IMDb > Pat Garrett & Billy the Kid (1973)
Pat Garrett & Billy the Kid
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Pat Garrett & Billy the Kid (1973) More at IMDbPro »

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Pat Garrett & Billy the Kid -- An aging Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons--his sole purpose being to bring down his old friend Billy the Kid.

Overview

User Rating:
7.4/10   11,075 votes »
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Down 10% in popularity this week. See why on IMDbPro.
Director:
Writer:
Rudy Wurlitzer (written by)
Contact:
View company contact information for Pat Garrett & Billy the Kid on IMDbPro.
Release Date:
31 August 1973 (Hong Kong) See more »
Genre:
Tagline:
Best of enemies. Deadliest of friends.
Plot:
An aging Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons--his sole purpose being to bring down his old friend Billy the Kid. Full summary » | Add synopsis »
Plot Keywords:
Awards:
Nominated for BAFTA Film Award. Another 3 nominations See more »
NewsDesk:
(26 articles)
User Reviews:
A rich, haunting, yet demanding work... See more (102 total) »

Cast

  (in credits order) (verified as complete)

James Coburn ... Pat Garrett

Kris Kristofferson ... Billy The Kid

Richard Jaeckel ... Sheriff Kip McKinney

Katy Jurado ... Mrs. Baker

Chill Wills ... Lemuel

Barry Sullivan ... Chisum

Jason Robards ... Governor Wallace

Bob Dylan ... Alias

R.G. Armstrong ... Ollinger

Luke Askew ... Eno

John Beck ... Poe
Richard Bright ... Holly

Matt Clark ... J.W. Bell
Rita Coolidge ... Maria

Jack Dodson ... Howland

Jack Elam ... Alamosa Bill

Emilio Fernández ... Paco (as Emilio Fernandez)

Paul Fix ... Maxwell

L.Q. Jones ... Black Harris

Slim Pickens ... Sheriff Baker
Jorge Russek ... Silva

Charles Martin Smith ... Bowdre (as Charlie Martin Smith)

Harry Dean Stanton ... Luke
Claudia Bryar ... Mrs. Horrell
John Davis Chandler ... Norris (as John Chandler)
Michael T. Mikler ... Denver (as Mike Mikler)
Aurora Clavel ... Ida Garrett (as Aurora Clavell)

Rutanya Alda ... Ruthie Lee
Walter Kelley ... Rupert
Rudy Wurlitzer ... O'Folliard

Elisha Cook Jr. ... Cody
Gene Evans ... Mr. Horrell
Donnie Fritts ... Beaver

Dub Taylor ... Josh
Don Levy ... Sackett
rest of cast listed alphabetically:

Bruce Dern ... Deputy (uncredited)

Sam Peckinpah ... Will (uncredited)
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Directed by
Sam Peckinpah 
 
Writing credits
Rudy Wurlitzer (written by)

Produced by
Gordon Carroll .... producer
 
Original Music by
Bob Dylan 
 
Cinematography by
John Coquillon (director of photography)
 
Film Editing by
David Berlatsky 
Garth Craven 
Tony de Zarraga  (as Tony De Zarraga)
Richard Halsey 
Roger Spottiswoode 
Robert L. Wolfe 
 
Casting by
Patricia Mock 
 
Art Direction by
Ted Haworth 
 
Set Decoration by
Ray Moyer 
 
Makeup Department
Jack Wilson .... makeup artist (as Jack P. Wilson)
Herbert Smith .... makeup artist (uncredited)
 
Production Management
Jim Henderling .... unit production manager
Alfonso Sánchez Tello .... production manager: Mexico (as Alfonso Sanchez Tello)
 
Second Unit Director or Assistant Director
Newt Arnold .... assistant director (as Newton Arnold)
Gordon T. Dawson .... second unit director (as Gordon Dawson)
Jesus Marin Bello .... assistant director: Mexico
Lawrence J. Powell .... second assistant director
 
Art Department
Robert J. Visciglia Sr. .... property master (as Robert John Visciglia)
 
Sound Department
Harry W. Tetrick .... sound
Charles M. Wilborn .... sound
Bill Wistrom .... supervising sound editor (uncredited)
 
Visual Effects by
Augie Lohman .... special visual effects (as A.J. Lohman)
 
Stunts
William H. Burton .... stunts (uncredited)
Gary Combs .... stunts (uncredited)
Jerry Gatlin .... stunts (uncredited)
Bill Hart .... stunts (uncredited)
Whitey Hughes .... stunts (uncredited)
Harrold Laswell .... stunts (uncredited)
Walter Scott .... stunts (uncredited)
 
Camera and Electrical Department
Herbert Smith .... camera operator
Gabriel Torres .... director of photography: second unit (as Gabriel Torres G.)
 
