Kansas (1988) User Reviews

The film starts off strongly but gradually deteriorates to a predictable outcome

[Ed-Shullivan · 6/10 · 21 April 2015]

The two lead actors Andrew McCarthy and Matt Dillon did an admirable job in their roles as two drifters who by happen stance meet while freeloading on a moving train through Kansas. I really enjoyed the opening 10 minutes of the film and the Director's (David Stevens) use of the wheat combines chomping through a Kansas wheat field as the opening credits rolled along. I believed I was in for a pretty good film. Within the first 30 minutes a lot had occurred which I do not want to spoil for the viewers who have not yet watched the film so no spoiler alert is required.

As the plot progresses and the two lead characters roles emerge Doyle Kennedy (Matt Dillon) as the alpha male and his unsuspecting accomplice Wade Corey (Andrew McCarthy) continue on their mini crime spree it does not take them long to realize that they need to go their separate ways to avoid arrest and they agree to meet up later.

Doyle being a bit psychotic without a conscience wants to have a few drinks and connect with an old girlfriend. While Wade is looking for a way to continue his route to New York where he is expected as the Best Man at his friends wedding. So Wade stumbles upon a farm that is willing to give him a couple of weeks work in the wheat fields. Wade falls for the bosses daughter and he finds himself in a dilemma with his recent new criminal associate Doyle who wants to get the money they stole and move on out of town. Unfortunately for Doyle his criminal past and his distinguishing features (duh Wade!) leave the local police with an easy target to re-apprehend him.

The latter half of the film was predictable and a bit hokey. I thought because of the strong performances and cinema appeal of the first half of the film that maybe the production ran out of time and/or money and so a different director may have been used to complete the film. Since the first half of the film was so appealing I felt the latter half was a bit of a let down by the director David Stevens.

As a result I have rated the film a 6 out of 10. It is worth watching still but don't expect a great ending to a film that started off very strong.

You meet such interesting people on the railroad

[bkoganbing · 6/10 · 10 May 2017]

After watching Kansas I still haven't figured out why Andrew McCarthy just didn't call his friend and tell him my car died in Utah and there ain't no way I can make the wedding, get yourself another best man. Of course there would be no picture if he did that.

Nevertheless McCarthy decided because he was a romantic he'd like to try bumming rides in freight cars on the railroad maybe because you meet such interesting people. In McCarthy's case he meets an amiable Matt Dillon going home to Kansas and the small town he grew up in.

Dillon might seem amiable, but he soon enough gets McCarthy involved in a bank robbery and the two are fleeing. McCarthy has the loot and he buries it in a tree. But then on a heroic impulse he jumps in a river to save a drowning girl and the stranger is now a town hero.

In the meantime Dillon flees far enough and then turns around to get McCarthy and the money.

The tension in Kansas is whether McCarthy will be discovered as a bank robber just when things are going well for him. He's even taken interest in country girl Leslie Hope. Dillon on his return back shows what a truly sociopathic character he is with several acts of brutality.

Watching Kansas put me in mind of I Was A Fugitive From A Chain Gang and how Paul Muni got caught up in something he was really not involved in. McCarthy is a bit less innocent than Muni was. Still it was not an enviable situation.

Kansas is a well constructed film with very good tension buildup and helped by location shooting in the title state. McCarthy and Dillon acquit themselves in roles they are well type cast in.

I'd see this one when broadcast.

Why is this guy hopping a train?

[tawneyfarm · 4/10 · 1 March 2021]

No one just hops a train when their car breaks down? If he really needed to get home to the wedding why would he stop at the carnival? If this this is a rip off of a Horatio Algiers story, why is it so bad.

Bad script, bad direction, bad acting

[Agostino-1964 · 2/10 · 12 January 2019]

Wow, hard to imagine the positive reviews for this misbegotten turkey. The script makes a hash of character and motivation: unbelievable that anyone would do the things these characters do or speak the cliche lines they are given. Small town Kansans are treated like idiot rubes. Writer does not seem to know how to end the story, so tacks on a ridiculous wrap-up.

Director seems to cut to moody shots of farm machinery whenever he can't figure out what else to do. Special mention for a soundtrack that is a crime against humanity.

Dillon does Dillon (broody and crazy), McCarthy does McCarthy (inappropriate awkward grins). No other actors even register.

