| Photos (See all 26 | slideshow) | Videos (see all 3) |
| Matt Dillon | ... | Rusty James | |
| Mickey Rourke | ... | The Motorcycle Boy | |
| Diane Lane | ... | Patty | |
| Dennis Hopper | ... | Father | |
| Diana Scarwid | ... | Cassandra | |
| Vincent Spano | ... | Steve | |
| Nicolas Cage | ... | Smokey | |
| Chris Penn | ... | B.J. Jackson (as Christopher Penn) | |
| Laurence Fishburne | ... | Midget (as Larry Fishburne) | |
| William Smith | ... | Patterson the Cop | |
| Michael Higgins | ... | Mr. Harrigan | |
| Glenn Withrow | ... | Biff Wilcox | |
| Tom Waits | ... | Benny | |
| Herb Rice | ... | Black Pool Player | |
| Maybelle Wallace | ... | Late Pass Clerk | |
| Nona Manning | ... | Patty's Mom | |
| Sofia Coppola | ... | Donna (as Domino) | |
| Gian-Carlo Coppola | ... | Cousin James (as Gio) | |
| S.E. Hinton | ... | Hooker on Strip | |
| Emmett Brown | ... | Mr. Dobson | |
| Tracey Walter | ... | Alley Mugger #1 | |
| Lance Guecia | ... | Alley Mugger #2 | |
| Bob Maras | ... | Policeman | |
| J.T. Turner | ... | Math Teacher | |
| Keeva Clayton | ... | Lake Girl #1 | |
| Kirsten Hayden | ... | Lake Girl #2 | |
| Karen Parker | ... | Lake Girl #3 | |
| Sussannah Darcy | ... | Lake Girl #4 | |
| Kristi Somers | ... | Lake Girl #5 | |
| rest of cast listed alphabetically: | |||
| Shannon Sukovaty | ... | Party Girl (uncredited) | |
Directed by | |||
| Francis Ford Coppola | |||
Writing credits | ||
| S.E. Hinton | (novel "Rumble Fish") | |
| S.E. Hinton | (screenplay) & | |
| Francis Ford Coppola | (screenplay) | |
Produced by | |||
| Doug Claybourne | .... | producer | |
| Francis Ford Coppola | .... | executive producer | |
| Gian-Carlo Coppola | .... | associate producer | |
| Roman Coppola | .... | associate producer | |
| Fred Roos | .... | producer | |
Original Music by | |||
| Stewart Copeland | |||
Cinematography by | |||
| Stephen H. Burum | |||
Film Editing by | |||
| Barry Malkin | |||
Production Design by | |||
| Dean Tavoularis | |||
Set Decoration by | |||
| Mary Swanson | |||
Costume Design by | |||
| Marjorie Bowers | (as Marge Bowers) | ||
Makeup Department | |||
| Jeff Kennemore | .... | makeup artist | |
| Tim McNally | .... | makeup artist | |
| Susan Mills | .... | hair stylist | |
| Peter Tothpal | .... | hair stylist | |
Production Management | |||
| Thomas M. Hammel | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Mark Radcliffe | .... | second assistant director | |
| David Valdes | .... | first assistant director | |
Art Department | |||
| Sue Belknap | .... | set dresser | |
| Nick F. Caprarelli | .... | lead man (as Nick Caprarelli) | |
| Carl Carlson | .... | set dressing coordinator | |
| Roger Dietz | .... | set artist | |
| Douglas | .... | property master | |
| Kurt Ehlers | .... | construction foreman | |
| Donald Elmblad | .... | set dresser (as Don Elmblad) | |
| Dennis Gassner | .... | graphic designer | |
| Robert C. Goldstein | .... | set designer (as Robert Goldstein) | |
| Allan Kuhn | .... | property assistant | |
| John O'Connell | .... | set painter | |
| John J. Rutchland III | .... | construction foreman | |
| John J. Rutchland Jr. | .... | construction coordinator (as John Rutchland) | |
| Scott Clark | .... | sets and props (uncredited) | |
Sound Department | |||
| C.J. Appel | .... | sound editor | |
| James Austin | .... | sound re-recording mixer | |
| Richard Beggs | .... | sound designer | |
| Richard Beggs | .... | sound re-recording mixer | |
| Tom Bellfort | .... | assistant sound editor | |
| Edward Beyer | .... | supervising sound editor | |
| Allan Byer | .... | sound effects recordist | |
| David Carroll | .... | adr system | |
| Marissa De Guzman | .... | assistant sound editor | |
| Doug Hemphill | .... | sound effects recordist | |
| Michael Jacobi | .... | sound editor | |
| Kevin Lee | .... | assistant sound editor | |
| David Parker | .... | sound mixer | |
| Mark Rathaus | .... | assistant sound editor | |
| Maurice Schell | .... | sound editor | |
| Leslie Shatz | .... | dialogue editor | |
| Randy Thom | .... | production sound mixer | |
| Randy Thom | .... | sound effects recordist | |
| Randal A. Goya | .... | foley mixer (uncredited) | |
| Maurice Schell | .... | foley artist (uncredited) | |
| Mel Zelniker | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Martin Bresin | .... | special effects | |
| Dennis Dion | .... | special effects coordinator | |
| David Marconi | .... | production supervisor: effects unit | |
| Robert Spurlock | .... | special effects | |
Visual Effects by | |||
| Martin Bresin | .... | special visual effects (as Marty Bresin) | |
| Bill Hansard Jr. | .... | process coordinator (as William Hansard Jr.) | |
| Robert Spurlock | .... | special visual effects | |
Stunts | |||
| Tim A. Davison | .... | stunts (as Tim Davison) | |
| Freddie Hice | .... | stunts | |