Costume and Wardrobe Department
Michael Butler .... wardrobe
 
Music Department
Dan Carlin Sr. .... music editor (as Dan Carlin)
Carl Fortina .... musician: accordion soloist (uncredited)
Jim Keltner .... musician: drums (uncredited)
Dan Wallin .... scoring mixer (uncredited)
 
Other crew
Katherine Haber .... production staff (uncredited)
'Chema' Hernandez .... head wrangler (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
"Pat Garrett and Billy the Kid" - USA (poster title)
See more »
MPAA:
Rated R for western violence and sexuality/nudity
Runtime:
122 min (1988 restored version) | 115 min (2005 DVD Special Edition) | 106 min (Cut theatrical version)
Country:
Language:
Color:
Color (Metrocolor)
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Australia:PG | Australia:M (Cable TV rating) | Australia:MA (DVD rating) | Canada:14A (TV rating) | Finland:K-18 (uncut) | Finland:K-16 (cut) (1987) (video release) | Iceland:16 | Netherlands:18 (original rating) | Norway:18 | Portugal:M/18 | Singapore:M18 | Sweden:15 | UK:18 | UK:X (original rating) | USA:R | West Germany:16
Filming Locations:

Did You Know?

Trivia:
According to Kris Kristofferson, director Sam Peckinpah so detested the studio cut of this film he actually urinated on the screen.See more »
Goofs:
Crew or equipment visible: (at around 1 min) During the Governor's interview with Pat Garrett at the dining table, the shadow of the boom operator is clearly visible on the table cloth to the right of the Governor.See more »
Quotes:
Billy:You're in poor company, Pat.
Garrett:Yeah, but I'm alive.
Billy:So am I...
See more »
Movie Connections:
Featured in Z Channel: A Magnificent Obsession (2004) (TV)See more »

FAQ

This FAQ is empty. Add the first question.
57 out of 71 people found the following review useful.
A rich, haunting, yet demanding work..., 7 July 2000

Peckinpah's "Pat Garrett and Billy the Kid" is a rich, haunting, yet demanding work that, above everything else, sees Billy as a creature of his day and age…

He is by no means made a wholly sympathetic character, but who was sympathetic in the New Mexico of 1881? Peckinpah has most of his characters dyed with violence and sniffing the prevailing air of corruption—the chief protagonists, their filthy henchmen, even the onlookers…

Where and what is the law? No one seems to know or care… Garrett and Billy have seen both sides, like almost everyone else…

And among the confusion and violence that is the legacy of range war there is no gleam of purifying light in the efforts we see being made to clean up the territory… The powers that be want Billy out of New Mexico, not for ethical reasons, but rather so that things can be neatly protected for the approaching business exploitation…

Garrett is the man made sheriff to hunt him down and thereby the man who compromises . . . 'This country's getting older and I aim to grow old with it ... there's an age in a man's life when he has to consider what's going to happen next.'

But Billy can't compromise… It's not his way… "Billy, they don't like you to be so free!" proclaims the Bob Dylan theme song, summing up why the power men find Billy so irritating… Perhaps that's why Garrett who has sold out to power is in some ways a reluctant hunter… He salutes Billy's spirit—his very own personal declaration of independence—but he knows it's not the spirit of the new times…

It says much for Peckinpah's way with actors that he gets such admirable performances out of the comparatively inexperienced Kris Kristofferson, as Billy, and Bob Dylan, as Billy's mate… It says just as much for his Westerns perceptiveness that he relies even more heavily on experience… The well-tried James Coburn is both solid and hard to define as Garrett… And then there are the others who know their way around Westerns so well—Katy Jurado, Slim Pickens, R. G. Armstrong, Jason Robards, Jack Elam, Chill Wills… There's not a single performance here that isn't a rounded-off portrait in its own right…

It all adds up to a richness in characterization that is matched by the richness of marvelously composed scenes in which interiors and exteriors alike have been put together with loving care and attention to detail, whether it's a big set-piece 'shoot-up' or a close-up of a can of preserves—how such a can looked in 1881…

Garrett's hunt for Billy is told mainly in set-pieces and it has to be said that Peckinpah makes little narrative concession to an audience in the way they are strung together… But for the out and out Western fan this is a most memorable movie…

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Message Boards

Discuss this movie with other users on IMDb message board for Pat Garrett & Billy the Kid (1973)
Recent Posts (updated daily)User
Another contender for 'best line in the movie' ccamp3175
Music whe Billy is arrested by Pat droogy69
Why not release a new DVD? brandon-caplan
Estevez JMFOX
Which is the most 'Bob Dylan-y' cut? xavierdragonlamas-178-423469
Did they really shoot chickens in the opening shot?!! yarrumlib
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