Directed by
| Jack Gold | ||
Writing Credits (in alphabetical order)
| Jack Rosenthal | ... | (original screenplay) |
Cast (in credits order) verified as complete
Produced by
| John Paul Chapple | ... | assistant producer |
| David Deutsch | ... | executive producer |
| Victor Glynn | ... | producer |
| Peter Manley | ... | associate producer |
| Kiffer Weisselberg | ... | co-producer |
Music by
| Stanley Myers | ||
Cinematography by
| Wolfgang Suschitzky | ||
Editing by
| Bill Blunden | ||
Casting By
| Irene Lamb | ||
Production Design by
| Peter Murton | ||
Set Decoration by
| Michael Ford | ||
Costume Design by
| Tudor George | ||
Makeup Department
| Ross Carver | ... | hair stylist |
| Sandra Shepherd | ... | makeup artist |
Production Management
| Jean Walter | ... | production manager |
Second Unit Director or Assistant Director
| Patrick Kinney | ... | co-second assistant director |
| Nick Laws | ... | second assistant director (as Nicholas Laws) |
| Gary White | ... | first assistant director |
Art Department
| Ray Barrett | ... | construction manager |
| Karen Brookes | ... | production buyer (as Karen Brooks) |
| Frederick Brown | ... | stagehand (as Fred Brown) |
| Graham Bryant | ... | carpenter |
| John Chapple | ... | standby painter |
| Martin Duffy | ... | standby carpenter |
| James Ede | ... | painter |
| Sarah Horton | ... | art department runner |
| Colin Lovering | ... | painter |
| Michael Mathews | ... | standby propman |
| Terence Meadows | ... | standby stagehand (as Terry Meadows) |
| John Moore | ... | prop man |
| John Morris | ... | property buyer |
| David Skinner | ... | standby rigger |
| Jimmy Spiller | ... | dressing propman |
| Ted Western | ... | dressing props |
Sound Department
| Jonathan Bates | ... | sound editor |
| Gerry Humphreys | ... | dubbing mixer |
| Mick Monks | ... | assistant sound editor |
| Robin O'Donoghue | ... | dubbing mixer |
| Brian Simmons | ... | sound mixer |
| David Vroegindeweij | ... | boom operator (as David Vroegindewey) |
| Gerry Humphreys | ... | re-recording mixer (uncredited) |
Visual Effects by
| Alan Church | ... | optical camera (uncredited) |
| Tony Willis | ... | effects cameraman (uncredited) |
Camera and Electrical Department
| Gerry Anstiss | ... | camera operator |
| A. Brock | ... | electrician |
| Dennis Brock | ... | gaffer |
| Nobby Clark | ... | still photographer |
| Terry Goddard | ... | electrician |
| Ian Horn | ... | grip |
| M. James | ... | electrician |
| Michael Kubicki | ... | focus puller (as Mike Kubicki) |
| Peter Rees | ... | clapper/loader |
Costume and Wardrobe Department
| Lesley Doyle | ... | wardrobe assistant |
| Rita Wakely | ... | wardrobe mistress |
Editorial Department
| Tim Grover | ... | second assistant editor |
| Christopher Lloyd | ... | first assistant editor (as Chris Lloyd) |
Location Management
| Stewart Richards | ... | location manager |
Music Department
| Mark Berrow | ... | musician: violin (uncredited) |
Script and Continuity Department
| Renée Glynne | ... | continuity |
Transportation Department
| Jonathan Manley | ... | driver (uncredited) |
Additional Crew
| John Paul Chapple | ... | producer's assistant |
| Gary Cooper | ... | production accountant |
| Arthur Ferriman | ... | supervising accountant |
| Mary Fulton | ... | publicist |
| Gwyneth Grace | ... | unit nurse |
| Pauline Hume | ... | title designer |
| John Isaacs | ... | production runner |
| Constantine Mulgrave | ... | unit runner |
| Merriam Shear | ... | producer's secretary |
| Sean Van Hales | ... | attachment: National Film and Television School |
Thanks
| Ashley Easter | ... | special thanks |
| P.W. Last | ... | special thanks |
| S.D. Last | ... | special thanks |
| Mike Ockrent | ... | special thanks |
| Willy Russell | ... | special thanks |
| Denton Scott | ... | special thanks |