| Billy Hank Hooker | .... | stunts (as Bill Hooker) | |
| Buddy Joe Hooker | .... | stunt coordinator | |
| Buddy Joe Hooker | .... | stunts | |
| Dick Ziker | .... | stunts | |
Casting Department | |||
| John Robert Askew | .... | extras casting | |
| Jeff Block | .... | extras casting | |
| Janet Hirshenson | .... | casting: Zoetrope studio | |
Costume and Wardrobe Department | |||
| Kathleen Gore-Misko | .... | costume supervisor: women (as Kathleen L. Gore) | |
| Ernest Misko | .... | costume supervisor | |
Editorial Department | |||
| John David Coles | .... | apprentice editor | |
| Dorian Harris | .... | first assistant editor | |
| Louise Rubacky | .... | apprentice editor | |
| Isabella Wood | .... | apprentice editor | |
| J. Kathleen Gibson | .... | apprentice editor (uncredited) | |
Music Department | |||
| Robert Randles | .... | music editor | |
Transportation Department | |||
| Joseph W. Hunt | .... | transportation coordinator | |
| William Jakubecy | .... | transportation captain | |
Other crew | |||
| Mitchell Amundsen | .... | technician: Electronic Cinema (as C. Mitchell Amundsen) | |
| Jean A. Autrey | .... | production auditor | |
| Aleta Chappelle | .... | production aide (as Aleta Wood-Chappelle) | |
| Corky Coble | .... | projectionist | |
| Linda Coyle | .... | first aid | |
| Loolee DeLeon | .... | secretary: Mr. Coppola | |
| Tony Dingman | .... | talent liaison | |
| Teri Fettis-D'Ovidio | .... | production coordinator (as Teri Fettis) | |
| Richard Fitzgerald | .... | craft service | |
| Frank Gardner | .... | location caterer | |
| Cathy Mickel Gibson | .... | assistant to auditors (as Cathy Gibson) | |
| Jean Gonzales | .... | teacher | |
| Bill Groves | .... | production aide | |
| Nancy Haigh | .... | production aide | |
| Valerie Hoffman | .... | press liaison | |
| Maureen Hogan | .... | production aide | |
| Mark Johnson | .... | physical advisor | |
| Sandy King | .... | script supervisor | |
| Michelle Komriz | .... | location caterer | |
| Murdo Laird | .... | systems engineer: Electronic Cinema | |
| Douglas T. Madison | .... | production aide (as Doug Madison Jr.) | |
| Lillian Michelson | .... | researcher | |
| Anahid Nazarian | .... | systems librarian | |
| Ed Sienkaniec | .... | location catering | |
| David A. Smith | .... | technician: electronic cinema | |
| Michael Smuin | .... | special choreography | |
| Dana Spiotta | .... | student observer | |
| Sara Ström | .... | secretary to Mr. Coppola | |
| Daniel R. Suhart | .... | dialogue coach (as Dan Suhart) | |
| Judy Thomason | .... | office coordinator: Los Angeles | |
| Paul Tompkins | .... | location manager (as Paul Tompkins) | |
| Charles Ursitti | .... | pool advisor | |
| Beverly Walker | .... | public relations consultant | |
| Laurel Walter | .... | assistant to producers | |
| Ralph S. Winger | .... | effects man | |
| Kurt Woolner | .... | film finance representative | |
| Jill Simpson | .... | production assistant (uncredited) | |
Thanks | |||
| August Coppola | .... | dedicatee | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I realize that's not saying it's the best ever made, but it certainly marked me so much as to regard it as my all-time fave.
The movie reminisces of Elia Kazan's Dean movies, and "The Wild One" starring Marlon Brando. Just as those movies (and much better done, IMHO), Rumble Fish is about violence as a consequence of uncomprehension; loneliness; and family relations in a sordid, black and white environment. Not even this choice is random, as its B&W filming (and somewhat deficient sound quality) is yet another commentary on life as seen through the eyes of its characters - and author.
Every scene in this movie brings a realization, though some of the dialogues are indeed a bit naive when seen after its time. And here I could engage in a debate on "naiveté" vs. "savvy", and whether an innocent view of life really means less message depth (or whether a jaded outlook really guarantees understanding), but I digress. The point is, I'm a 27-year old man and I still cry every time I see this movie.
The first time I saw Rumble Fish, I thought I identified with the Motorcycle boy and his alienation from the world he was put in. After a few more times, I realized more and more that I "was" Rusty-James - That, to an extent, EVERY man is a little Rusty-James; trying to live up to a hero image, and helplessly watching as your ideal slips past your reach and lets himself be killed, without you ever understanding anything until it's too late... or is it?
Where Mel Gibson and Bruce Willis speak to the hero we WANT to be, Matt Dillon speaks to the MEN who want to be that hero, and leads the way out.
*sigh*
The astounding soundtrack, exquisite photography and perfect takes don't hurt any, either.
Buy it, rent it, whatever. See the goddamn movie. It is worth a try (and a much, much better score than 6.7).