Sort of a cross between "Love Story" and an earthy Rembrandt painting, this movie stars Rutger Hauer as a gifted Dutch sculptor who has a stormy, erotic, and star-crossed romance with a ... See full summary »
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
Sort of a cross between "Love Story" and an earthy Rembrandt painting, this movie stars Rutger Hauer as a gifted Dutch sculptor who has a stormy, erotic, and star-crossed romance with a beautiful young girl. The story follows the arc of their relationship and his interaction with her family. Told in flashback form, initially Hauer is seen as a libertine lothario collector, taking trophies from his sexual conquests and pasting them in a book. He sees a sculpture he made of his lost lover and goes into a flashback of his relationship with his wife. He meets the girl, falls in love with/marries her, and we meet her parents: a charming, well meaning, bumbling father, and his shrew of a wife, who's convinced Hauer's too much of a bohemian to make a good mate for her daughter. Eventually, the petty jealousies, the sexual hijinks, and the climactic vomit scene prove too much for the marriage, and sculptor and his lady fair separate. Flash forward several months, and Hauer finds the girl back... Written by
Willeke van Ammelrooy was the first choice for the role of Olga. Jan Wolkers, who wrote the novel this film is based on, thought she'd be perfect for the part. However, director Paul Verhoeven demanded she'd shave her head for the hospital scene. This would mean van Ammelrooy had to decline other job offers. Besides that, producer Rob Houwer didn't want to pay the 50,000 guilders van Ammelrooy asked. He was only willing to pay 19,000 guilders. See more »
The level of "poisoned" gin on the beach changes from high to low and back to high as scene changes. See more »
Few days ago, I watched the documentary Z Channel: A Magnificent Obsession (2004) about a channel that had brought the great and unavailable anywhere else films to its 100, 000 lucky subscribers in LA in 70s - 80s. While enjoying the clips from many Foreign and Independent movies that were the best part of documentary, I was able to recognize the movie that I saw many years ago in Moscow and still remember well, I could not only recall the title. I remember that the movie was Dutch, very erotic in the raw, brutal, twisted yet beautiful and passionate way. Watching "Z Channel..." I was happy to instantly recognize "Turks fruit" (1973) aka "Turkish Delight" made by Paul Verhoeven in 1973. I checked with Netflix, the movie was available; I bumped it up in my queue and just finished watching it. My memory served me well - Verhoeven's early film is as naturalistic, earthy, brutal, erotic, humorous, poetic, poignant, and captivating as I remember it. Based on the novel by Jan Wolker, "Turkish Delight" stars young, hot, very sexy (and I mean it - VERY SEXY) Rutger Hauer as a bohemian free spirited and often cruel sculptor Eric and even younger Monique van de Van as his wife Olga, child-like yet as sensual as Eric was, "the light of his life, the fire of his loins". The film that describes their stormy relationship has become the most financially successful Holland's film that was nominated for an Academy Award for Best Foreign Language film and was proclaimed by Jan Wolker a "75% masterpiece".
There are not very many directors in the world that can create the atmosphere of raw sensuality as well as Verhoeven (of his Dutch period, especially). Verhoeven is known for uncompromising approach to his work, fiery temperament, and aggressive movie-making. Joe Ezsterhaus who worked with Verhoeven on two films said about him: "The guy is like his movies: brilliant, mercurial, very daring, perverse, a wonderful series of paradoxes and contradictions..." "The Turkish Delight" is all that and I love it but I can understand how its graphic sexuality, more than one disgusting and revolting scenes (but they had to be in the movie) and crude behavior may put off a lot of viewers. Be prepared, "Turkish Delight" is delightful but it is very intense and often not easy to watch.
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