A band of medieval mercenaries take revenge on a noble lord who decides not to pay them by kidnapping the betrothed of the noble's son. As the plague and warfare cut a swathe of destruction... See full summary »
A Dutch film, post-Saturday Night Fever, which follows the lives of three young men who are amateur dirt-bike motorcycle racers. They each fall in love with a young woman who, with her ... See full summary »
Hans van Tongeren,
Blonde Greet is an experienced, but kind hearted, prostitute in the Red Light District of Amsterdam. Her friend and also whore Nel lives on the second floor of her house, and is explored ... See full summary »
Sort of a cross between "Love Story" and an earthy Rembrandt painting, this movie stars Rutger Hauer as a gifted Dutch sculptor who has a stormy, erotic, and star-crossed romance with a ... See full summary »
Monique van de Ven,
Philipe Gastone, a thief, escapes from the dungeon at Aquila, sparking a manhunt. He is nearly captured when Captain Navarre befriends him. Navarre has been hunted by the Bishop's men for ... See full summary »
When Michelle, the CEO of a gaming software company, is attacked in her home by an unknown assailant, she refuses to let it alter her precisely ordered life. She manages crises involving ... See full summary »
A band of medieval mercenaries take revenge on a noble lord who decides not to pay them by kidnapping the betrothed of the noble's son. As the plague and warfare cut a swathe of destruction throughout the land, the mercenaries hole up in a castle and await their fate. Written by
Keith Loh <firstname.lastname@example.org>
The movie was greatly inspired by The Wild Bunch (1969) (which also dealt with two former allies who become enemies), Vera Cruz (1954) and The Crimson Pirate (1952). Suggested titles for the movie were 'The Mercenaries' and 'God's Own Butchers' before settling on 'Flesh + Blood' (which was the title of a recent Roxy Music album at the time). See more »
Sir John Hawkwood is depicted as being alive in 1501. However, he died in 1394, 107 years earlier. See more »
Will you show me how it's done? Then I'll know how to go about it.
No. Behind the bushes.
I don't feel like doing it right now.
I insist you feel like it right now. You're my maid. You'll do as I say.
See more »
"Flesh" & "Blood": Verhoeven's clever euphemisms for "Sex" & "Violence", his trademarks. Exceptional.
Ok, we're talking about a movie that's basically titled Sex & Violence by none other than Paul Verhoeven?! Those of us who know better should know what to expect here. For those of you who don't, know this: the same man responsible for the ultra sexy "Basic Instinct" and the ultra violent "RoboCop" made his debut (in American cinema, at least) with this masterwork concoction of ultra sex AND ultra violence.
Set in medieval Europe, the utter savagery of the sex and violence in this film is perhaps more at home than it could have been in any other setting. Depredation and debauchery: to the victor go the spoils, be they women, wealth, or what have you. And just a brief word about the plague: there's been a lot of criticism about the accuracy of its use in this movie. How 'bout the sheer ingenuity of it: the use of plague ridden slabs of dog as biological weaponry. Repugnant. Vile. Ingenious. Priceless, I loved it.
Rutger Hauer is excellent, this is probably my favorite performance of his. He's a power inflated pillager who is a bit of a tyrant to his followers. He's the devil we expect him to be. Jennifer Jason Leigh is surprisingly good in her youth as a sexually curious, devious little wench whose loyalties sway with the wind. She's a survivor.
Who this movie is NOT for: Those who have to think too hard about every movie they see, who demand a certain level of intellectuality (which is commendable). Plot holes? Are you kidding me, what plot? This isn't English Patient, its Sex and Violence. And for those with inhibitions about film content, who demand a certain level of decency (which is understandable), again, Sex and Violence, this movie is certainly not for you.
One of the few films I would call a masterpiece. But that's coming from someone who thinks Apocalypse Now is the finest cinematic experience ever realized, so take that for what its worth. RoboCop, I would call a masterpiece. U Turn, I would call a masterpiece. Big Lebowski, I would call a masterpiece. Flesh & Blood I would call a masterpiece.
71 of 89 people found this review helpful.
Was this review helpful to you?