Except for a gratuitous and cringeworthy sex scene, feels like a poor basic cable TV movie. By the end, I was actually angry at how bad it was.

7 for the fantastic first half !! but then...

[dominik96 · 7/10 · 10 August 2005]

Two strangers find themselves in a small Kansas town. Matt Dillon, the bad boy, constrains the other guy to a bank robbery, and this and the resulting problems with a police search, hideaway ,sharing the money etc. makes up the story. Don't want to get into details, so you have more of this movie. I was surprised about the low rating and the classification of this movie as thriller. Because it is definitely no thriller!! The beginning and the first half are hilarious!! The whole background of Kansas and a small town is wonderful, and is not only nice to watch, but becomes part of the story. The pace is high and Matt has some great comedian moments in it, really funny!! I could go on and on about the wonderful first half. At this time, the movie is definitely a 7, and with more work effort, it would have become more, but that's hypothetically. The second half is far worse. Matt character can't decide if it is evil or crazy,the whole love story is too much,no surprising elements and the pace becomes far too slow. At the end i gave it a 7, but the second half is a 5. Nonetheless it's worth to watch it, because there are not many movies out there, which can profit so much from a background.

So not worth watching

[scottedunlap · 1/10 · 17 February 2021]

Similar review here. Bad acting, bad story, unlikable characters, bad direction. Love scenes with close ups of heavy farm equipment

Worth Watching

[jcs7001 · 7/10 · 27 September 2006]

Good enough. Matt Dillon does a great sociopath. If you know or want to know something about the mid-west, Kansas, Nebraska, small farming towns, then it's worth the watching. Filmed on locations that look real, are real, with a reasonably realistic portrayal of that life. It's a cheap rental if you can find it and a better waste of your time than the latest "reality show". They want ten lines of text for a comment, which explains to some degree, why there is so much drivel in the user comments that you find in IMDb. It doesn't take that much text to give you an idea of whether or not you'll like a film, really. Like crime drama? With a "just out of prison sociopath" that you'd really not like to meet? Then you'd likely enjoy this. If you've got any Midwestern farmer roots, you might also like it. I said that before I got to the significant "Ten Lines of Text..."

Worst movie I've ever seen

[edhumphrey · 1/10 · 17 February 2021]

I had to finish to see if it was really this bad. And it didn't let me down. Awful in every aspect. Who gave this the ok?

My home state movie!!

[lakesidedemon30 · 7/10 · 27 June 2006]

Where was most of this movie taped at? I know the Tee-Pee gas station scene was shot at Us HWY 24/40 AND 59 in Lawrence, Ks, and a lot of the other scenes where also shot not far away in Leavenworth County and Douglas County. I live close by, in Leavenworth County. I like seeing movies that have been tape close by kinda like Article 99 which was taped mostly in downtown Kansas City, Mo. I know a lot of stand ins from my area where a part of this movie. The chase scenes and other driving scenes where shot in the rural areas around Desoto,Ks. Not a bad movie, I like it because it was based on a robber in my home state. I wish movie makers would start doing this again more, taking their movies into the heartland and into other locations to film. There where a few more movies that I know that where shot around here, but I can't remember them right off. Still a good movie to watch, and or buy.

McCarthy is no rail rider

[SnoopyStyle · 5/10 · 16 January 2017]

Wade Corey (Andrew McCarthy) rides the rails hobo-style to get to NYC to be the best man in his friend's wedding. He befriends fellow rider Doyle Kennedy (Matt Dillon). They stop at Doyle's Kansas home town. Wade is pulled into Doyle's break'n enter and then a bank robbery. While hiding under a bridge, Wade comes to the rescue of the governor's daughter trapped in a sinking car. He runs away after the rescue only captured by the governor's photographer's camera. He is caught trying to steal by Lori Bayles (Leslie Hope) and her father gives him work on their farm. Wade's heroism becomes a media sensation inflamed by the governor's men while the cops continue their search for the one suspected bank robber.

The movie starts like an old-timey movie and it never really shakes that feeling. I don't know if people are still riding the rails like hobos but Andrew McCarthy never strikes me as somebody who would do that. He's more apt to hitchhike with his pretty face if push comes to shove. Matt Dillon has good criminal undertones and delivers on his part. Honestly, this movie would improve if Wade and Doyle first meet on a Greyhound bus. At least, that wouldn't stick out like a sore thumb.

