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Sophie's Choice (1982)

R | | Drama, Romance | 4 March 1983 (USA)
After spending time with his new neighbors, an aspiring writer realizes they are harboring deep secrets that will forever change him.

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Writers:

(based on the novel: "Sophie's Choice" by), (screenplay)
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Won 1 Oscar. Another 12 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Rita Karin ...
Stephen D. Newman ...
Greta Turken ...
...
Marcell Rosenblatt ...
Moishe Rosenfeld ...
...
...
Polish Professor
...
Librarian
Joseph Leon ...
Dr. Blackstock
...
English Teacher
Nina Polan ...
Woman in English Class
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Storyline

Sophie is the survivor of Nazi concentration camps, who has found a reason to live in Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the movie's narrator, a young American writer new to New York City. But the happiness of Sophie and Nathan is endangered by her ghosts and his obsessions. Written by Reid Gagle

Plot Summary | Plot Synopsis

Taglines:

Between the innocent, the romantic, the sensual, and the unthinkable. There are still some things we have yet to imagine.

Genres:

Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | | |

Release Date:

4 March 1983 (USA)  »

Also Known As:

La decisión de Sophie  »

Box Office

Budget:

$12,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (Ontario)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Meryl accepted her Best Actress Oscar for this film, she was already 5 months pregnant with daughter Mamie Gummer (Dorothy Chandler Pavilion / 11 April 1983). See more »

Goofs

When Nathan toasts Stingo on the bridge, as the shot pulls back you see first one then several cars from 1982, obviously an issue with how long they could hold up the bridge traffic for the shot, they needed to hold it up an extra minute or maybe lacked the budget to pay for late 40's cars to drive by instead. You can also see the lights of The River Cafe, a waterfront restaurant under the bridge that didn't open until 1977. See more »

Quotes

[first lines]
Narrator: It was 1947, two years after the war, when I began my journey to what my father called the Sodom of the north, New York. They called me Stingo, which was the nick name I was known by in those days, if I was called anything at all.
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Connections

Referenced in Gilmore Girls: Teach Me Tonight (2002) See more »

Soundtracks

Jesu, Joy of Man s Desiring
(1723)
Written by Johann Sebastian Bach
Performed by Lorin Hollander
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User Reviews

 
..only one of the commentaries found its true star...
1 May 2006 | by (United States) – See all my reviews

...all of the characters in this astounding book/movie were as good or as unimportant as viewers/readers found them to be, simply because William Styron developed them that way: Stingo WAS an unexperienced nerd, having lived an idyllic life in the South with nothing happening in his life, yet aspired to write the Great American Novel; how perfect for a virginous male to so fortunate to live with people who educate him what a horrendous journey life can be. McNichols was perfect for this role, because he was the opposite of Sophie. Nathan was mad and KNEW he was mad, longing with all his soul to be otherwise; a little madness drives people to do astounding things. Kline was perfect; what a shame he has never found another role as good. Sophie was the haunted lady whose life made her that way; Styron's development of her character is masterful. I read an interview in which he was asked how he felt his novel was presented in the film. His reply, "I took the money and ran." He could foresee there would be controversy over his work.

Some viewers, especially the younger ones, cannot appreciate how actresses have developed over the life-time of movie-making. They should watch some of the "silent" films to learn that mime was the only way to express an emotion. Mellodrama, intentionally so - yet, look at the entire work of Bette Davis and Joan Crawford as examples of contrived performances. They were, at last, able to confront one another in "Baby Jane" - attempting to "out-drama" one another made it the wonderful film it is.

There is simply no other actress, that we know of, who is more talented a performer than Streep. Unlike Davis and Crawford, she is not concerned about her "star-power". She becomes whatever character she is playing, no matter if we like them or not. SO WHAT if "Sophie's Choice" was a vehicle to demonstrate her power? Please write another !! William Styron, stand forth ! Because of her absorption into her characters and the many nuances she developed in "Choice", take a look at "The Deer Hunter" to see how powerfully she played an un-extraordinarily plain woman perfectly. Under-playing a character, to make you believe people are actually like that, is the mark of a great actress.

I ardently pray there will be another role for Ms. Streep - even in her older years - that will allow us to become totally engrossed, to get outside of our own lives, to become completely destroyed, delirious, shattered just for a couple of hours, to realize there is still such talent in the world - THAT WE CAN AFFORD TO WATCH, at least.....thank heavens for this magical film.....


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