A psychopath, troubled by his childhood abuse, loose in New York City, kills young women and takes their scalps as his trophies. Will he find the perfect woman in a photographer, and end his killing spree?
An unknown killer, clad in World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35 year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
A decades-old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day turns out to be true to legend when a group defies the killer's order and people start turning up dead.
Frank Zito misses his mother, who was killed in a car accident years before. She was abusive to him, and made money selling her body, but Frank still misses her. He tries to keep her from leaving him, and reform her evil ways, by killing young women and putting their scalps on mannequins which he displays around his apartment. Photographer Anna D'Antoni takes a picture of him in the park, and he pursues and befriends her. Is she the one he has been looking for or just another mother wannabe? Written by
Ed Sutton <firstname.lastname@example.org>
The 1970s dark blue Buick Electra car that is driven by the killer was owned at the time by director William Lustig which was purchased from a used car lot for $200. The car was permanently damaged late in filming when a camera mount set up by the crew to film a scene with Frank and Anna in the car inadvertently damaged the steering wheel mechanism wire which forced Lustig to get rid of the car which became impossible to steer afterwords. See more »
The prostitute's head moves in between shots. See more »
This has got to stop. It's silly, and it's not getting us anywhere. You think they don't know. They do. I heard it and I know. They all know, and I don't like it anymore. But you don't listen do you. It's got to stop. Oh, you're right about them, all of them. They're all the same. I know what they're like. Just because I can't do the things you do doesn't mean I don't see it all the same. "Fancy shmansy", and what are we supposed to do? Sit and smile and say "yes miss, no miss, not ...
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Co-written by, and starring Joe Spinell, 'Maniac' is a grim, bloody and horrific journey into the world of a psychotic murderer. Spinell gives a bravura performance as Frank, a deeply disturbed individual haunted by childhood memories of his mistreatment at the hands of his mother.
As a result of his lousy upbringing, Frank is now a first-class loony tune; he slaughters women (although the occasional man gets in his way and ends up dead too) and removes their scalps, taking them home to place upon the mannequins that he keeps in his apartment.
When Frank has his picture taken in a park by photographer Anna (played by the gorgeous Caroline Munro), he tracks her down and almost manages to pass for normal for a while, wining and dining the sexy snapper and being quite charming. But it's not long before the real Frank emerges, and has a go at adding Anna to his long line of victims.
The direction by William Lustig, whilst not exceptional, does the job it was supposed to do; the film never drags and there are one or two edge-of-your-seat moments and a couple of nifty scares.
'Maniac's gory death sequences, by legendary horror make-up legend Tom Savini, are real showstoppers, and include ultra-realistic scalpings, amazing exploding heads and vicious bloody stabbings. The majority of Savini's work on the film is stunning, with only the final decapitation being less than perfect.
'Maniac' is a great example of low-budget 80s splatter and will appeal to all those who enjoy their horror down and dirty with buckets of gore.
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