Very good thriller/character study

[BrandtSponseller · 8/10 · 23 June 2005]

Matt Dillon and Andrew McCarthy were two of the biggest actors in teen-oriented films in the 1980s, and rightfully so. Dillon was in The Outsiders (1983) and Rumble Fish (1983), for example, and McCarthy was in St. Elmo's Fire (1985), Pretty in Pink (1986) and Less Than Zero (1987). They turned in good performances in those films. Their teaming for Kansas should have been huge, but maybe it came just a little too late. This was toward the end of the 1980s, after all. A lot of generational change was in the air. Both Dillon and McCarthy made a couple big films after Kansas, and they've both been working ever since, but they've been more under the radar.

Kansas only earned two and a half million dollars on its U.S. theatrical release. That's a shame, because this is a very good film. It's not perfect, but it doesn't deserve being ignored as it has. I think it was mostly ignored in the late 80s, too. I hadn't even heard of the film until just recently. The critical reception couldn't have been too positive, and director David Stevens hasn't directed since. He's still working, but primarily as a very under the radar writer for television. The only person to go on to bigger and better things has been cinematographer David Eggby, who has been the D.P. on Pitch Black (2000), Scooby Doo (2002) and others. This is because Eggby's work in this film has deservedly received a lot of praise. There are a lot of beautiful widescreen shots of Kansas that do much to both establish and complement/contrast the tone of the dramatic material.

Kansas tells of a brief, ultimately tumultuous encounter between two young men, Doyle Kennedy (Dillon) and Wade Corey (McCarthy). Corey is out west, about to hop a freight train--he's eventually bound for New York. Kennedy happens to be in the open-door car Corey is trying to hop, so he helps him jump in. Kennedy says that he's headed to Kansas. He pitches Corey on the hospitality of his fellow Kansans and suggests that Corey stay for a few days.

It doesn't take long until another side--a more typical Matt Dillon side I suppose we could say--begins to emerge. Despite the fact that Kennedy advertised that folks would be feeding them for free wherever they went, he decides to break into to a family's home while the family is at church so they can make themselves breakfast. Corey doesn't flinch, but when Kennedy's criminal behavior escalates, he does. He's "forcibly" dragged into a serious crime. Kennedy and Corey are almost caught. In the chaos, Corey unexpectedly commits an act of heroism. The two lose each other but remain in the same area. Corey just wants to forget about the incident and get on with his life, but he has something that Kennedy wants; meanwhile, the whole state is trying to find the unknown hero, who was roughly caught on film.

Let's get the slight flaws out of the way first. Most of Stevens' previous directorial experience was in television. Maybe as a result of this, Kansas has a slight made for television feel, where that description is necessarily a bit negative (there are films actually made for television that transcend the made for television feel). What that means is that it has a bit of a potboiler quality, with a slight shallowness of emotional investment in the characters. I'm emphasizing "slight" because there's just a hint of this in Stevens' style--something like when there's a "hint of autumn" in the air when you get a coolish breeze in early October.

However, not helping this is that Pino Donaggio's score is extremely maudlin with an "After School Special" flavor. It sounds almost like generic production music for the old Easy Listening radio formats. In my eyes, this was the biggest flaw of the film.

At times, a few plot developments seem flawed, but because of later developments, I think the plot oddities are interesting complexities and twists instead. For example, it might seem curious why scripter Spencer Eastman doesn't just have Corey give Kennedy what he wants and completely divorce himself from events of the recent past--after all, he's trying to start a new life, and that's going pretty successfully. However, Corey's character is more complicated than that. He's not just trying to go on the straight and narrow. That's why he didn't flinch when they first broke into that home to make breakfast. That's why he rides the rails for transportation. The character is more nuanced than he seems.

Another example--there's a reporter who fuels a lot of the plot. He trusts Kennedy at a later stage when it seems largely unjustified. However, two points emerge that explain this. One, he obviously knows Kennedy fairly well given the way they talk to each other, so he might have more reason to trust him than we're shown, even though Kennedy's a bit of a psycho and a criminal. Two, the reporter doesn't trust Kennedy enough to not hesitate until he receives more information. Eastman's script is actually well constructed, suspenseful, occasionally surprising, and neatly ties up most loose ends.

