| Fabio Testi | ... | Stubby Preston | |
| Lynne Frederick | ... | Emanuelle 'Bunny' O'Neill | |
| Michael J. Pollard | ... | Clem | |
| Harry Baird | ... | Bud | |
| Adolfo Lastretti | ... | Rev. Sullivan | |
| Bruno Corazzari | ... | Lemmy | |
| Giorgio Trestini | ... | Saul | |
| Donald O'Brien | ... | Sheriff of Salt Flat | |
| Tomas Milian | ... | Chaco | |
| rest of cast listed alphabetically: | |||
| Charles Borromel | ... | Montana - Altaville Townsman (uncredited) | |
| Edward Mannix | ... | Narrator (voice: English version) (uncredited) | |
| Salvatore Puntillo | ... | Recovering Man (uncredited) | |
| Lorenzo Robledo | ... | Sheriff Being Tortured (uncredited) | |
| Claudio Ruffini | ... | First Shot Gunman (uncredited) | |
| Goffredo Unger | ... | Betting Man (uncredited) | |
Directed by | |||
| Lucio Fulci | |||
Writing credits(in alphabetical order) | ||
| Ennio De Concini | ||
| Bret Harte | story (as Francis Brett Harte) | |
Produced by | |||
| Edmondo Amati | .... | producer (uncredited) | |
Original Music by | |||
| Franco Bixio | |||
| Fabio Frizzi | |||
| Vince Tempera | |||
Cinematography by | |||
| Sergio Salvati | |||
Film Editing by | |||
| Ornella Micheli | |||
Production Design by | |||
| Giovanni Natalucci | |||
Costume Design by | |||
| Massimo Lentini | |||
Makeup Department | |||
| Feliziano Ciraci | .... | assistant makeup artist | |
| Massimo De Rossi | .... | makeup supervisor | |
| Maggi | .... | wig maker | |
| Agnese Panarotto | .... | hair stylist | |
Production Management | |||
| Ennio Di Meo | .... | unit manager | |
| Piero Donati | .... | production manager | |
| Roberto Sbarigia | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Claudio Bondi | .... | assistant director | |
| Joe Pollini | .... | assistant director (as Giuseppe Pollini) | |
Art Department | |||
| Luigi Quintili | .... | assistant art director | |
Sound Department | |||
| Marco Donati | .... | boom operator | |
| Mario Ottavi | .... | sound recordist | |
Stunts | |||
| Goffredo Unger | .... | stunt coordinator | |
| Miguel Pedregosa | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Emilio Bestetti | .... | assistant camera | |
| Maurizio Lucchini | .... | assistant camera | |
| Leo Massa | .... | still photographer: action stills | |
| Enrico Sasso | .... | camera operator | |
Editorial Department | |||
| Bruno Micheli | .... | assistant editor | |
| Kathleen Stratton | .... | assistant editor (as Rossana Landi) | |
Music Department | |||
| Massimo De Luca | .... | musician: guitar | |
| Ryan Di Lello | .... | musician: harmonica | |
| Michele Seffer | .... | musician: bass | |
| Vince Tempera | .... | musician: keyboard | |
Other crew | |||
| Verena Baldeo | .... | location manager | |
| Roberto Giandalia | .... | script supervisor | |
| Julio Parra | .... | location manager | |
| Recent Posts (updated daily) | User |
|---|---|
| Four of the Apocalypse by Lucio Fulci | henrycovert69 |
| Lynne Fredericks is beautiful in this movie. | chadelle |
| Dawn of the Dead | Holden-17 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb Italy section |
I'm a fan of Fulci's work but until now had only ever seen the splatter movies from his mid- to-late career. On the basis of this, I will dig deeper and check out more of his earlier films.
This is a very strange Western, beautifully shot with a bizarre psychedelic score. Performances are good, theatrical and a little overblown (the dubbing never helps), but they fit well within this unusual morality play.
The film is loaded with symbolism, concerned with themes of birth, death and redemption. Fulci was an artful director when he wanted to be, but never concerned himself with linear plots. The story here is easier to follow, but takes an interesting turn towards the end when Stubby and Bunny find the town populated by men. Pacing up to this point was sharp, but here things did drag a little.
There are some well-handled action sequences, a little hard-boiled violence (but leagues away from the incredible sadism of something like 'New York Ripper') and some humorous touches, mainly provided by the character of Clem, the town drunk. The whole thing has an acid-fried feel that's a bit redolent of Jodorowsky.
Worthy of repeated viewings and further study. The conventions of the Western have provided a great canvas for many auteurs - Fulci makes the most of stock characters and visual cues, imbuing them with all the sub-text he wanted to get across.
I'll definitely check out 'Massacre Time' after this. Anyone who's been bored or insulted by the director's later stuff like 'Voices From Beyond' should watch this and see the full breadth of the grumpy old feller's ability.