| Photos (See all 27 | slideshow) |
| Peter Weller | ... | Bill Lee | |
| Judy Davis | ... | Joan Frost / Joan Lee | |
| Ian Holm | ... | Tom Frost | |
| Julian Sands | ... | Yves Cloquet | |
| Roy Scheider | ... | Dr. Benway | |
| Monique Mercure | ... | Fadela | |
| Nicholas Campbell | ... | Hank | |
| Michael Zelniker | ... | Martin | |
| Robert A. Silverman | ... | Hans | |
| Joseph Scoren | ... | Kiki (as Joseph Scorsiani) | |
| Peter Boretski | ... | Creature Voices / Exterminator #2 | |
| Yuval Daniel | ... | Hafid | |
| John Friesen | ... | Hauser | |
| Sean McCann | ... | O'Brien | |
| Howard Jerome | ... | A.J. Cohen | |
| Michael Caruana | ... | Pawnbroker | |
| Kurt Reis | ... | Exterminator #1 | |
| Louis Ferreira | ... | Exterminator #3 (as Justin Louis) | |
| Julian Richings | ... | Exterminator #4 | |
| Jim Yip | ... | The Chink | |
| Claude Aflalo | ... | Forgeman | |
| Laurent Hazout | ... | Interzone Boy | |
| Joseph Di Mambro | ... | Interzone Boy (as Joe Dimambro) |
Directed by | |||
| David Cronenberg | |||
Writing credits | ||
| William S. Burroughs | (novel) | |
| David Cronenberg | (written by) | |
Produced by | |||
| Gabriella Martinelli | .... | co-producer | |
| Jeremy Thomas | .... | producer | |
Original Music by | |||
| Ornette Coleman | |||
| Howard Shore | |||
Cinematography by | |||
| Peter Suschitzky | |||
Film Editing by | |||
| Ronald Sanders | |||
Casting by | |||
| Deirdre Bowen | |||
Production Design by | |||
| Carol Spier | |||
Art Direction by | |||
| James McAteer | |||
Set Decoration by | |||
| Elinor Rose Galbraith | |||
Costume Design by | |||
| Denise Cronenberg | |||
Makeup Department | |||
| Marlene Aarons | .... | assistant makeup artist | |
| Rhoda Ancill | .... | hair stylist | |
| Veronica Ciandre | .... | hair stylist | |
| Christine Hart | .... | makeup artist | |
| Carmen MacDonald | .... | hair stylist | |
| Judy Murdock | .... | assistant makeup artist (as Judy Murdoch) | |
| Marilyn O'Quinn | .... | assistant makeup artist | |
| Lucy Orton | .... | hair stylist | |
Production Management | |||
| Michael Saxton | .... | post-production supervisor | |
| Marilyn Stonehouse | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Board | .... | first assistant director | |
| Simon Board | .... | third assistant director | |
| Michael G. Burke | .... | trainee assistant director (as Michael Burke) | |
| Cassandra Cronenberg | .... | trainee assistant director | |
| Terry Gould | .... | second assistant director | |
Sound Department | |||
| David Appleby | .... | sound re-recording mixer | |
| Richard Cadger | .... | dialogue editor | |
| Tony Currie | .... | dialogue editor | |
| Bryan Day | .... | sound mixer | |
| Henry Embry | .... | cable person | |
| David Evans | .... | sound effects editor | |
| James A. Gore | .... | foley assistant | |
| Wayne Griffin | .... | dialogue editor | |
| Richard Harkness | .... | assistant sound editor | |
| Layne Harris | .... | boom operator | |
| Sean Kelly | .... | assistant sound editor | |
| Judy 'Lucky' Kemeny | .... | assistant sound editor (as Judy Kemeni) | |
| Michael LaCroix | .... | boom operator (as Michael Lacroix) | |
| Susan Maggi | .... | assistant sound editor | |
| Andy Malcolm | .... | foley artist | |
| Peter Maxwell | .... | sound re-recording mixer | |
| Dale Sheldrake | .... | dialogue editor | |
| Lou Solakofski | .... | foley recordist | |
| Jane Tattersall | .... | sound effects editor | |
| Don White | .... | sound re-recording mixer | |
| Tami Treadwell | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Carol Bauman | .... | animatronics technician | |
| Brian Dewe | .... | animatronics engineer | |
| Joel Friesch | .... | animatronics technician | |
| Guy Hudson | .... | animatronics technician | |
| Jamie Hyneman | .... | animatronics technician | |
| Dave Isaac | .... | animatronics technician | |
| Conrad Itchener | .... | animatronics technician | |
| James Pennington Kent | .... | animatronics technician | |
| Victoria Lewis | .... | animatronics technician | |
| Tim Lidstone | .... | animatronics technician | |
| Michelle Lyman | .... | animatronics technician | |
| Ted Ross | .... | floor special effects | |
| Mark Siegel | .... | animatronics technician (as Mark Siegal) | |
