Left behind by a circus, a camel wanders to the house of a simple middle-aged couple. Although the wife is initially bewildered by the strange and unexpected animal, her husband immediately... See full summary »
Romek, an idealistc 19-year-old boy, takes a job as a tailor in the costume department of a Warsaw theater company where his new colleague, Sowa, is pressured to make a costume for an ... See full summary »
Filmed in 1976 and shelved for five years. A young man in his twenties leaves prison after a three-year sentence. He wants to start a new life in a place where he is not known and dreams ... See full summary »
The young couple love each other. The boy is in constant work which will fit him, and in the end becomes a petty thief who cannot pay his debts anymore and decides to steal from homes where... See full summary »
Although the movie was made in 1981, it had its premiere in 1987. The delay was because of state-imposed censorship due to the film's political content. See more »
Early in life it is a joy. because the light seems so near, so reachable. Finally, it brings bitterness. We can see how it has receded. I have been through much these forty years. I see that the light has receded. But I should not discourage you. You can be sure of one thing. Without that bitterness, that hope... life would be lamentable.
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Blind Chance (Przypadek, 1981) is the first of Kieslowski's films to trade upon explicitly religious themes and seems to mark the beginning of the great director's turn toward introspection and the spiritual realm that so characterizes his later work (especially Decalogue and the Three Colors trilogy). The Polish title could be literally translated "coincidence," an appropriate if possibly ironic title for a three-part film about a young man whose life course appears to be solely determined by his ability or inability to catch a train. Kieslowski has his doubts about such coincidences, for he described the film as "a description of the powers which meddle with our fate, which push us one way or another" (Kieslowski on Kieslowski, ed. Danusia Stok 113). Incidentally, this film inspired Peter Howitt's film Sliding Doors (1998) and Tom Tykwer's Run Lola Run (1998), but to my mind, Kieslowski's is a superior film. The original tends to be the best, and he is a true original.
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