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Sophie's Choice (1982)

 -  Drama | Romance  -  8 December 1982 (USA)
7.7
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Ratings: 7.7/10 from 23,250 users   Metascore: 68/100
Reviews: 129 user | 32 critic | 9 from Metacritic.com

Sophie is the survivor of Nazi concentration camps, who has found a reason to live in Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the ... See full summary »

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(based on the novel: "Sophie's Choice" by), (screenplay)
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Title: Sophie's Choice (1982)

Sophie's Choice (1982) on IMDb 7.7/10

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Won 1 Oscar. Another 12 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Rita Karin ...
Stephen D. Newman ...
Greta Turken ...
...
Marcell Rosenblatt ...
Moishe Rosenfeld ...
...
...
Polish Professor
...
Librarian
Joseph Leon ...
Dr. Blackstock
...
English Teacher
Nina Polan ...
Woman in English Class
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Storyline

Sophie is the survivor of Nazi concentration camps, who has found a reason to live in Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the movie's narrator, a young American writer new to New York City. But the happiness of Sophie and Nathan is endangered by her ghosts and his obsessions. Written by Reid Gagle

Plot Summary | Plot Synopsis

Taglines:

Between the innocent, the romantic, the sensual, and the unthinkable. There are still some things we have yet to imagine.

Genres:

Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | | |

Release Date:

8 December 1982 (USA)  »

Also Known As:

La decisión de Sophie  »

Box Office

Budget:

$12,000,000 (estimated)

Gross:

SEK 7,591,469 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (Ontario)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Meryl Streep's performance as Sophie Zawistowska is ranked #3 on Premiere Magazine's 100 Greatest Performances of All Time. See more »

Goofs

In one of the early scenes when Stingo is moving in he is carrying 3 cases of Spam on his shoulder. They barely move despite him writhing around to get the door open. When he gets into the room he drops them on the bed and you can clearly see most of the cans are glued to the cardboard. The actor even flips the top row over on the bed and they stay attached. See more »

Quotes

Sophie: [after having taken a sip of the wine that Nathan has poured for her] Mmm. You know, when you... when you live a good life... like a saint... and then you die, that must be what they make you to drink in paradise.
See more »

Connections

Referenced in 2007 MTV Movie Awards (2007) See more »

Soundtracks

Sleepy Lagoon
(1940)
Written by Eric Coates
© Copyright Chappel & Co., Ltd.
Recorded for the film
See more »

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User Reviews

 
Meryl Streep raises the bar
8 July 2006 | by (United States) – See all my reviews

After enjoying Meryl Streep and Kevin Kline in the recent ensemble comedy "A Prairie Home Companion," it was great to see their dramatic performances in "Sophie's Choice," the movie that made them famous. Here, they play Sophie and Nathan, a volatile young couple living in a Brooklyn boardinghouse in the summer of 1947. Their story, and eventually the story of the Polish Sophie's time in a concentration camp during World War II, is presented through the eyes of Stingo (Peter MacNichol), their young Southern neighbor.

Though other characters appear, especially during the flashbacks, "Sophie's Choice" is largely a three-person drama that relies on subtle interactions. Meryl Streep can always be counted on to give a nuanced performance, but here, especially, she raises the bar. Speaking three languages (including a very realistic portrayal of how foreigners can hesitate and hunt for words when speaking English), going from a haggard Auschwitz inmate to a pretty "blooming rose," consumed by guilt even during the madcap or romantic moments she shares with Nathan, she gives a brilliant performance of a very complex character. Her big scenes with Nazi officers are of course powerful, but I was equally struck by smaller moments: the heartbreaking little flashes of emotion that reveal Sophie's postwar wounds, or the extraordinary conversation she has with a Nazi's daughter.

Kline throws himself into the role of the "fatally glamorous" Nathan and also displays impressive range: he goes from charming to menacing. MacNichol is not up to these (admittedly high) standards. He can play the wide-eyed innocent, but he always seems somewhat thick-headed and lacking in passion. The movie would be more effective if Stingo seemed more truly changed by his experiences with Sophie and Nathan.

Despite Stingo's weakness as a character, I liked the unusual structure that reveals Sophie's story gradually, in flashbacks that draw closer and closer to the ultimate horror. The movie is nicely shot and some of the Brooklyn scenes look as though they actually could have come from a 1940s movie. But no director from the 1940s would have confronted the brutalities of the Holocaust so directly, and few actresses from any era could have given a performance like Streep's.


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