| Valerie Sofranko | .... | animatronics technician | |
| Paul Theren | .... | animatronics technician | |
| Lauren Vogt | .... | animatronics technician | |
| Danny Wagner | .... | animatronics technician | |
| Harold Weed | .... | animatronics technician | |
| Michael Wick | .... | animatronics technician | |
| David Wiezer | .... | animatronics technician | |
| David Wiezer | .... | animatronics technician: special effects | |
| Chris Walas | .... | special creatures & effects (uncredited) | |
Casting Department | |||
| Youssef Abedalnour | .... | extras casting: interzone | |
| Eleanor Lavender | .... | extras casting | |
Costume and Wardrobe Department | |||
| Silvio Berti | .... | wardrobe assistant | |
| Brenda Gilles | .... | costume supervisor | |
| Ann Henshaw | .... | wardrobe assistant | |
| Julie Jones | .... | seamstress | |
Editorial Department | |||
| Evan Ayotte | .... | cutter | |
| Bernadette Kelly | .... | second assistant editor | |
| Patricia Lambkin | .... | second assistant editor | |
| Michael Rea | .... | first assistant editor | |
| Michael Rea | .... | post-production coordinator | |
| Christopher Severn | .... | color timer | |
| Benjamin Tucker | .... | assistant post-production coordinator | |
| Sandra Tucker | .... | post-production coordinator | |
| Peter Watson | .... | second assistant editor | |
Music Department | |||
| Denardo Coleman | .... | musician: The Ornette Coleman Trio | |
| Ornette Coleman | .... | musician: The Ornette Coleman Trio | |
| Homer Denison | .... | orchestrator | |
| Suzana Peric | .... | music editor | |
| Barre Phillips | .... | musician: The Ornette Coleman Trio | |
| Nic Ratner | .... | assistant music editor | |
| Howard Shore | .... | conductor | |
| Alan Snelling | .... | music recording engineer | |
| Samantha Swan | .... | assistant music recording engineer | |
| Ray Williams | .... | music supervisor | |
Transportation Department | |||
| Eldie Benson | .... | head driver | |
| Eddie Bowman | .... | driver (as Ed Bowman) | |
| Brian Cole | .... | driver | |
| Ron Coles | .... | driver | |
| Michael Curran | .... | transportation coordinator | |
| Mac Day | .... | driver | |
| Jerome McCann | .... | driver | |
| Doug Rice | .... | driver: construction department | |
| Steven Sacrob | .... | driver (as Steve Sacrob) | |
| Nick Schefter | .... | driver | |
| Oliver Steins | .... | driver | |
| Mark Van Alstyne | .... | driver captain | |
| John van Noord | .... | driver | |
Other crew | |||
| Connie Angland | .... | purchasing agent | |
| Jon Berg | .... | technical advisor | |
| Michael Brownstone | .... | location manager | |
| Lesley Clark | .... | production secretary | |
| Jocelyn Cousins | .... | assistant: Mr. Thomas | |
| Hazel Crombie | .... | accountant: UK | |
| Sevilla Delofski | .... | assistant: Mr. Thomas | |
| Prudence Emery | .... | unit publicist | |
| Vic Fraser | .... | copyist | |
| Deb Geaghan | .... | assistant accountant | |
| Mary Margaret Gibbons | .... | bookkeeper | |
| Lori Greenberg | .... | assistant: Ms. Martinelli | |
| Evangeline Griego | .... | assistant: Ms. Martinelli | |
| Will Hoddinott | .... | location assistant | |
| James Isaac | .... | project supervisor | |
| Helene LeBlanc | .... | stand-in (as Helene Leblanc) | |
| Kelly Lepkowsky | .... | mechanical supervisor (as Kelly Lepowski) | |
| Jim Lovisek | .... | insect/centipede wrangler (as James Lovisek) | |
| John Martins-Mantiega | .... | director's Observer | |
| Michelle Mundy | .... | assistant: Mr. Weller | |
| Julie Oudot | .... | assistant: Mr. Thomas | |
| Rick Parker | .... | animal wrangler | |
| John Picard | .... | stand-in | |
| Janet Riggs | .... | assistant: Mr. Weller | |
| Bev Ross | .... | assistant accountant (as Beverly Ross) | |
| Dug Rotstein | .... | script supervisor | |
| Stephen Scott | .... | production office assistant | |
| Mark Siegel | .... | creature maker | |
| Teri Spasov | .... | accountant: Canada | |
| Ron Swinburne | .... | financial controller | |
| Sandra Tucker | .... | assistant: Mr. Cronenberg | |
| Wim van Thillo | .... | mold supervisor | |
| Mark Walas | .... | general manager: CWI | |
| Scott Walas | .... | business manager | |
| Roz Wyllie | .... | assistant: Ray Williams | |
| Deborah Zwicker | .... | production coordinator | |
