A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
Young poetess Rose Elliot buys a book from a local antique dealer, a diary in Latin of an architect, E. Varelli. She learns of the Three Mothers, and believes her apartment building is one of their houses. She pleads her brother Mark, who is studying musicology in Rome, to come, because she is afraid. Mark's friend Sara reads her letter, which he left behind in class, and discovers the school is run by the Mater Lacrimarum, and is murdered for this knowledge. The house of Mater Suspiriorum has already been destroyed, and by the time Mark arrives in New York City, he is investigating his sister's murder. Written by
Scott Hutchins <firstname.lastname@example.org>
For some of the exterior location shoots in Italy footage of New York City, skyscrapers were superimposed in the background to make it appear like the film's New York City setting. See more »
In the scene where Kazanian is investigating a noise in his shop, he is shown reaching towards the table closest to him. As he's reaching down, his right crutch falls from under his arm. However, in the next mid-shot of him backing towards the bookshelf behind him, the right crutch is just starting to fall from under his arm. See more »
Beautiful and chilling follow-up to Argento's classic Suspiria (1977) is an underrated film and one that Argento himself declares to be his 'purest' work!
Music student receives troubling news from his sister and travels to New York, where he discovers sinister evils at work.
Many critics have said that this film lacks sense in the storyline, but it's actually a more coherent story than they would have you think. The story does evoke a dark world of its own, taught with suspense and a touch of the surreal. Naturally, the greatest thing about this film is of course Argento's wonderful style! Agrento again flairs his colorful direction with excellent camera work, lavish uses of color and lighting, unique set pieces, and an atmosphere of sheer terror! Keith Emerson also lends a hand with his dramatic and stunning music score.
The cast is great, attractive leads McCloskey, Miracle, and Giorgi being the best.
For Argento fans, Inferno is everything you could want! It packs all the delightful trademark style we have come to love from this great director. It won't be for all tastes, but genre fans may just find it to be a truly colorful and chilling gem!
**** out of ****
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