Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ... See full summary »
Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her... See full summary »
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
Sophie is the survivor of Nazi concentration camps, who has found a reason to live in Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the movie's narrator, a young American writer new to New York City. But the happiness of Sophie and Nathan is endangered by her ghosts and his obsessions. Written by
In one of the early scenes when Stingo is moving in he is carrying 3 cases of Spam on his shoulder. They barely move despite him writhing around to get the door open. When he gets into the room he drops them on the bed and you can clearly see most of the cans are glued to the cardboard. The actor even flips the top row over on the bed and they stay attached. See more »
It was 1947, two years after the war, when I began my journey to what my father called the Sodom of the north, New York. They called me Stingo, which was the nick name I was known by in those days, if I was called anything at all.
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Although achingly literary at times, moments of true emotional power are rendered by fluid storytelling, Nestor Almendros's haunting cinematography, Marvin Hamlisch's quietly effecting score, a touching performance by Peter MacNichol, and a seminal performance by Meryl Streep; one that Kim Stanley (the celebrated actress/teacher and Oscar nominated mother to Jessica Lange in 'Frances' of the same year) proclaimed, "the titanic portrayal of her generation."
No matter what your initial feelings about this film, I encourage you to go back and take in Streep's dark dance of loss, madness and, finally, sorrowful redemption.
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