Cheaper to Keep Her (1980) User Reviews

Lame, But With Cheesy Appeal

[ReelCheese · 5/10 · 7 May 2006]

It's another lame, outdated comedy, but CHEAPER TO KEEP HER carries some cheesy '80s appeal that the right crowd will appreciate.

Mac Davis, who will never be mistaken for Cary Grant (or even Cary Elwes), is Bill Dekkar, a chauvinistic private eye hired to track down members of his gender in arrears on alimony. Between hidden fortunes, excessive displays of horniness, and an alimony case with an interesting connection to their employer, Davis and sidekick Bruce Flanders get more than they bargained for. (Then again, when do people in movies ever get what they bargained for?).

Yes, there is much wrong with CHEAPER TO KEEP HER. Davis is a likable screen presence, but his supposedly macho persona comes off as hopelessly flaky. There are even a few cringe-worthy moments, like when Davis passes himself off as a pal of a deadbeat husband he's pursuing. But it turns out the man has been arrested for raping an elderly woman. This is supposed to be funny? Moreover, many will take offence at the embarrassing "gay man" persona Davis employs in the final scenes, but remember, this was 1980.

Still, CHEAPER TO KEEPER is pretty harmless. It's really not as bad as one might think based on the many, many scathing reviews found in all the major movie review texts. If you get a kick out of cheesy '80s comedies and are among the more forgiving filmgoers, this one's worth a late night look.

Actually entertaining, and better than expected

[MrsAlSwearengen · 6/10 · 4 September 2005]

I was surprised at how much I enjoyed this little movie. Acting is good all-around, and Mac Davis surprises by being very charming and funny. I had forgotten what a charismatic character he was. He was also quite sexy in his down-to-earth way. Whatever happened to Mac Davis?

The writing is actually quite clever and not just your run-of-the-mill silly comedy story.

The story weaves in and out of various scenarios. Davis plays a private eye who goes after deadbeat husbands, trying to find out what kind of hidden assets they might have. He works for a hard-bitten lawyer played by Tovah Feldshuh. Feldshuh is a bit brittle and hard - it's hard to see what the characters see in each other - but if you can get over that, the rest of the movie is quite entertaining.

It's worth a look just to see Ian Mcshane play a sleazy Dr. Feelgood type of character. As usual, he steals every scene he's in.

Trivia for Ian McShane fans: McShane met his wife-to-be, actress Gwen Humble, on this film.

Get a dose of Mac in this cheap keep

[videorama-759-859391 · 6/10 · 19 February 2018]

This is a cheap, yes I said cheap, "Ha" is a B type, but ambiguous comedy, in which Davis works his charm as a new private detective, who's just been kicked out by his ex, the family dog, snarling, and standing guard. He works for a neurotic attorney (Feldshuh), up to her neck in her problems, one involving her playboy of an ex, Ian Mcshane, can you believe it. What hasn't this guy been in? Of course, they inevitably fall in love, not before chauvist Davis, has an affair with a hot Latino secretary. CTKH does have some small gold comic moments, one in a late night chemist, but regardless, this film actually has a story and energy, which draws you in, and you can't help but be fascinated by the whole affair, which was virtually non existent, back in the days on video shelves. Mac Davis shows us, he's not the first singer who can act, and I thought he did really well, and carried it. Art Metrano was fun too, where he didn't have much to do, I must admit. Yeah, this gem of a find, is worth a view definitely, with Mac Davis, the luckiest driver, who can cause regular rear chain car collisions, and get away, unscathed.

He had to learn to be humble after this.

[mark.waltz · 3/10 · 6 November 2023]

The ultra brief film career of singer Mac Davis provided no hits, and in spite of a few minor giggles, it's pretty lame and frequently juvenile. Davis plays a private investigator who goes to work for women's divorce advocate attorney Tovah Feldshuh, hunting down errant husbands who owe alimony and child support, and the audience finds out that stone cold Feldshuh has a reason for going after men: bitterness after her husband (doctor Ian McShane) walked out on her. She avoids the (non) charms of the crass Davis who ends up having an affair with her own secretary, Priscilla Lopez. But after he gets the goods on her husband (not knowing she's the wife), Feldshuh turns into a completely different woman, having nearly already tried drugs while out on a business deal.

If this was supposed to be a feminist movie as written by men, it goes off the rails by presenting Feldshuh the way it does. Even as a man, I could see this as the anti-feminist feminist movie, serving neither the male or female characters well. Feldshuh is a great actress and deserved a better part than the hot and cold woman she plays, and unfortunately this didn't bode well for the stage Yentl, Golde, Dr. Ruth and Ruth B. G. as far as cinema went.

There's absolutely no chemistry between Feldshuh and Davis who is trying hard to emulate Burt Reynolds but fails miserably. She wears some great outfits though. Lopez's character is basically an 80's version of Lupe Velez's spitfire here with no other layers. Wasted in teeny parts are Wallace Shawn as a clumsy mugger, Jack Gilford and Rose Marie as one of the separated couples and Art Metrano as Davis's best friend. After a while, this reveals itself as a film that thanks to its insipid script couldn't work in any way, even if it had starred Glenda Jackson and George Segal.