| Henry Thomas | ... | Davey Osborne | |
| Dabney Coleman | ... | Jack Flack / Hal Osborne | |
| Michael Murphy | ... | Rice | |
| Christina Nigra | ... | Kim Gardener | |
| John McIntire | ... | George MacCready | |
| Jeanette Nolan | ... | Eunice MacCready | |
| Eloy Casados | ... | Alvarez | |
| Tim Rossovich | ... | Haverman | |
| William Forsythe | ... | Morris (as Bill Forsythe) | |
| Robert DoQui | ... | Lt. Fleming | |
| Shelby Leverington | ... | Marilyn Gardener | |
| Linden Chiles | ... | Airport Security Chief | |
| Robert Curtin | ... | Murdoch | |
| William Marquez | ... | Airport Security Guard #1 | |
| Wendell Wright | ... | Airport Security Guard #2 | |
| Doris Hargrave | ... | Woman in Cafe | |
| Gary Moody | ... | Man in Cafe | |
| Eleese Lester | ... | Woman on Boat | |
| John Edson | ... | 1st Man on Boat (as John P. Edson Jr.) | |
| Charles Beall | ... | Alamo Guard | |
| Norman Bennett | ... | Texan | |
| Corey Rand | ... | Building Security Guard | |
| Nicholas Guest | ... | Taxi Driver | |
| Karen Leigh Hopkins | ... | Receptionist | |
| Tammy Hyler | ... | Check-in Clerk | |
| Stuart MacGregor | ... | Alamo Guard #2 | |
| Alvaro Rojas Jr. | ... | Boat Captain | |
| Robert Traynor | ... | Ticket Agent | |
| Steve Fromholtz | ... | 2nd Man on Boat | |
| Berkley Garrett | ... | Bus Driver | |
| Gene Ross | ... | Bus Driver #2 | |
| Louie Anderson | ... | Taxi Driver #2 | |
| Earl Houston Bullock | ... | Navigator | |
| Al Gomez | ... | Ground Crewman | |
| rest of cast listed alphabetically: | |||
| Aubrey Woods | ... | F.B.I. Agent (uncredited) | |
Directed by | |||
| Richard Franklin | |||
Writing credits | ||
| Tom Holland | (screen story) | |
| Tom Holland | (screenplay) | |
| Cornell Woolrich | (story) | |
| Nancy Dowd | uncredited | |
Produced by | |||
| Allan Carr | .... | producer | |
| C.O. Erickson | .... | executive producer | |
Original Music by | |||
| Brian May | |||
Cinematography by | |||
| Victor J. Kemper | (director of photography) | ||
Film Editing by | |||
| Andrew London | |||
Casting by | |||
| Jackie Burch | |||
Production Design by | |||
| William H. Tuntke | (as William Tuntke) | ||
Art Direction by | |||
| Todd Hallowell | |||
Set Decoration by | |||
| Hal Gausman | |||
Makeup Department | |||
| Barbara Lampson | .... | hair stylist | |
| Daniel C. Striepeke | .... | makeup artist | |
Production Management | |||
| C.O. Erickson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Alan B. Curtiss | .... | second assistant director (as Alan Curtiss) | |
| Katy Emde | .... | first assistant director | |
| Warren R. Turner | .... | assistant director trainee (as Warren Turner) | |
Art Department | |||
| Mike Carrillo | .... | assistant property master (as Michael Carrillo) | |
| Sidney H. Greenwood | .... | property master | |
| John L. Jensen | .... | production illustrator (as John Jensen) | |
| Ray LaPorte | .... | stand-by painter | |
| Arthur Smedley | .... | leadman (as Art Smedley) | |
| George Trimmer | .... | free lance designer (uncredited) | |
Sound Department | |||
| Lon Bender | .... | supervising sound editor (as Lon E. Bender) | |
| Sandy Berman | .... | sound editor | |
| Joseph F. Brennan | .... | boom operator (as Joe Brennan) | |
| Thomas Causey | .... | production sound mixer (as Tom Causey) | |
| Hank Garfield | .... | boom operator | |
| Stan Gilbert | .... | adr editor | |
| Roger Heman Jr. | .... | sound re-recording mixer (as Roger Heman) | |
| Randy Kelley | .... | sound editor (as Randall F. Kelley) | |
| T.A. Moore Jr. | .... | sound re-recording mixer | |
| Bob Newlan | .... | sound editor | |
| John Roesch | .... | foley artist | |
| Joan Rowe | .... | foley artist | |
| Wylie Stateman | .... | sound editor | |
| Mark P. Stoeckinger | .... | assistant sound editor (as Mark Stoeckinger) | |
| Robert Thirlwell | .... | sound re-recording mixer (as Robert M. Thirlwell) | |
Special Effects by | |||
| Curtis Dickson | .... | assistant special effects (as Curt Dickson) | |
| Robert G. Willard | .... | special effects (as Robert Willard) | |
Visual Effects by | |||
| Bill Taylor | .... | matte photography | |
Stunts | |||
| Phil Adams | .... | stunt player | |
| Norman Blankenship | .... | stunt player | |
| Jerry Brutsche | .... | stunt player | |
| Jimmy Casino | .... | stunt player | |
| Michael Cassidy | .... | stunt player (as Mike Cassidy) | |
| Erik Cord | .... | stunt player | |
