Directed by
| Gillian Armstrong | ... | (as Gill Armstrong) |
Writing Credits
| Eleanor Witcombe | ... | (screenplay) |
| Miles Franklin | ... | (novel) |
Cast (in credits order) verified as complete
Produced by
| Margaret Fink | ... | producer |
| Jane Scott | ... | associate producer |
Music by
| Nathan Waks | ||
Cinematography by
| Donald McAlpine | ... | director of photography (as Don McAlpine) |
Editing by
| Nicholas Beauman | ||
Casting By
| Hilary Linstead | ||
| Liz Mullinar | ||
Production Design by
| Luciana Arrighi | ||
Art Direction by
| Neil Angwin | ||
Costume Design by
| Anna Senior | ||
Makeup Department
| Jill Porter | ... | makeup artist |
| Cheryl Williams | ... | hairdresser |
Production Management
| Jane Scott | ... | production supervisor |
Second Unit Director or Assistant Director
| Steve E. Andrews | ... | third assistant director |
| Mark Egerton | ... | first assistant director |
| Mark Turnbull | ... | second assistant director |
Art Department
| Anne Aitken | ... | assistant props (as Annie Aitken) |
| Sue Armstrong | ... | assistant props buyer |
| Danie Daems | ... | construction crew |
| Ken Hazelwood | ... | construction crew |
| Kim Hilder | ... | assistant art director |
| Billy Malcolm | ... | scenic artist (as Bill Malcolm) |
| Paul Martin | ... | construction crew |
| Clark Munro | ... | stand-by props |
| David Whan | ... | props buyer |
| Philip Worth | ... | stand-by construction (as Phil Worth) |
| Harry Zettel | ... | assistant props |
Sound Department
| Greg Bell | ... | sound editor |
| Helen Brown | ... | assistant sound editor |
| Don Connolly | ... | sound recordist |
| Ned Dawson | ... | sound recordist: additional crew |
| Peter Fenton | ... | sound mixer |
| Joe Spinelli | ... | boom operator |
| Julian Ellingworth | ... | sound mixer (uncredited) |
| Phil Judd | ... | sound effects recordist (uncredited) |
Visual Effects by
| Roger Cowland | ... | visual effects |
| Daniel Pardy | ... | restoration colorist |
Camera and Electrical Department
| Brian Bansgrove | ... | gaffer |
| Sam Bienstock | ... | generator operator |
| David Burr | ... | focus puller |
| Ross Erickson | ... | key grip |
| Paul Gantner | ... | best boy |
| Louis Irving | ... | camera operator |
| David Kynoch | ... | still photographer |
| Grahame Litchfield | ... | grip (as Graham Litchfield) |
| Richard Merryman | ... | second assistant camera |
| Peter Moss | ... | camera operator |
| Paul Moyes | ... | third electrics |
Costume and Wardrobe Department
| Melody Cooper | ... | wardrobe assistant |
| Robin Hall | ... | wardrobe stand-by |
| Terry Ryan | ... | wardrobe master |
Editorial Department
| Margaret Cardin | ... | negative cutting |
| Frans Vandenburg | ... | assistant film editor (as Franz Vandenburg) |
Location Management
| Toivo Lember | ... | location manager |
Script and Continuity Department
| Moya Iceton | ... | continuity |
| Edward Ogden | ... | script consultant (as Ted Ogden) |
Additional Crew
| Catherine Barber | ... | unit runner (as Cathy Barber) |
| Kevin Brooks | ... | titles design |
| Helen Everingham | ... | production secretary |
| Treisha Ghent | ... | production accountant |
| Pam O'Neill | ... | assistant accountant |
| Mark Piper | ... | production assistant |
| Jo Buchanan | ... | tutor/chaperone (uncredited) |