| Randall Balsmeyer | .... | title designer (uncredited) | |
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| So Sweet, So Dead | Confessions of a Dangerous Mind | Dead Ringers | Stonewall | Barton Fink |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb Canada section |
Films about writers and the creative process are not generally action-packed, but this unusual piece has plenty of incident. The action takes place largely inside the mind of "William Lee" (William S. Burroughs) whose first book "Junkie: Confessions of an Unredeemed Drug Addict" dealt with his struggle against heroin addiction. "The Naked Lunch", set in the early 1950s, could be described as telling how that book came to be written. Lee does it tough. After "drying out" he has a job as a pest exterminator, killing cockroaches with powder from a cannister. He discovers that his wife Joan, still an addict, is shooting up with the bug powder and having sex openly with two of his literary friends, Hank and Martin. He then manages to kill her accidentally with his pistol ("I guess it's about time for our William Tell routine"). He flees the country and washes up in "Interzone" (Tangier - then an "international" city).
He tries to write but suffers from frequent hallucinations. He imagines his typewriter is a giant speaking bug whose mission is to act as his "Interzone" spyforce controller. He becomes involved with another expatriate literary couple, Tom and Joan Frost, and imagines that Tom is trying to kill his wife. Naturally he seduces the wife. Then he discovers he has a taste for gay sex, very easily indulged in locally, where there is a gorgeous willing boy such as Kiki ready to slide off the nearest bar stool. There is competition though from various other slimy types, including a rich gay predatory Swiss expatriate, Yves.
Somehow, the book gets written, and Hank and Martin show up just as Lee bottoms out in psychotic despair. They help him piece it together and head off back to New York, leaving Lee to "Interzone" and his hallucinations.
It takes a bit of discipline to watch this film - never has the creative process looked quite so destructive of the writer. Yet the whole thing has a lightness of touch about it. Lee never quite goes right over the edge and is able to observe himself with a certain amount of ironic detachment. At the same time, it is clear that the death of his wife has affected him deeply, both in terms of loss and guilt. The typewriter bugs are a cute touch. Burroughs was the grandson of the founder of the Burroughs office machinery empire, the man who patented the first practical adding machine - the mechanical bug runs in the family it seems. Abusive psychiatry also gets a send up.
As Lee, Peter Weller has a face as impassive as a homicide cop almost regardless of the turmoil within (after all, he made the role of Robocop his own). But he is a "tough guy" on the point of melt-down. Judy Davis, looking just right, plays with plenty of conviction both Joans (who in Lee's fevered brain are the same person). Ian Holm is good as Tom, the nasty older writer who is quite happy to lend his wife for sexual purposes but woe betide the man who damages his precious Arabic typewriter. Julian Peters as Yves radiated menace but overall was a bit of a cardboard-cutout, not helped by his dress and appearance, which seemed to have come straight from "Brideshead Revisited" (Sebastian in Morocco).
David Cronenberg as a director has certainly got a reputation for weird films ("The Fly", "Crash") but this offering is relatively restrained It was something of a pity that "Interzone" was a studio set somewhere (Canada?) but this is low-budget stuff after all. Unlike the bugs in "Fear and Loathing in Las Vegas", these ones have a story to tell, though it's a painful one. Like Hunter Thompson, Burroughs was a great prose writer and the film has plenty of good lines. No-one could view heroin addiction with equanimity after seeing this film, but there is no moralising. As bug agent Clark Nova put it in the film:
"Just remember this. All agents defect, and all resisters sell out. That's the sad truth, Bill. And a writer? A writer lives the sad truth like anyone else. The only difference is, he files a report on it."