While traveling by train, the aspirant writer Cogswell is challenged by an old salesman to get off the train and settle in a small town to lead a boring life. Cogswell asks the conductor to stop the ...
Earth sends its first manned probe to Mars in 1999, and a jealous Martian murders the two astronauts when his wife has erotic dreams of meeting them. Members of a subsequent expedition are ... See full summary »
Sergeant Hollis, a troubled young man inside a world that has been at war for sixteen years, reveals to General Cross -- his commanding officer -- that he has invented a device to do away ... See full summary »
Anthology series hosted by Boris Karloff that originally told ordinary tales of crime and mystery, but later became a showcase for gothic horror stories, many of which were based on works ... See full summary »
A continuation of the dramatic anthology series hosted by the master of suspense and mystery. When the series Alfred Hitchcock Presents was revived in 1962, the name was changed, but the ... See full summary »
A horror anthology about a family of monsters watching a different horror story every week on their TV. Each tale is separate, often cautionary with occasional dark humor and irony and features various deadly creatures.
Pamela Dean Kelly,
Michael J. Anderson
A Canadian-produced fantastic anthology series scripted by famed science-fiction author Ray Bradbury. Many of the teleplays were based upon Bradbury's novels and short stories. Written by
Marty McKee <firstname.lastname@example.org>
Ray Bradbury will doubtless be remembered as one of the 20th century's most brilliant writers. This series captures some of his best short stories, including some fairly obscure ones, quite well. In many episodes, Bradbury does a special introduction, giving the viewer a tidbit of background about the story, which is a nice touch.
If there is one major flaw in this show, it is the production values. The show was an independent production, shot on a modest budget for cable TV. The first few episodes were done for HBO and the remainder for USA Network. The visual effects are lackluster, even for the time in which it was produced, and many of the episodes seem a bit dated--not exactly modern but not quite vintage either. Still, Bradbury's amazing ability to spin a yarn comes through to save things. Had the show been based on material from a lesser writer, it would have been unwatchable.
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