| David Birney | ... | Aton | |
| Sarah Douglas | ... | Roa | |
| Alexis Kanner | ... | Sor | |
| Andra Millian | ... | Ana | |
| Starr Andreeff | ... | Bet | |
| Chuck Hayward | ... | Kin (as Charles Hayward) | |
| Jonathan Emerson | ... | Architect | |
| Susie Lindeman | ... | Boffin | |
| Russell Wiggins | ... | Zol | |
| Larry Hankin | ... | Desert King | |
| Ronald R. Burns | ... | Aton's Man | |
| Bernard J. Garsen | ... | Aton's Man | |
| Dan Wells | ... | Architect's Assistant | |
| Bradley Reid | ... | Trader | |
| Stephen D. Nathenson | ... | City Dweller | |
| James Barry Blakely | ... | Narrator | |
| Lee Michael Walczuk | ... | Nomad Dancer | |
| Dayna Beilenson | ... | Nomad Dancer | |
| Attila Bokor | ... | Nomad Dancer | |
| Charles E. Carpenter | ... | Nomad Dancer | |
| Beth A. Corell | ... | Nomad Dancer | |
| Derek Penfield | ... | Nomad Dancer | |
| Ilene Cara Zeff | ... | Nomad Dancer | |
| rest of cast listed alphabetically: | |||
| Larry Bartels | ... | Cult member | |
Directed by | |||
| Paul Mayersberg | |||
Writing credits(WGA) | ||
| Isaac Asimov | (story) | |
| Paul Mayersberg | (screenplay) | |
Produced by | |||
| Julie Corman | .... | producer | |
| Lynn Whitney | .... | associate producer | |
Original Music by | |||
| Frank Serafine | |||
Cinematography by | |||
| Dariusz Wolski | |||
Film Editing by | |||
| Brent A. Schoenfeld | |||
Casting by | |||
| Al Guarino | |||
Production Design by | |||
| Craig Hodgetts | |||
Art Direction by | |||
| Carol Bosselman | |||
Costume Design by | |||
| Stephen M. Chudej | |||
Production Management | |||
| Steve Barnett | .... | post-production supervisor | |
| Reid Shane | .... | production manager | |
| Richard Strickland | .... | production manager | |
Art Department | |||
| Curtis Bancroft | .... | carpenter | |
| James Blair | .... | carpenter | |
| Nigel Clinker | .... | property master | |
| Brian Densmore | .... | lead man | |
| Pasco Di Carlo | .... | carpenter | |
| David Esparza | .... | painter | |
| Eduardo H. Esparza | .... | carpenter | |
| Dan Hall | .... | set dresser | |
| Bill Holmquist | .... | construction coordinator: Cosanti | |
| Terry Kempf | .... | carpenter | |
| Hermann Lederle | .... | mural artist | |
| Gloria Murphy | .... | scenic artist assistant | |
| Robert Murray | .... | carpenter | |
| Aaron Newton | .... | construction coordinator: Arcosanti | |
| Craig Pierce | .... | assistant props constructor | |
| Erey Ragip | .... | artistic drapery | |
| Geoffrey Stiles Robinson | .... | set dresser | |
| Kim Sawyer | .... | carpenter | |
| Tal Schneider | .... | assistant property master | |
| Charles Seinfried | .... | carpenter | |
| Jeff Upton | .... | set dresser | |
| Eileen Winterkorn | .... | scenic artist | |
| John Wisner | .... | carpenter | |
Sound Department | |||
| Kevin Patrick Burns | .... | foley mixer | |
| Stuart Calderon | .... | sound effects editor | |
| Mike Dickeson | .... | foley artist | |
| Craig Felburg | .... | sound | |
| Diane Parrino | .... | foley artist | |
| Yvonne Preble | .... | foley artist | |
| Debby Ruby-Winsberg | .... | adr supervisor (as Debby Ruby) | |
| Andrew Schatz | .... | sound recording mixer | |
| Kevin Stratton | .... | sound effects | |
| David John West | .... | sound recording mixer | |
| Bob Costanza | .... | sound effects editor (uncredited) | |
Visual Effects by | |||
| Chuck Comisky | .... | visual effects consultant | |
| James M. Navarra | .... | visual effects | |
| Mark Wolf | .... | visual effects producer | |
Stunts | |||
| Ron Althoff | .... | stunts | |
| Brad Fletcher | .... | stunt coordinator | |
| Patrick J. Statham | .... | stunts | |
Camera and Electrical Department | |||
| Antar Abderrahman Jr. | .... | electrician | |
| Boyd | .... | best boy grip | |
| Thom Ryan | .... | second assistant camera | |
| Rob Sweeney | .... | first assistant camera | |
| Gary Yahn | .... | key grip | |
| Ron Bahara | .... | first assistant camera: additional photography (uncredited) | |
Casting Department | |||
| Kathie Dusard | .... | extras casting: Acrosanti | |
Editorial Department | |||
| Josh | .... | color timer | |
| Mato | .... | color timer | |
Music Department | |||
| Steve Dancz | .... | composer: additional music | |
| Rick Schwartz | .... | music mixer | |
| Kevin Stratton | .... | musician: synthesizer | |
| Frank Webber | .... | musician: synthesizer | |
Transportation Department | |||
| Jim Lucas | .... | transportation coordinator | |
Other crew | |||
| Debra Lee Byrn | .... | craft service | |
| Laura Cartwright | .... | key production accountant (as Laura McGillicuddy) | |
| Janet Elsasser | .... | production coordinator | |
| David Halver | .... | production assistant | |
| Lisa Lemberg | .... | jewelry artist | |
| Jay Lewis | .... | catering: National Backstage | |
| Zoltan Mayersberg | .... | production assistant stills | |
| Jan Rudolph | .... | script supervisor | |
| B.A. Sanguily | .... | craft service | |
| Eric Spersted | .... | production assistant | |
| Kevin Stratton | .... | synthesizer programmer: DX-Y | |
| Tom Taylor | .... | snake wrangler | |
| Don Thompson | .... | liaison: Acrosanti | |
| Lee Michael Walczuk | .... | choreographer | |
| Linda Whaley | .... | animal wrangler | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb USA section |
Somewhere . . . somehow . . . one of the finest short SF stories ever to be penned was brutally transmorgrified into a mishmosh of New Age symbolism heavily overlaid with bad acting. Asimov's original story was a well crafted tale of slowly consuming fear over a natural event. Mayersberg's film version by rights should have been a major genre event. Instead we find veteran character actors such as Sarah Douglas and Alexis Kanner (who should've known better) trying to shore up one of the worst David Birney performances ever filmed. Only two things can be recommended about this film: an interesting poster, and the fact that it was filmed in and around Paolo Soleri's "Arcosanti" architectural project out in Arizona.