious Bell was a little uncomfortable with the narrative format, it is one of the few independent films of the 1990's that doesn't suffer from the Quentin Tarantino syndrome--i.e. it is not just a pastiche of other movies the director has seen. It's clear Bell based a lot of this movie on real life. In fact, many of the characters here were obviously based on real people in "Streetwise"--the kid and his ex-con father, the tomboy lesbian, the 14-year-old amateur hooker. The movies suffers a little in comparison to early Gus Van Sant films ("Mala Noche","Drugstore Cowboy", "My Own Private Idaho")which had similar down-and-out characters and were also set in the American Northwest. But many will find this film refreshingly honest and less pretentious, at least, than some of Van Sant's films.
What really makes this film is the acting. It marked Jeff Bridges return to independent film (five or six years before "The Big Lebowski"), and his performance here makes one forgive him for the Hollywood crap he made in the 80's like "Against All Odds". Edward Furlong is also very good. I remember reading some alarmist claptrap about him in Premiere magazine around the time of this movie, about how he was dating a 30-year-old woman (oh, the horror! the horror!) and about to become another young Hollywood casualty. Well, starting with this film he ended up carving a nice little niche for himself in independent film (i.e. "Pecker", "Animal Factory"). Turns out that just because you're not starring in "Terminator 3" it doesn't necessarily mean you're sharing needles in a crack house with guys named Corey and girls named Shannen. And as a little icing on the cake this movie has a great Tom Waits theme song which you can't find any of his albums. Definitely a recommended movie.
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