| Photos (See all 23 | slideshow) | Videos (see all 2) |
| Meryl Streep | ... | Sophie | |
| Kevin Kline | ... | Nathan | |
| Peter MacNicol | ... | Stingo | |
| Rita Karin | ... | Yetta | |
| Stephen D. Newman | ... | Larry | |
| Greta Turken | ... | Leslie Lapidus | |
| Josh Mostel | ... | Morris Fink | |
| Marcell Rosenblatt | ... | Astrid Weinstein | |
| Moishe Rosenfeld | ... | Moishe Rosenblum | |
| Robin Bartlett | ... | Lillian Grossman | |
| Eugene Lipinski | ... | Polish Professor | |
| John Rothman | ... | Librarian | |
| Joseph Leon | ... | Dr. Blackstock | |
| David Wohl | ... | English Teacher | |
| Nina Polan | ... | Woman in English Class | |
| Alexander Sirotin | ... | Man #1 in English Class | |
| Armand Dahan | ... | Man #2 in English Class | |
| Joseph Tobin | ... | Reporter | |
| Cortez Nance | ... | Bellboy | |
| Günther Maria Halmer | ... | Rudolf Hoess (as Gunther Maria Halmer) | |
| Karlheinz Hackl | ... | SS Doctor | |
| Ulli Fessl | ... | Frau Hoess | |
| Melanie Pianka | ... | Emmi Hoess | |
| Eugeniusz Priwieziencew | ... | Prisoner at Shower | |
| Krystyna Karkowska | ... | Prisoner-Housekeeper | |
| Katharina Thalbach | ... | Wanda | |
| Nedim Prohic | ... | Josef (as Neddim Prohic) | |
| Jennifer Lawn | ... | Sophie's Child | |
| Adrian Kalitka | ... | Sophie's Child | |
| Peter Wegenbreth | ... | Hoess' Aide | |
| Vida Jerman | ... | Female SS Guard | |
| Irena Hampel | ... | German Child | |
| Sandra Markota | ... | German Child | |
| Hrvoje Sostaric | ... | German Child | |
| Marko Zec | ... | German Child | |
| Ivica Pajer | ... | Sophie's Father (as Ivo Pajer) | |
| Michaela Karacic | ... | Sophie as a Child | |
| Josef Sommer | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Bobby DeAngelo | ... | NYPD Photograper (uncredited) | |
Directed by | |||
| Alan J. Pakula | |||
Writing credits | ||
| William Styron | (based on the novel "Sophie's Choice" by) | |
| Alan J. Pakula | (screenplay) | |
Produced by | |||
| Keith Barish | .... | producer | |
| William C. Gerrity | .... | associate producer | |
| Alan J. Pakula | .... | producer | |
| Martin Starger | .... | executive producer | |
Original Music by | |||
| Marvin Hamlisch | (musical score) | ||
Cinematography by | |||
| Néstor Almendros | (director of photography) (as Nestor Almendros) | ||
Film Editing by | |||
| Evan A. Lottman | (film editor) (as Evan Lottman) | ||
Casting by | |||
| Alixe Gordin | |||
Production Design by | |||
| George Jenkins | |||
Art Direction by | |||
| John Jay Moore | (as John J. Moore) | ||
Set Decoration by | |||
| Carol Joffe | |||
Costume Design by | |||
| Albert Wolsky | |||
Second Unit Director or Assistant Director | |||
| Michea Caye | .... | dga trainee | |
| Alex Hapsas | .... | first assistant director | |
| Sergio Mimica-Gezzan | .... | assistant director: Yugoslavia (as Sergio Mimica) | |
| Joseph Ray | .... | second assistant director | |
Art Department | |||
| Russell Christian | .... | assistant art director | |
| Howard Duff | .... | assistant property master | |
| Glen Engels | .... | construction grip | |
| Pete Grippaldi | .... | construction grip | |
| Zeljko Karocic | .... | propman on set: Yugoslavia | |
| Ivo Lepes | .... | construction manager: Yugoslavia | |
| Zeljko Luter | .... | set dresser: Yugoslavia | |
| Ron Petagna | .... | shop craftsman | |
| Eugene Powell | .... | scenic artist chargeman (as Gene Powell) | |
| Richard Shelton | .... | scenic artist | |
| Walter Stocklin | .... | property master (as Wally Stocklin) | |
| Hans Swanson | .... | set dresser | |
| Frank Didio | .... | head carpenter (uncredited) | |
Special Effects by | |||
| Marijan Karoglan | .... | pyrotechnician: Yugoslavia unit (uncredited) | |
Camera and Electrical Department | |||
| Jerry DeBlau | .... | best boy (as Jerry De Blau) | |
| John W. DeBlau | .... | gaffer (as John De Blau) | |
| Bill Gerardo | .... | second assistant camera | |
| Vinnie Gerardo | .... | first assistant camera (as Vinny Gerardo) | |
| Dan Lerner | .... | second camera operator | |
| Edward W. Lowry | .... | second key grip (as Edward Lowry) | |
| Tom Prate | .... | key grip (as Thomas J. Prate Jr.) | |
