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The Four of the Apocalypse... (1975)

I quattro dell'apocalisse (original title)
Four petty criminals, three men and a woman, wander through the trackless terrain of the Wild West Utah and are hounded by a sadistic bandit.



(adapted for the screen by), (stories) (as Francis Brett Harte, Brett Harte)

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Cast overview:
Stubby Preston
Emanuelle 'Bunny' O'Neill
Adolfo Lastretti ...
Rev. Sullivan
Bruno Corazzari ...
Giorgio Trestini ...
Donald O'Brien ...
Sheriff of Salt Flat


Follows the adventures and travels of four petty criminals in 1873 Utah whom include gambler and swindler Stubby Preston, pregnant prostitute Bunny O'Neal, drunkard Clem, and a mental disturbed man, named Bud, who's obsessed with the dead. The quartet travel aimlessly through the Utah Badlands looking for food, water and people to swindle, while they are harassed by a villanous Mexican bandit, named Chaco, whom Stubby vows revenge after the bandito sexually assaults Bunny. Written by Anonymous

Plot Summary | Plot Synopsis




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Release Date:

12 August 1975 (Italy)  »

Also Known As:

Four of the Apocalypse  »

Company Credits

Production Co:

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Technical Specs



Sound Mix:



Aspect Ratio:

1.85 : 1
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Did You Know?


Ursula Andress visited the set on the first day of shooting. Moreover, it was freezing cold on the first day of shooting in Austria. See more »


When Stubby takes the doll from the dead little Swiss girl, she moves her left hand. See more »


Chaco: Chaco is the name my friend, and I would be very happy to join your group.
Stubby Preston: Nobody invited you.
Chaco: But I did. I'm a damn good hunter you know. Wherever you go you'll have a piece of meat every day.
See more »


Referenced in Frizzi & Fulci (2016) See more »


Bunny (Let's Stay Together)
Music by Franco Bixio, Fabio Frizzi, & Vince Tempera
Words by Rink Greenfield & Peter Cook
Sung by Greenfield & Cook and Benjamin Franklin Group
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User Reviews

Oh, that was bitter.
16 May 2007 | by (the Mad Hatter's tea party.) – See all my reviews

Four lowly criminals that meet in jail; card shark Stubby, pregnant prostitute Bunny, a drunk Clem and the loony Bud manage to escape a vigilante slaughter of the town they were in and end up on a rugged journey in the open frontier. They soon encounter the Chaco, but after helping them out. He soon turns on them, with his sadistic habits coming through and they find themselves at the other end of it. After raping Bunny, Stubby's increasing feelings for her, makes him vow vengeance on Chaco.

Apocalyptic to-right! This cruel, sparse and bleakly nightmarish spaghetti western from Italian maestro Lucio Fulci is one uncompromising trek, where four unique individuals end up guiding us. The episodic screenplay pulls you along for one emotionally domineering and pain-filled excursion into the souls of four (very ordinary) characters longing to make something important from their lives, especially after what they've been through… together. This destiny-bound aspect and redemption angle takes over the odd story, where these rag-tag characters are flung around in manipulative sense and realistically drawn up with rich, quirky and sullen details. It tries to be a passionate and diverse character story, and this makes it one interesting and downright original crack at the flooded sub-genre. I see mentioned a bit, Why's apocalypse in the title? I see this as a reference towards the characters' and their final outcomes. Hope just seems to fade off their faces, after one degrading, macabre and tragic situation after another in a reprehensibly desolate land that can easily break you and take away the things you hold close. Everything that was significant is stripped away, which leaves only one thing on mind for one character… revenge. Tomas Milan's scummy character is the main tool of that torturous downfall.

Fulci is one never to shy away from something in your face, and this one has no boundaries to its depressing nature, relentless violence and unsparingly gritty landscape. His patiently accomplished and pastel direction can feel plodded, but he gracefully lenses it with gusto and the up-close and personal framing illustrates many moody sequences. He knows how to depict haunting images, rough landscape and brutal carnage to fit right in with the film's material and destination. Despite a pretty bumpy rhythm, Fulci keeps it tight and ominous for most part. The opening scenes set the appropriate tone of what's to come and even a slight sense of surrealism. It's technically, a good job. The open and breezy ballad folk soundtrack is a complete delight and gels into the presentation nicely. Performances from the main four are sensitively brought across with a compelling rapport. Fabio Testi's strong performance all round carriers the film. Lynne Frederick is beautifully touching. Michael J. Pollard's screwy town drunk amuses and Harry Baird is fine as the loony black slave. Competing with Testi's performance has got to be the memorably brooding performance of Tomas Milan. He chews up the scenery in what few sequences he does get, as the pitilessly striking bandit Chaco.

The sub-genre was coming to an end, and while Fulci's effort was very late to the fodder. He manages to craft Gothic-laced spaghetti western that has heart within its narrative and guts found in the visuals.

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