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The Long Goodbye (1973)

 -  Crime | Drama | Thriller  -  7 March 1973 (USA)
7.7
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Ratings: 7.7/10 from 14,129 users  
Reviews: 135 user | 104 critic

Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.

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(screenplay), (novel)
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Cast

Cast overview, first billed only:
...
Nina van Pallandt ...
...
...
...
...
Harry
Jim Bouton ...
Warren Berlinger ...
Morgan
Jo Ann Brody ...
Jo Ann Eggenweiler
Stephen Coit ...
Detective Farmer (as Steve Coit)
Jack Knight ...
Mabel
Pepe Callahan ...
Pepe
Vincent Palmieri ...
Vince (as Vince Palmieri)
Pancho Córdova ...
Doctor (as Pancho Cordoba)
Enrique Lucero ...
Jefe
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Storyline

Chain-smoking, wisecracking private eye Philip Marlowe drives a buddy from LA to the Tijuana border and returns home to an apartment full of cops who arrest him for abetting the murder of his friend's wife. After Marlowe's release, following the reported suicide in Mexico of his friend, a beautiful woman hires him to locate her alcoholic and mercurial husband. Then, a hoodlum and his muscle visit to tell Marlowe that he owes $350,000, mob money the dead friend took to Mexico. Marlowe tails the hood, who goes to the house of the woman with the temperamental husband. As Marlowe pulls these threads together, his values emerge from beneath the cavalier wisecracking. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

mexico | suicide | murder | arrest | alcoholic | See more »

Taglines:

"I have two friends in the world. One is a cat. The other is a murderer." - Elliot Gould as Phillip Marlowe See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

7 March 1973 (USA)  »

Also Known As:

Der Tod kennt keine Wiederkehr  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

When the police are responding to the suicide of Roger Wade, Phillip Marlowe (Elliott Gould) becomes irate that they don't believe that Roger Wade could have murdered Terry Lennox' wife. He yells that he's going to call Ronald Reagan (then the governor) to protest their inaction. In the very next scene, Marlowe is brought to Marty Augustine's office for a shakedown. One of Augustine's bodyguards is an uncredited Arnold Schwarzenegger, later elected Governor of California. Thus Marlowe, in a way, gets to meet the governor. See more »

Goofs

At the beginning of the film, Philip Marlowe opens the refrigerator to get food for his cat. There are two rows of eggs on the fridge's door, with one egg missing on the lower row. After a cut away scene, Philip reaches for some eggs, but now there are several eggs missing on the lower row. See more »

Quotes

Det. Green: My, my, you are a pretty asshole.
Philip Marlowe: Yeah, my mother always tells me that.
See more »

Connections

References The Big Sleep (1946) See more »

Soundtracks

Hooray for Hollywood
(uncredited)
Music by Richard A. Whiting
Lyrics by Johnny Mercer
Performed by Johnnie Davis
See more »

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User Reviews

 
The Best adapted screenplay of all time?
25 February 2005 | by (United Kingdom) – See all my reviews

I can say, without feeling too stupid, that is my favourite film of all time.

It has it all, firstly an incredibly brave screenplay that brought Raymond Chandler forward a generation after Bogart's best attempts to turn the great author into an insomnia remedy.

The casting of Elliot Gould as Marlowe is a stroke of genius - this Marlowe is undoubtedly very cool, but his 'coolness' comes from his idiosyncrasies, nerdy quirks and inability to fit into defined social circles. Sterling Hayden's performance, for me out-does his work on Dr Strangelove and can be added to Jack Nicholson in The Shining, Hoffman in Midnight Cowboy and Brando in The Godfather as one of the finest examples of character acting you will ever come across. His 'Hemingwayesque' alcoholic rages are violent, visceral and disturbing and yet he contains a brittle fragility that draws you to his performance.

The shining light though is Altman. Not only did he get the best career performances out of his finely assembled ensemble (did Gould, Hayden or Van Pallant ever do better?), but also produced one of the best shot films of all time. Only bettered in this era by Coppola's The Conversation (not a bad film to come second to).

On top of all this is an overwhelming sense of the auteur, the soundtrack, camera work and acting performances all combine to create a synthesis of near perfect cinema.

Turn your computer off, run out of the house and rent/steal or buy this film. Watch it, you won't be disappointed.


64 of 99 people found this review helpful.  Was this review helpful to you?

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