| Tom Priestley Jr. | .... | camera operator (as Tom Priestly Jr.) | |
| Josh Weiner | .... | still photographer | |
| Tom Kerwick | .... | grip (uncredited) | |
| Sal Martorano | .... | electrician (uncredited) | |
| Lance Shepherd | .... | electrician (uncredited) | |
Casting Department | |||
| Judy Dennis | .... | assistant to casting executive | |
| Riccardo Bertoni | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Michael Dennison | .... | wardrobe supervisor: men's | |
| David Griffin | .... | assistant costume designer | |
| Teresa Alba Schipani | .... | wardrobe supervisor: women's (as Alba Schipani) | |
| Juraj Skuzin | .... | wardrobe master: Yugoslavia | |
| Mark Burchard | .... | wardrobe (uncredited) | |
| Ursula Schrader | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Marissa De Guzman | .... | apprentice editor (as Marissa de Guzman) | |
| Elaine Hurwitz | .... | assistant editor | |
| Andrea Justin | .... | apprentice editor | |
| Gary Karr | .... | first assistant editor | |
| Gilberto Costa Nunes | .... | apprentice editor | |
| Jill Savitt | .... | first assistant editor | |
| Trudy Ship | .... | associate film editor | |
Music Department | |||
| Jack Hayes | .... | orchestration | |
| Norman Hollyn | .... | music editor | |
| Emily Paine | .... | assistant music editor | |
Transportation Department | |||
| Tom O'Brien | .... | transportation captain | |
| Thomas Reilly | .... | transportation co-captain (as Tom Reilly) | |
| Patrick Hogan | .... | transportation captain: second unit (uncredited) | |
Other crew | |||
| Jan Biczycki | .... | dialogue coach: Polish and German, Yugoslavia (as Jan Byczycki) | |
| Celia D. Costas | .... | location manager (as Celia Costas) | |
| Richard Dixon | .... | production auditor (as Dick Dixon) | |
| Christopher T. Gerrity | .... | production assistant (as Christopher Gerrity) | |
| Kitty Hart | .... | technical advisor: Europe | |
| Roman Harte | .... | consultant: Europe | |
| Dragan Josipovic | .... | location manager: Yugoslavia | |
| Marge Leonard | .... | executive assistant: Mr. Pakula | |
| Lillian O. MacNeill | .... | script supervisor | |
| John Jay Moore | .... | location coordinator: U.S. (as John J. Moore) | |
| Eric Myers | .... | unit publicist | |
| Nathalie Plemiannikov | .... | production assistant | |
| Michele Mooberry Potier | .... | assistant production office coordinator (as Michele Mooberry) | |
| Ljiljana Rajic | .... | assistant: Mr. Wolsky, Yugoslavia (as Ljiljana Raic) | |
| Roberta Rose | .... | location auditor: Yugoslavia | |
| Raoul Schelbaum | .... | subtitles: Titra Film New York Inc. | |
| Susan Solt | .... | coordinator: Mr. Pakula | |
| Juliette Steyning-Brown | .... | production office coordinator | |
| Sandra J. Tait | .... | production assistant (as Sandy Tait) | |
| Jane Tsighis | .... | assistant production auditor | |
| Earl E. Wroten Jr. | .... | production executive | |
| Al Cerullo | .... | helicopter pilot (uncredited) | |
| Lew Grade | .... | presenter (uncredited) | |
Thanks | |||
| Nancy Littlefield | .... | special thanks: New York City Mayor's Office for Film, Theatre and Broadcasting | |
| Jesse Peterman | .... | special thanks: New York City Tactical Police Unit (as Lt. Jesse Peterman) | |
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| The Reader | Enemies: A Love Story | Mother Night | The English Patient | Everything Is Illuminated |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Meryl Streep's performance as Sophie is simply the finest performance ever captured on film. Period. The subtlety and depth with which she reveals Sophie's wounds are simply spellbinding. She is at once radiantly beautiful, yet deeply wounded. She is charming, yet vulnerable. She is someone you want to love, yet someone whose pain keeps you at a distance.
This film takes the viewer on an intense emotional journey. Anyone, but especially anyone who is a parent, would have to be an emotional rock to not be absolutely haunted by this story. As much as I have studied and pondered the Holocaust, this film has connected me to those events more emotionally than I have ever been before.
This film, and Ms. Streep's performance, are a gift to humanity.