| Mike De Luna | .... | stunt player (as Michael DeLuna) | |
| Dick Dial | .... | stunt player | |
| Joe Dunne | .... | stunt player | |
| Kenny Endoso | .... | stunt player | |
| George Fisher | .... | stunt player | |
| Diane Kay Grant | .... | stunt player | |
| Ted Grossman | .... | stunt player | |
| Stefan Gudju | .... | stunt player | |
| Bill Hart | .... | stunt player | |
| William T. Lane | .... | stunt player | |
| Victor Paul | .... | stunt coordinator | |
| Victor Paul | .... | stunt player | |
| Chuck Picerni Jr. | .... | stunt player (as Charles Picerni Jr.) | |
| Bobby Porter | .... | stunt player | |
| Joe Pronto | .... | stunt player | |
| Philip Romano | .... | stunt player (as Philip J. Romano) | |
| Dean Smith | .... | stunt player | |
| Ted White | .... | stunt player | |
Camera and Electrical Department | |||
| Audie Aragon | .... | second grip | |
| Stephen Clark | .... | second grip | |
| Earl Gilbert | .... | chief lighting technician | |
| Rhio Haessig | .... | best boy | |
| Conrad W. Hall | .... | assistant camera (as Conrad Hall Jr.) | |
| Wynn Hammer | .... | still photographer | |
| Richard Kamins | .... | best boy (as Rich Kamins) | |
| Patrick Marshall | .... | chief rigging electrician (as Pat Marshall) | |
| Bill Roe | .... | assistant camera | |
| Gaylin P. Schultz | .... | key grip (as Gaylin Schultz) | |
| Bernie Schwartz | .... | dolly grip | |
| Robert M. Stevens | .... | camera operator (as Robert Stevens) | |
| Dean Williams | .... | still photographer | |
Casting Department | |||
| Karl Brindle | .... | extras casting | |
| David Gonzales | .... | casting coordinator | |
Costume and Wardrobe Department | |||
| Ronald I. Caplan | .... | costume supervisor | |
| John Casey | .... | costumer: men | |
| Stanley Erickson | .... | set costumer (as Stan Erickson) | |
| Nancy McArdle | .... | costumer: women | |
Editorial Department | |||
| Robert Rootenberg | .... | apprentice film editor | |
| David Spence | .... | associate editor | |
| Wally Weber | .... | negative cutter | |
Music Department | |||
| Mickey Crofford | .... | music score mixer | |
| Fred Steiner | .... | orchestrator | |
| Jim Weidman | .... | music editor | |
| Sandy DeCrescent | .... | orchestra contractor (uncredited) | |
Transportation Department | |||
| Vince del Castillo | .... | transportation captain (as Vince DelCastillo) | |
| Ken Lubin | .... | transportation coordinator | |
Other crew | |||
| Russell B. Dawe | .... | video game designer: "Cloak & Dagger" | |
| Joan Eisenberg | .... | unit publicist | |
| Betty A. Griffin | .... | script supervisor (as Betty Abbott Griffin) | |
| Brian O. Haynes | .... | location manager | |
| Alexander Hendrie | .... | location consultant (as Alex Hendrie) | |
| Nita-Lynne Hurley | .... | secretary: Mr. Franklin | |
| Paul Morrow | .... | technical consultant | |
| Sherrill Patten | .... | location auditor | |
| Francesca Redwine | .... | secretary: Mr. Carr | |
| Danis Regal-O'Connell | .... | production coordinator (as Danis Regal) | |
| Milton Shirk | .... | technical consultant | |
| Christopher Striepeke | .... | craft service | |
| Douy Swofford | .... | titles | |
| Barbi Taylor | .... | assistant: Mr. Franklin | |
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| Munich | The Incredibles | Salt | Flightplan | The Spider Returns |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section |
I fondly remember this movie and watch it to this day. Its amazing how, as kids, we saw this movie in the 80s where a child is being chased, shot at, almost stabbed, threaten to have his knee caps blown off and shot in the gut, kill 3 guys (2 not by him but caused by him)and be held hostage...and it was a family film rated PG! Still this movie didn't dumb down the dangers of real violence, international terrorism, espionage, and dangerous people. A movie made like this today would make the kid a genius and the bad guys clumsy and stupid. I do miss serious films like this for kids. They never dumbed it down and took the audience seriously. Movies like Poltergeist, Raiders of the Lost Ark, Dark Crystal (Which scared me to death), The Neverending Story, and more always played to the intelligence of the audience. Now all we have is fart jokes and one-note slapstick. When my kids get old enough I do want them to watch these 80s film and learned to appreciate good film-making, something lacking in the 21st century, and by box-office results, the audience notices it too.