Pim, pam, pum... ¡fuego! (1975)
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- 1h 39min
- Drama
- 05 Sep 1975 (Spain)
- Movie
Madrid, in the forties. In the post-war period, Paca, a chorus girl who aspires to enter the Celia Gámez Company, returns to Madrid after a provincial tour. In the same train travels Luis, undocumented young person to whom Paca allows him...
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Director:
Writers:
Photos and Videos
Cast
| Concha Velasco | ... |
Paca
(as Conchita Velasco)
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Josep Maria Flotats | ... |
Luis
(as José Maria Flotats)
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| Fernando Fernán Gómez | ... |
Julio
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| José Orjas | ... |
Ramos, padre de Paca
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Mara Goyanes | ... |
Manolita
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| José Franco | ... |
Álvarez
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José Calvo | ... |
Policía
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Mimí Muñoz | ... |
Hermana de Álvarez
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Goyo Lebrero |
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Amparo Valle | ... |
Huésped
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| Víctor Israel | ... |
Sr. Dimas
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| Porfiria Sanchíz |
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| Gloria Berrocal |
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| Erasmo Pascual | ... |
Sr. Pérez, el censor
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| Pilar Gómez Ferrer | ... |
Clienta mercado #1
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| Rafael Conesa | ... |
Alumno
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| Fernando Sánchez Polack | ... |
Encargado tablao flamenco
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| Alfonso del Real |
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María de las Rivas |
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Enrique Navarro |
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Tito Medrano | ... |
Cliente pensión
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| María Arias |
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| José Riesgo | ... |
Jurado
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Ana Farra | ... |
Clienta mercado #2
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Salvador Orjas |
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Luis Rico | ... |
Jurado
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Ángel Menéndez |
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| Luis Ciges | ... |
Rosales
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Pilar Vela | ... |
Encarna
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Antonio Padilla | ... |
Vendedor periódicos
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Paco Catalá | ... |
El Pinfo
(as Francisco Catalá)
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| Rest of cast listed alphabetically: | |||
| José Alonso | ... |
Vendedor mercado
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Alfonso Castizo | ... |
Pepe
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Lázaro Cerezo | ... |
Boy
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Mary Cruz Fernández | ... |
(as Mari Cruz Fernández)
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Antonio Orengo | ... |
Camarero
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| Amália Rodrigues | ... |
(as Amalia Rodríguez)
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Denisse Newman | ... |
Dancer (uncredited)
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Directed by
| Pedro Olea | ||
Written by
| Rafael Azcona | ... | (screenplay) |
| Pedro Olea | ... | (original idea) |
| Pedro Olea | ... | (screenplay) |
Produced by
| José Frade | ... | producer |
Music by
| Carmelo A. Bernaola | ||
Cinematography by
| Fernando Arribas | ||
Editing by
| José Antonio Rojo | ||
Editorial Department
| Esperanza Cobos | ... | additional editor |
| Concepción Piño | ... | assistant editor |
Set Decoration by
| Antonio Cortés | ... | (set designer) |
| José Ramón Molina | ||
Makeup Department
| María Carmen Clavel | ... | assistant makeup artist (as Mari Carmen Clavel) |
| Carmen Martín | ... | makeup artist |
| Carmen Sánchez | ... | hair stylist |
Production Management
| Enrique Bellot | ... | production manager |
Second Unit Director or Assistant Director
| Luis Gómez Valdivieso | ... | assistant director |
| Lucía Martín | ... | script |
Art Department
| Manuel Rincón | ... | property master |
| Emilio Ruiz del Río | ... | model maker (as Emilio Ruiz) |
Sound Department
| Francisco Peramos | ... | sound |
Camera and Electrical Department
| Gustavo Fernández Roces | ... | still photographer |
| Julio Leyva | ... | assistant camera |
| Domingo Solano | ... | camera operator |
Costume and Wardrobe Department
| Carmen Cano-Caballero | ... | wardrobe |
| Juan Chamizo | ... | costumer |
Additional Crew
| Santiago Marugán | ... | production assistant |
Production Companies
Distributors
- J.F. Films de Distribución S.A. (1975) (Spain) (theatrical)
- Divisa Home Video (2014) (Spain) (DVD)
Special Effects
Other Companies
Storyline
| Plot Summary |
Madrid, in the forties. In the post-war period, Paca, a chorus girl who aspires to enter the Celia Gámez Company, returns to Madrid after a provincial tour. In the same train travels Luis, undocumented young person to whom Paca allows him to spend the night in the room where she lives with her sick father. Paca's relationship with Julio, a mogul without remorse, offers her financial support, but Luis gives her the tenderness and love she does not have with Julio. Written by jsanchez |
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Additional Details
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Did You Know?
| Trivia | Pedro Olea wanted to do this project for a long time, but he knew that the Spanish dictatorship wouldn't allow a project like this. It was after the huge success of Tormento (1974) that this was greenlighted. See more » |
| Soundtracks | Tatuaje See more » |