Dillon and McCarthy both play characters perfect for their abilities (which is probably why they played these kinds of characters so often). Dillon is great as a subtle psycho. He seems closer to normal and even-keeled for much of the film, but odd little breaks in the façade keep showing through; this is a guy whom we could easily imagine ending up as a serial killer.

While this is not a film that's likely to change your life, or leave a profound impact that sticks with you for years, not all films have to do that or even aim for it, obviously. This is just a very good thriller/character study admirably set in a relatively unique location. It deserves more recognition.

GOOD MOVIE

[mguempel · 26 July 2004]

Outstanding performances by Dillon & McCarthy. Great scenery throughout the movie. A young Kyra Sedgewick has a small role as Matt Dillon's girlfriend. Also look for Alan Toy (Professor Finley from 90210) as a news paper reporter. Very underrated. Recommended very highly. I rank this up there with Less Than Zero, Fresh Horses & St Elmos's Fire for McCarthy. One of the top actors of the 80's. The DVD only has an Original Theatrical Trailer. No other special features are on there. At around $10.00, this is a nice deal. Most stores don't carry this obscure gem but it is very available through Amazon or any other vendors on the Net. Hope you enjoy this outstanding movie that doesn't get the credit it deserves.

Dillon Does His Best, But Gets No Help

[Mg6 · 1/10 · 5 August 2021]

Quite frankly, this is one of the worst movies I have ever seen. So many slow and dull scenes that just leave you checking your phone or watch. McCarthy's main character is one of the most pretentious and unlikable"heroes" in movie history. For some reason, residents of Kansas have outrageous southern accents. The movie is just a bore, outside of the scenes when Matt Dillon is involved. Dillon dominates the screen, but he just isn't in it enough.

False Dialogue, Unrealistic Scenarios, Technical Inconsistencies

[chascoop-04195 · 2/10 · 20 October 2021]

Virtually none of the dialogue rings true. All of the characters' actions and reactions ring false in virtually every scene. Full of basic technical inconsistencies- just an example: where would an MP get a Combat Infantryman's Badge in 1988? Was he an Infantryman during the Invasion Of Grenada, and then changed his MOS sometime during the intervening 5 years? It's difficult to maintain the suspension of disbelief from minute-to-minute throughout the movie.

I'm only watching this because it's on HBO late at night and I had never heard of it before. I'm an hour into the film and I just checked the guide channel to see how much of the movie was left, and there's still almost an hour to go. To make matters worse, I tried a box of baked macaroni bites while watching this and they turned-out to be not nearly as good as I was hoping. I think I might read about how the movie ends on Wikipedia and just call it a night.

I've like seen better.

[jordondave-28085 · 5/10 · 12 April 2023]

(1988) Kansas DRAMA

Doyle Kennedy(Matt Dillon) helps Wade Corey (Andrew McCarthy) onto a train cart as a result of him having trouble with his car. While in the train cart, instead of heading up to a friend's wedding up in New York, Wade consciously decides to allow Doyle to manipulate him to visit his hometown of "Kansas"-hence the title. It is there, Doyle goes on a robbing spree in which he first breaks into a family's house to robbing the town bank. Once they split up as a result of being sought after, Wade then hides the money before saving the governor's daughter. Doyle then goes on a tracking rant to locate Wade to demand for his share for the money. It is during then after they split up, he crosses paths with his love interest, Lori Baykes (Leslie Hope) whose father owns a farm. I've like seen better.

Hoped/Expected much more.

[tshullin-300-167277 · 4/10 · 2 February 2023]

From their earlier movies, these are two fine actors. I'll blame the writing and Directing, but this felt like a well made summer stock college movie.

McCarthy can't pull off the rugged drifter/lover part. And Dillons bad boyness was so much better in the Outsiders. The whole movie felt cheesy.

The very last scene made me laugh. He jumps off the train, thus choosing her, and they both smiled at each other. But then she drove what seemed like 3/4 of a mile to go get him. How did they see each others smile from that far?

And Matt's death scene was not climatic at all. From the gunshots to his chest and bloody face, I expected more moaning and agony.

I asked myself if these two really loved the script or just wanted an acting gig.

