The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in ... See full summary »
During the last winter of the Civil War, cavalry officer Amos Dundee leads a contentious troop of Army regulars, Confederate prisoners and scouts on an expedition into Mexico to destroy a ... See full summary »
In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
It's 1881 in New Mexico, and the times they are a'changing. Pat Garrett, erstwhile travelling companion of the outlaw Billy the Kid has become a sheriff, tasked by cattle interests with ridding the territory of Billy. After Billy escapes, Pat assembles a posse and chases him through the territory, culminating in a final confrontation at Fort Sumner, but is unaware of the full scope of the cattle interests' plans for the New West. Written by
Ed Sutton <firstname.lastname@example.org>
As Pat Leaves Fort Sumner, a young boy throws stones at him. In longer shots, Pat and the boy are in shadow, but the close shots of the boy show him in bright sunshine with clear sharp shadows defined. See more »
On your knees.
Kiss my ass!
[Ollinger knocks Billy off his chair and puts a shotgun to his head]
REPENT, you son of a bitch!
Sweet Jesus, I repent!
See more »
On the surface, a film about the doomed friendship between the two title characters, Pat Garrett and Billy the Kid is really a film about the death of a way of American life. Death is omni-present in this film, and the compelling aspect of it is that so many of the characters are completely prepared to accept it and deal it out. The best and saddest moments in the film involve characters who know they are going to die and accept it. And the performances are all remarkable. Kristofferson's easygoing and charismatic portrayal of Billy is the best work of his career, as is Coburn's sad-eyed interpretation of Pat Garrett. A wonderful film, almost as good as Peckinpah's masterpiece The Wild Bunch.
30 of 38 people found this review helpful.
Was this review helpful to you?