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The Long Goodbye (1973)

 -  Crime | Drama | Thriller  -  7 March 1973 (USA)
7.7
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Ratings: 7.7/10 from 14,398 users  
Reviews: 135 user | 105 critic

Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.

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(screenplay), (novel)
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Title: The Long Goodbye (1973)

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Cast

Cast overview, first billed only:
...
Nina van Pallandt ...
...
...
...
...
Harry
Jim Bouton ...
Warren Berlinger ...
Morgan
Jo Ann Brody ...
Jo Ann Eggenweiler
Stephen Coit ...
Detective Farmer (as Steve Coit)
Jack Knight ...
Mabel
Pepe Callahan ...
Pepe
Vincent Palmieri ...
Vince (as Vince Palmieri)
Pancho Córdova ...
Doctor (as Pancho Cordoba)
Enrique Lucero ...
Jefe
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Storyline

Chain-smoking, wisecracking private eye Philip Marlowe drives a buddy from LA to the Tijuana border and returns home to an apartment full of cops who arrest him for abetting the murder of his friend's wife. After Marlowe's release, following the reported suicide in Mexico of his friend, a beautiful woman hires him to locate her alcoholic and mercurial husband. Then, a hoodlum and his muscle visit to tell Marlowe that he owes $350,000, mob money the dead friend took to Mexico. Marlowe tails the hood, who goes to the house of the woman with the temperamental husband. As Marlowe pulls these threads together, his values emerge from beneath the cavalier wisecracking. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

mexico | suicide | murder | arrest | alcoholic | See more »

Taglines:

"I have two friends in the world. One is a cat. The other is a murderer." - Elliot Gould as Phillip Marlowe See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

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Release Date:

7 March 1973 (USA)  »

Also Known As:

Der Tod kennt keine Wiederkehr  »

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Technical Specs

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

One of five movies actor Elliott Gould made with director Robert Altman. The films include MASH (1970), Nashville (1975), The Player (1992), California Split (1974) and The Long Goodbye (1973). See more »

Goofs

At the beginning of the film, Philip Marlowe opens the refrigerator to get food for his cat. There are two rows of eggs on the fridge's door, with one egg missing on the lower row. After a cut away scene, Philip reaches for some eggs, but now there are several eggs missing on the lower row. See more »

Quotes

[repeated line]
Philip Marlowe: That's OK with me.
See more »

Connections

Referenced in Jorden runt med Fanny Hill (1974) See more »

Soundtracks

The Long Goodbye
by John Williams and Johnny Mercer
Performed by The Dave Grusin Trio, Jack Sheldon, Clydie King, Jack Riley, Morgan Ames' Aluminum Band, The Tepoztlan Municipal Band
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User Reviews

Altman's mischievous take on a cinema archetype
20 August 2004 | by See all my reviews

The very embodiment of '70s Hollywood genre revisionism, Robert Altman's film of The Long Goodbye stands as one of his most accessible, wittily misanthropic films, and probably the finest performance of Elliot Gould's career to date.

A warning for Raymond Chandler purists: you probably won't like this film. Altman and screenwriter Leigh Brackett had quite a task in adapting Chandler's second-last novel to the screen, for in it the 'knight errant' Phillip Marlowe comes over more like a prudish sap. Altman and Brackett have streamlined the narrative, removed peripheral characters, and – crucially – transformed Marlowe into a murkier, more comically ambiguous protagonist.

In Altman's and Gould's hands, Marlowe is laconically relaxed, murmuring, alternately amused and annoyed at the world. Like Chandler's hero, he is an outsider, a spectator, everywhere he goes. Unlike the literary Marlowe, Gould's character seems washed up on the shores of an unfamiliar land, his nobility as crumpled and stale as his suit.

Along for the ride are the archetypal Chandler villains and victims: self-hating celebrities, young wives trapped in loveless marriages, crooked doctors, low-rent psychopathic gangsters, bored cops, flunkies lost out of time. Typically, the milieux Marlowe moves in range from the affluence of the Malibu Colony to the cells of the County Jail. Altman, however, wishes to make a film in and about 1973; the film is shot through with the psychic reverberations of the end of hippiedom and the remoteness of the 'Me Generation'.

Another Altman touch is his openly expressed contempt for Hollywood and its conventions. As if to acknowledge the artificiality of a private detective story in the midst of 1970s Los Angeles, the film is suffused with jokey references to cinema. Bookended with 'Hooray for Hollywood', the film shows gatekeepers impersonating movie stars, characters changing their names for added class, hoods enacting movie clichés simply because that's where they learnt to behave. Even Marlowe himself refers to the artifice when talking to the cops: 'Is this where I'm supposed to say 'What's all this about?' and he says 'Shut up, I ask the questions' ?'

As for the supporting cast, Sterling Hayden shines out as the beleaguered novelist Roger Wade. There is more than a touch of Hemingway in Hayden's bluff, blustering, vulnerable old hack. Baseball champ and sportscaster Jim Bouton is casually mysterious as Marlowe's friend Terry Lennox, Laugh-In alumnus Henry Gibson is suitably greasy as Dr Verringer, actor/director Mark Rydell (best known for 'On Golden Pond') is convincingly chilling as gangster Marty Augustine, and Nina van Pallandt lends a dignified, defiant pathos to her role as Eileen Wade.

Special note must be made of Vilmos Zsigmond's tremendous photography, employing his early 'flashing' style of exposure to lend Los Angeles a suitably sultry, bleached-out aura. Also deserving attention is John Williams' ingeniously minimalist score. Comprised solely of pseudo-source music, the score is a myriad of variations on a single song, appearing here as supermarket muzak, there as a party singalong, elsewhere as a late night radio tune.

The film's controversial ending is utterly antithetical to Chandler's vision. The message from Altman, however, is loud and clear: Chandler's world no longer exists – if indeed it ever did.


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