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The Long Goodbye (1973)

 -  Crime | Drama | Thriller  -  7 March 1973 (USA)
7.7
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Ratings: 7.7/10 from 15,232 users  
Reviews: 135 user | 113 critic

Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.

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(screenplay), (novel)
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Title: The Long Goodbye (1973)

The Long Goodbye (1973) on IMDb 7.7/10

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Cast

Cast overview, first billed only:
...
Nina van Pallandt ...
...
...
...
...
Harry
Jim Bouton ...
Warren Berlinger ...
Morgan
Jo Ann Brody ...
Jo Ann Eggenweiler
Stephen Coit ...
Detective Farmer (as Steve Coit)
Jack Knight ...
Mabel
Pepe Callahan ...
Pepe
Vincent Palmieri ...
Vince (as Vince Palmieri)
Pancho Córdova ...
Doctor (as Pancho Cordoba)
Enrique Lucero ...
Jefe
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Storyline

In the middle of the night, private eye Philip Marlowe drives his friend Terry Lennox to the Mexican border. When Marlowe returns home police are waiting for him and learns that Terry's wife Sylvia has been killed. He's arrested as an accessory but released after a few days and is told the case is closed since Terry Lennox has seemingly committed suicide in Mexico. Marlowe is visited by mobster Marty Augustine who wants to know what happened to the $350,000 Lennox was supposed to deliver for him. Meanwhile, Marlowe is hired by Eileen Wade to find her husband Roger who has a habit of disappearing when he wants to dry out but she can't find him in any any of his usual haunts. He finds him at Dr. Veringer's clinic and brings him. It soon becomes obvious to Marlowe that Terry's death, the Wades and Augustine are all somehow interconnected. Figuring out just what those connections are however will be anything but easy. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

Nothing says goodbye like a bullet. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

7 March 1973 (USA)  »

Also Known As:

Der Tod kennt keine Wiederkehr  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The time period of Raymond Chandler's novel "The Long Goodbye" was updated from it original era of 1949-1950 to the Hollywood of the 1970s. Despite this, Phillip Marlowe (Elliott Gould) still drives a car from the 1940s and still earns a daily salary typical of gumshoe private eyes from older days. See more »

Goofs

When Marty Augustine and his henchmen threaten to castrate Marlowe, Augustine says, "Harry, your father was a mohel", but the DVD subtitles read "Harry, your father was immoral". A mohel (pronounced "moil")is a person who performs circumcisions on Jewish males. See more »

Quotes

[repeated line]
Philip Marlowe: That's OK with me.
See more »

Connections

Featured in Bad Movie Beatdown: Dead Men Don't Die (2012) See more »

Soundtracks

The Long Goodbye
by John Williams and Johnny Mercer
Performed by The Dave Grusin Trio, Jack Sheldon, Clydie King, Jack Riley, Morgan Ames' Aluminum Band, The Tepoztlan Municipal Band
See more »

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User Reviews

 
The Best adapted screenplay of all time?
25 February 2005 | by (United Kingdom) – See all my reviews

I can say, without feeling too stupid, that is my favourite film of all time.

It has it all, firstly an incredibly brave screenplay that brought Raymond Chandler forward a generation after Bogart's best attempts to turn the great author into an insomnia remedy.

The casting of Elliot Gould as Marlowe is a stroke of genius - this Marlowe is undoubtedly very cool, but his 'coolness' comes from his idiosyncrasies, nerdy quirks and inability to fit into defined social circles. Sterling Hayden's performance, for me out-does his work on Dr Strangelove and can be added to Jack Nicholson in The Shining, Hoffman in Midnight Cowboy and Brando in The Godfather as one of the finest examples of character acting you will ever come across. His 'Hemingwayesque' alcoholic rages are violent, visceral and disturbing and yet he contains a brittle fragility that draws you to his performance.

The shining light though is Altman. Not only did he get the best career performances out of his finely assembled ensemble (did Gould, Hayden or Van Pallant ever do better?), but also produced one of the best shot films of all time. Only bettered in this era by Coppola's The Conversation (not a bad film to come second to).

On top of all this is an overwhelming sense of the auteur, the soundtrack, camera work and acting performances all combine to create a synthesis of near perfect cinema.

Turn your computer off, run out of the house and rent/steal or buy this film. Watch it, you won't be disappointed.


65 of 103 people found this review helpful.  Was this review helpful to you?

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