Directed by
| Don Taylor | ||
Writing Credits (in alphabetical order)
| Bob Shanks | ||
Cast (in credits order)
Produced by
| Andrew Gottlieb | ... | supervising producer |
| Ann Zane Shanks | ... | producer (as Ann Shanks) |
| Bob Shanks | ... | producer |
Music by
| Peter Matz | ||
Cinematography by
| Gerald Perry Finnerman | ||
| Ronald M. Lautore | ||
Editing by
| Tom Stevens | ||
Casting By
| Barbara Claman | ||
| Marc Schwartz | ||
Production Design by
| Gary Weist | ||
Art Direction by
| Albert Heschong | ||
Set Decoration by
| Ernie Bishop | ||
Makeup Department
| Lola 'Skip' McNalley | ... | hair stylist |
| John Norin | ... | makeup artist (as John M. Norin) |
Production Management
| Cosmas P. Bolger | ... | post-production manager |
| Donald C. Klune | ... | unit production manager |
| George Manasse | ... | unit production manager: New York |
| Bernard Oseransky | ... | executive in charge of production |
Second Unit Director or Assistant Director
| Henry Bronchtein | ... | second assistant director: New York |
| Andy House | ... | second assistant director (as Anderson G. House) |
| Jerram A. Swartz | ... | first assistant director |
Art Department
| Guy Bushman | ... | property master |
Sound Department
| Andrew Gilmore | ... | sound mixer |
| Sam Horta | ... | sound editor |
| Peter Ilardi | ... | sound mixer: New York |
Camera and Electrical Department
| Red Cripps Jr. | ... | key grip |
| Robert A. Petzoldt | ... | gaffer (as Bob Petzold Jr.) |
| Tom Prate | ... | key grip / key grip: New York |
Casting Department
| Donald Paul Pemrick | ... | casting assistant |
Costume and Wardrobe Department
| Teena Heusser | ... | costumer: women |
| Larry Lefler | ... | costumer: men |
Location Management
| Bruce Lawhead | ... | location manager |
Music Department
| Robert Drasnin | ... | music supervisor |
| Robert Takagi | ... | music editor |
Script and Continuity Department
| Marcia 'Mavis' Girard | ... | script supervisor |
Additional Crew
| Paul A. Levin | ... | assistant to producers |
