| Monique van de Ven | ... | Olga Stapels | |
| Rutger Hauer | ... | Eric Vonk, the sculptor | |
| Tonny Huurdeman | ... | Olga's mother | |
| Wim van den Brink | ... | Olga's father | |
| Hans Boskamp | ... | Winkelchef | |
| Dolf de Vries | ... | Paul | |
| Manfred de Graaf | ... | Henny | |
| Dick Scheffer | ... | Accountant | |
| Marjol Flore | ... | Tineke | |
| Bert Dijkstra | ... | Civil servant | |
| Bert André | |||
| Jon Bluming | |||
| Paul Brandenburg | |||
| Suze Broks | (as Suzie Broks) | ||
| David Conyers | |||
| Truus Dekker | |||
| Marijke Frijlink | |||
| Reinier Heideman | |||
| Wim Hoddes | |||
| Hans Kemna | |||
| Liëla Koguchi | (as Liela Kaquchi) | ||
| Elsa Lioni | |||
| Aimé Mars | |||
| Ad Noyons | |||
| rest of cast listed alphabetically: | |||
| Jaap van Donselaar | |||
| Paul van Gorcum | ... | Ambtenaar burgelijke stand | |
| Helen van Meurs | |||
| Joost Prinsen | ... | Politieman | |
| David Rappaport | ... | Dwarf | |
| George Schutte | |||
| Maartje Seyferth | |||
| Johan te Slaa | |||
| Robert Sobels | |||
| John Soer | |||
| Jeanneke Stam | |||
| Frans Vasen | |||
| Ine Veen | |||
| Jan Wegter | |||
| Olga Zuiderhoek | |||
Directed by | |||
| Paul Verhoeven | |||
Writing credits(in alphabetical order) | ||
| Gerard Soeteman | writer | |
| Jan Wolkers | novel | |
Produced by | |||
| Rob Houwer | .... | producer | |
Original Music by | |||
| Rogier van Otterloo | |||
Cinematography by | |||
| Jan de Bont | |||
Film Editing by | |||
| Jan Bosdriesz | |||
Makeup Department | |||
| Bobby Eerhart | .... | makeup artist | |
Art Department | |||
| Strengholt Laurens | .... | props | |
Sound Department | |||
| Ad Roest | .... | sound | |
| Wim Wolfs | .... | adr mixer | |
Music Department | |||
| Toots Thielemans | .... | musician: harmonica solo | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Netherlands section |
Turkish delight is a book by the Dutch true artist Jan Wolkers: a painter, a sculptor, a writer. Symbol of sexual liberation in the 60's and 70's with a series of books about his youth, freeing himself of protestant chains and the general revolt against the bourgeoisie, Wolkers made himself big. But he became larger than life with his contribution to Dutch culture and the understanding of the Dutch mind. The movie itself is a delight with scenes shot in Amsterdam and the greater Amsterdam area: all that is fashionable passes by, not just sexual freedom and the confrontation with society. And the beauty of both Rutger Hauer and Monique van der Ven, is a well deserved extra.