Life in the small town of Grandview, Illinois is one that is just like any other city or town. Tim Pearson, soon to be graduating high school wants to go to Florida to study oceanography. ... See full summary »
Jamie Lee Curtis,
C. Thomas Howell,
Young Danny is following his rich girlfriend's family to the Caribbean. But suddenly he simply must take a chemistry test and cannot go with them. After they have left, he gets a leave from... See full summary »
When unemployed dockworker Joey Coyle finds $1.2 million that fell off of an armored car, he decides to do the logical thing: take the money and run. After all, he says, finders keepers. He... See full summary »
In this scathing and subversive social comedy, life in post riot Los Angeles is dissected under the sardonic eye of John Boyz, an unemployed thirty nothing flounderer on Venice Beach who is... See full summary »
After being fired from their jobs as security guards, Josh and Ivan form Video Aces, a video production company. Using Josh's talent and Ivan's business savvy, they attempt to hit it big in the business while doing projects they want to do. Among those whose paths cross with theirs are Norman Mart, an extremely right-wing presidential candidate; Samantha Gregory, a scheming music reporter; and Mo Fuzz, a producer willing to give them a chance or three if they'll work on spec. Written by
James Meek <firstname.lastname@example.org>
The song "Repave Amerika" appears on the soundtrack, written by Tim Robbins and performed by Bob Roberts. This was four years before Bob Roberts (1992), written and directed by Robbins. See more »
You know, Josh, in primitive societies, after they sever the umbilical cord, they eat the placenta in a ritualistic ceremony.
[bites into a burger]
Want a bite?
See more »
After the final credits, there is one minute of video static with the following superimposed text: Oh ... and by the way, the next time you're passing through Santa Monica, CA., stop in at Renee's Courtyard Cafe. See more »
Tapeheads- A bizarre unique and twisted comedy- Who could ask for more
Tapeheads is not a subtle film. It is not brilliant film. What it is is one of the most unique and funny American comedies in a long time. What allows this movie to rise above the stupidity in which it revels in is two-fold. Its quirky sense of humor is so unique and refreshing, that you're not only willing but looking forward to the plot which can politely described as asinine. Secondly, it has the Swankey Modes, who are actually soul legends Sam Moore and Junior Walker. They bring a delightful energy and great music to the movie.
It would be pointless to bring up specific scenes, except to say that this movie has approximately ten or fifteen of the funniest vignettes of the year. There are also plenty of misses, but the joy in seeing them make the effort allows you to forgive all the misses.
John Cusack and Tim Robbins, both exceptional actors capable of great subtlety, exhibit none of it here. What they replace it with is a great comic energy and a willingness to do almost anything for a joke. Cusack is especially endearing as a total sleazeball who will do anything for a buck. Michael Nesmith (yes, That one!) produces this farce and demonstrates what we already knew- He was really the talented one, and the funniest one.
I imagine that there will be people who hate this movie. People who hate its lack of subtlety, who hate the implausible plot, and who just don't get a humor that most can most aptly described as off kilter. What they don't understand is that the humor in this movie is a complete original, and the lengths this movie takes to see it through are admirable and at times breathtaking. And it is for those reasons that Tapeheads is one of the great American comedies of the 1980's, and one of the most underrated movies ever made.
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