Part of the Brian Clemens' "Thriller" series – snapped up and used in "The Wide World Of Mystery" series in America – One Deadly Owner is a decent but unremarkable chiller involving that favourite old chestnut in the world of horror: a possessed car. In fact, apart from a couple of Twilight Zone episodes featuring weird vehicles, this is one of the earliest examples of the form
certainly pre-dating films like The Car and Christine by a good few years. The difference here is that the car itself is not possessed by a lifeforce that intends to kill; it is possessed instead by the ghost of a murder victim who wants her death to be solved. The car isn't the killer; it's trying to help the characters expose the killer. A neat enough little concept which works quite nicely over the hour-ish duration of the film.
Bored American-model-living-in-Britain, Helen Cook (Donna Mills), finds herself mysteriously drawn to a grand Rolls Royce in a nearby showroom. She impulsively buys the vehicle; not because she particularly wants it, more because she feels a strange, compelling urge to make the purchase. Her photographer friend Peter Tower (Jeremy Brett) is dismayed to see her throwing money away so flippantly and encourages her to take the car back to the salesroom, but for some reason she just cannot seem to let it go. Later, weird things happen – the car seems to drive itself where it wants, resisting her efforts to turn corners or slow down; the radio keeps broadcasting a news bulletin from April 2nd; and a woman's scream makes itself heard from the back seat of the car even when there is no-one in it. Helen seeks advice from the previous owner of the vehicle and discovers that it belonged to a wealthy businessman, John Jacey (Laurence Payne), whose wife disappeared, presumed-eloped, on April 2nd
It isn't long before Helen concludes that Mrs Jacey has probably been murdered, and that her ghost is haunting the car, perhaps trying to guide its new owner to her final resting place so that the crime can be exposed.
One Deadly Owner is short enough not to tax the viewer's patience, but long enough to generate an air of mystery and suspense. The performances aren't exactly great – they're very typical of the standard TV-acting-of-the-era style – but they're not hopelessly bad either. Brett comes off best as the dubious photographer. Several possible solutions to the mystery are thrown into the mix, and the eventual denouement might be possible to predict from early on but isn't boringly predictable by any means (there's a difference between having a possible solution in your mind, or simply KNOWING what the solution will be before it is revealed). A few scenes are quite eerily done, with clever lighting and subtle atmospheric touches, and the whole thing emerges a neat little time-killer. Hardly a classic, certainly not a lost masterpiece of the 'possessed-vehicle' sub-genre, but it's enjoyable entertainment while it lasts. You could do a lot worse.
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