| Photos (see all 9 | slideshow) |
| Jenny Runacre | ... | Queen Elizabeth I / Bod | |
| Nell Campbell | ... | Crabs (as Little Nell) | |
| Toyah Willcox | ... | Mad | |
| Jordan | ... | Amyl Nitrite | |
| Hermine Demoriane | ... | Chaos | |
| Ian Charleson | ... | Angel | |
| Karl Johnson | ... | Sphinx | |
| Linda Spurrier | ... | Viv | |
| Neil Kennedy | ... | Max | |
| Jack Birkett | ... | Borgia Ginz (as Orlando) | |
| Wayne County | ... | Lounge Lizard | |
| Richard O'Brien | ... | John Dee | |
| David Brandon | ... | Ariel (as David Haughton) | |
| Helen Wellington-Lloyd | ... | Lady in Waiting | |
| Adam Ant | ... | Kid | |
| Claire Davenport | ... | First Customs Lady | |
| Donald Dunham | ... | Policeman | |
| Iris Fry | ... | Bingo lady | |
| Quinn Hawkins | ... | Boy | |
| Barney James | ... | Policeman | |
| Lindsay Kemp | ... | Cabaret performer | |
| Ulla Larson-Styles | ... | Waitress | |
| Howard Malin | ... | Schmeitzer | |
| Luciana Martínez | ... | Escort to Borgia | |
| William Merrow | ... | Maurice | |
| Gene October | ... | Happy Days | |
| Prudence Walters | ... | Escort to Borgia | |
| Joyce Windsor | ... | Bingo Lady | |
| rest of cast listed alphabetically: | |||
| Steven Severin | ... | Himself (as Siouxsie and the Banshees) | |
| Duggie Fields | ... | Party-goer (uncredited) | |
| Siouxsie Sioux | ... | (uncredited) | |
Directed by | |||
| Derek Jarman | |||
Writing credits(in alphabetical order) | ||
| Derek Jarman | writer | |
Produced by | |||
| Howard Malin | .... | co-producer | |
| James Whaley | .... | co-producer | |
Original Music by | |||
| Brian Eno | |||
Cinematography by | |||
| Peter Middleton | |||
Film Editing by | |||
| Nick Barnard | |||
Production Design by | |||
| Mordecai Schreiber | |||
Costume Design by | |||
| Dave Henderson | |||
| Christopher Hobbs | |||
Makeup Department | |||
| Keith of 'Smile' | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Guy Ford | .... | assistant director | |
Art Department | |||
| Kenny Morriss | .... | assistant production designer | |
Sound Department | |||
| Mike Billing | .... | dubbing mixer | |
| John Hayes | .... | sound recordist | |
| Trevor Rutherford | .... | assistant sound recordist | |
Special Effects by | |||
| Martin Gutteridge | .... | special effects | |
Costume and Wardrobe Department | |||
| Richard Croft | .... | costume maker | |
| Ralph Dyer | .... | costume maker | |
| Luciana Martínez | .... | wardrobe mistress | |
Editorial Department | |||
| Annette D'Alton | .... | assistant editor | |
| Tom Priestley | .... | supervising editor | |
Transportation Department | |||
| John Albery | .... | transportation | |
Other crew | |||
| Lee Drysdale | .... | production assistant | |
| Judi Futrille | .... | continuity | |
| Lindsay Kemp | .... | cabaret performance | |
| Luciana Martínez | .... | production assistant | |
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| The Cook the Thief His Wife & Her Lover | Sweet Movie | Trainspotting | If.... | Velvet Goldmine |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
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Jubilee, being a Derek Jarman film, obviously sets out to shock. An assorted set of punks and deviants live together in a garish open plan hell festooned with pictures of Hitler. Mad, an orange haired punkette (Toyah Wilcox, these days much more toned down and almost normal) and Amyl Nitrate (played by the unusual Jordan), a very weird lady who dreams of being a ballerina and talks about Myra Hindley, fight with each other. The regal Bod (Jenny Runacre, very good in this in both roles) doubles as Queen Elizabeth, wandering with her soothsayer John Dee (Richard O'Brien) and emotionless angel Arial, through a Britain tottering on the brink of revolution as the Silver Jubilee hits. Other dotty characters include Viv, an artist, and Angel and Sphinx (Linda Spurrier, Ian Charleson and Karl Johnson, who all went more mainstream than this later in their careers), who seem to do very little. Little Nell plays little whore Crabs, and Adam Ant plays slow-witted Kid, who is adopted by the freaks into their little gang. Cue a lot of raucous music, satirical comment on the media and the establishment, and a fair amount of unpleasant murder. And some plastic petunias. It does have its moments, but as a whole it is a bit of a mess. For visual style and flair it scores highly, but on everything else maybe the jury is still out.