Just want to start off by saying that this movie is far too long to be enjoyable. I felt like a movie in the caliber should have only been like around an hour and 40 minutes or something in that neighborhood. I felt like whomever made this didn't know when to cut or when to scrap certain scenes. Just overall poor judgement calls on the director and film editor. I'm not saying that a shorter version on this movie would help the plot in anyway, but it certainly would have helped some, when it comes to watching it. The plot is subparr and not at all worth your while. Frankly I only gave this movie a chance because a couple of actors I knew were in this including Dennis Farina, but not even he could save this boring film. I strongly suggest watching something else ANYTHING else than this rubbish.
4 Reviews
a great mini series based on a popular book
jonathan_lippman9 August 2017
I love this miniseries starting with the theme music and the cast. A glamorous cast and several very good subplots that involve murder, infidelity, high society, religious fanaticism, homosexual love, AIDS, snobbery and friendship all rolled into one four hour two parter. Ben Gazzara, Connie Selllica in her best ever role and Award winner for her role Eva Marie Saint as a horrible socialite that the audience will love to hate as I did are all excellent. I have not read the book and I assume that not everything in the book is covered here but that is what happens when books are made into movies, dealing with the time element that a movie has. The setting, New York's upper crust society is very well represented as is the snobbism that is a result of such a social scene. I believe that many of the characters including Ben Gazzara's writer are based on real life characters including the novelist Dominque Dunne who is himself part of the Jet set. I also believe that the film actress played by TV actress Ruta Lee is based on Elizabeth Taylor who became a major figure in the AIDS battle as does the actress in this story. I have to mention the lovely and wonderful Jean Simmons in a small but important role who adds her glamorous name and class to the proceedings and is a throwback to the Golden Age of Cinema from whence she come. Eva Marie Saint is a standout.
"Justice will be satisfied"
Goingbegging14 January 2021
This mini-series came out the same year as Bonfire of the Vanities, and it is a similar tapestry of fashionable Manhattan with all the contemporary themes and topics woven in - homelessness, dubious charities, insider trading, anti-gay prejudice, born-again Christians, and the regulation English gossip-columnist.
The opening section also suggests a touch of Sidney Sheldon, always giving you someone to hate, in this case a violent murderer putting the blame on his young female victim and making a churchy appeal for clemency. "I just hope they can forgive me. God has." So has a very spiritual girl who can see him only as a lost sheep in need of salvation, which may yet shorten his sentence. But the victim's father, Gus, has certainly not forgiven him, as he lays a white rose on her grave. "It's not over yet, Becky."
Gus is played by Ben Gazzara - a good face, reflecting many emotions, from inflexible determination to whimsical wonder, while the divorced mother, Ruby, whose complex private life impacts deeply on the plot, is played by the glamorous Connie Sellecca. An incredibly well-kept Eva Marie Saint makes her long-awaited return to the screen as the super-snob, repudiating her son when it's clear he's dying of AIDS (not for "people like us"), yet still presiding over a grand fundraising banquet for AIDS charities. And Jean Simmons lends elegance and grace to the role of the grandmother.
No fewer than 53 featured players make it a little hard to focus on who's who in the zoo, and I wish I could have understood the business with the butterflies swarming round the chandelier, apparently significant. But overall, it's a deeply involving narrative, made more authentic by its background: scriptwriter Dominick Dunne had actually lost his own daughter under these same harrowing circumstances.
The opening section also suggests a touch of Sidney Sheldon, always giving you someone to hate, in this case a violent murderer putting the blame on his young female victim and making a churchy appeal for clemency. "I just hope they can forgive me. God has." So has a very spiritual girl who can see him only as a lost sheep in need of salvation, which may yet shorten his sentence. But the victim's father, Gus, has certainly not forgiven him, as he lays a white rose on her grave. "It's not over yet, Becky."
Gus is played by Ben Gazzara - a good face, reflecting many emotions, from inflexible determination to whimsical wonder, while the divorced mother, Ruby, whose complex private life impacts deeply on the plot, is played by the glamorous Connie Sellecca. An incredibly well-kept Eva Marie Saint makes her long-awaited return to the screen as the super-snob, repudiating her son when it's clear he's dying of AIDS (not for "people like us"), yet still presiding over a grand fundraising banquet for AIDS charities. And Jean Simmons lends elegance and grace to the role of the grandmother.
No fewer than 53 featured players make it a little hard to focus on who's who in the zoo, and I wish I could have understood the business with the butterflies swarming round the chandelier, apparently significant. But overall, it's a deeply involving narrative, made more authentic by its background: scriptwriter Dominick Dunne had actually lost his own daughter under these same harrowing circumstances.
Is desiring approval from the elite really worth the scrutiny?
mark.waltz20 August 2023
Warning: Spoilers
This soapy melodrama has enough intrigue and backstabbing to cover the 9 seasons of the then recently cancelled "Dynasty", with a top notch witchy villainess in top Manhattan society matron Eva Marie Saint, deservedly winning an Emmy for playing the nastiest snob ever recorded on film. She's the mother of a gay son who informs her over an awkwardly polite dinner that he is dying of AIDS related lymphoma. She's rather cold to his partner which leads to a delicious revenge that is more destructive to her than the objects utilized.
That's just one story in this two part movie that starts off with the murder of the daughter of Ben Gazzara and Jean Simmons who are still friendly after being divorced, brought together by the love of their sweet daughter and the tragedy that follows. There's also Connie Selleca, once a stewardess, now married to wealthy Dennis Farina, who has info on the man convicted of the murder. These two stories are the glue that holds this together with little threads of subplots sticking out.
With society matron names like Maisie and Dolly, this has a bit of a gimmicky feel to it, and supporting performances by Ruta Lee as a Liz Taylor like actress raising funds for AIDS research, Holland Taylor as a Cindy Adams like gossip columnist, Beatrice Straight as a flashy party giver and Susan French as an Iris Apfel like fashion designer (minus the glasses) adds spark. Paul Williams plays a Truman Capote lookalike whose pretentiousness can be smelt from the screen.
The script indicates subtly that the snootier characters are getting a critical finger wagging and society in general being declared obsolete in its antiquitated ways. Saint's character is so vile that it is obvious without saying it, she's enjoying the chance to show how empty extreme wealthy people like this are, especially when she throws away the dinner plates and utensils that her son just ate off of. This flies by very fast for a three hour movie and doesn't need any editing whatsoever.
That's just one story in this two part movie that starts off with the murder of the daughter of Ben Gazzara and Jean Simmons who are still friendly after being divorced, brought together by the love of their sweet daughter and the tragedy that follows. There's also Connie Selleca, once a stewardess, now married to wealthy Dennis Farina, who has info on the man convicted of the murder. These two stories are the glue that holds this together with little threads of subplots sticking out.
With society matron names like Maisie and Dolly, this has a bit of a gimmicky feel to it, and supporting performances by Ruta Lee as a Liz Taylor like actress raising funds for AIDS research, Holland Taylor as a Cindy Adams like gossip columnist, Beatrice Straight as a flashy party giver and Susan French as an Iris Apfel like fashion designer (minus the glasses) adds spark. Paul Williams plays a Truman Capote lookalike whose pretentiousness can be smelt from the screen.
The script indicates subtly that the snootier characters are getting a critical finger wagging and society in general being declared obsolete in its antiquitated ways. Saint's character is so vile that it is obvious without saying it, she's enjoying the chance to show how empty extreme wealthy people like this are, especially when she throws away the dinner plates and utensils that her son just ate off of. This flies by very fast for a three hour movie and doesn't need any editing whatsoever.
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