Subtleties of Things to Come

[mcgee4468 · 10/10 · 25 January 2000]

The settings and wide open photography that must have been ahead of it's time make "Kansas" a pleasure to watch, a picturesque drama through the mid-west. On his way to his best friend's wedding, Andrew McCarthy hops a freight car and meets drifter and recently-released ex-con Matt Dillon - who is on his way to rob the bank in his former hometown. McCarthy is part of the crime before he knows it, unfortunately linked to Dillon's violent & vindictive character. Looking to lay low until it all blows over, McCarthy finds refuge in anonymity on a family farm. This part of the story, evidenced by the unfolding of Generation X in years immediately following the films release, could act to the discerning viewer as a subtle outline of Gen X's reluctance to take a spotlight for fear of it's wrath. Still, for those of other generations, "Kansas" is fun to watch, a pleasure to look at, and another good vehicle for Matt Dillon's ability to create interesting characters.

When will we be given an explanation for a sociopath's behavior?

[alicecbr · 10/10 · 3 November 2006]

Forget the critics. Each one of Matt Dillon's movies is in and of itself a gem, both with the unique characterizations, the photography, the direction and the writing. this one is a good example.

Just once before i die, however, I hope that ONE movie will take a sociopath such as Matt Dillon plays so well and give us an explanation. There were enough scenes in which he gets this introspective look in his eyes. That would be the great place for a flashback to the poor-looking home he came from, with the decent sounding, resigned and heart-broken father and the mother walking into the house, as the cops walk up to them to report yet another crime done by their son. What happened to him there? The police report to us that he came from a good home, church-going family. As he drives the stolen car down the highway in his stolen clothes, he is listening to gospel music on the car radio. What went wrong? Plenty of twists and turns in this movie, as you wonder if McCarthy will suddenly turn on Dillon when he gets the chance or continue to play the 'straight arrow'. Unfortunately, the movie goes for the Hollywood ending, instead of the one it should. Vagrants coming in off the freight train don't marry the rancher's daughter, no matter how nice it sounds....even when he saves a kid's life.

The beauty of the sunflowers in the Kansas field will remind you of Van Gogh and HIS madness. The sight of Dillon practicing his gun draw will take you right back to DeNiro in "TaxiDriver". The sight of Dillon backing his car up to crash into the police car will remind you of the same 'unique' sight in 'Albino Alligator'. Obviously the guy doing the commentary on the 'Alligator' DVD never saw 'Kansas'.

I am hoping that all of Dillon's movies will eventually wind up on a DVD with commentary by Dillon. It would add immeasurably to our understanding of the characters. Also, I'd love to hear what his relationship with McCarthy was and is. Of course, there Dillon is with one of his "Singles" co-stars, Kyra Sedgwick.....Kevin Bacon's wife. Yep, Kevin Bacon who he starred with in "Wild Things". Oh, how incestuous these Hollywood stars are. Obviously, Dillon gets along well with these folks.

So, we've seen Dillon play the hood, the maniac, the hot rod racer, the shyster detective. When will he play an Irish guy and be true to his roots? Even though he drinks in this movie and others, you never see him drunk. Oh, yes: "Factotum". Stay tuned.

Loved it when it came out....

[filman-2 · 9/10 · 21 November 2020]

Ok, it has been a few years since I have watched this, but I remember really enjoying it. I must have seen 10+ times as a teen & thought it was a good story & good acting!. Having read a few comments on here I will revisit!

Dillon Side Is Better Than The McCarthy

[RonellSowes · 25 October 2023]

Two drifters rob a bank in a small Kansas but during their escape are split up. One is a seasoned criminal with a long rap sheet (Dillon) the other a milder mannered best-man on his way to a wedding (McCarthy). Shortly after they're split Andrew McCarthy saves a child which is caught by a news photographer and then takes off to hide on a farm-with all the money. Everyone in town is interested in finding where the local hero is, especially Dillon who wants his share. This is pretty much where the rest of Kansas hovers around, jumping between the two characters' stories. Matt Dillon isn't especially great here but he and his character are without question more interesting than the whole Andrew McCarthy side of things; McCarthy is one of the ineffectual duds to act in major roles in the 80's. The Kansas landscape is nicely photographed and it treats the setting honestly.