| James Franciscus | ... | Jonathan Livingston Seagull (voice) | |
| Juliet Mills | ... | The Girl (voice) | |
| Philip Ahn | ... | Chang (voice) | |
| David Ladd | ... | Fletcher Lynd Seagull (voice) | |
| Kelly Harmon | ... | Kimmy (voice) | |
| Dorothy McGuire | ... | Mother (voice) | |
| Richard Crenna | ... | Father (voice) | |
| rest of cast listed alphabetically: | |||
| Hal Holbrook | ... | The Elder (voice) (uncredited) | |
Directed by | |||
| Hall Bartlett | |||
Writing credits | ||
| Hall Bartlett | (screenplay) | |
| Richard D. Bach | book (uncredited) | |
Produced by | |||
| Hall Bartlett | .... | producer | |
Original Music by | |||
| Neil Diamond | (background score composed by) | ||
| Lee Holdridge | (background score composed by) | ||
Cinematography by | |||
| Jack Couffer | (director of photography) | ||
Film Editing by | |||
| Marshall M. Borden | |||
| James Galloway | |||
| Frank P. Keller | |||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Boris Leven | |||
Production Management | |||
| Herbert Coleman | .... | administrative consultant (as William H. Coleman) | |
| Gaylin P. Schultz | .... | production supervisor (as Gaylin Schultz) | |
Art Department | |||
| Sandy Dvore | .... | visual consultant | |
Sound Department | |||
| Wayne Artman | .... | production sound | |
| Richard Oswald | .... | sound editorial staff | |
| Gil Plenty | .... | unit sound | |
| Richard Portman | .... | sound re-recordist | |
| James Richard | .... | sound editorial staff (as Jim Richard) | |
| William A. Sawyer | .... | sound editorial staff (as William Sawyer) | |
| Curly Thirlwell | .... | sound effects mixer (as Edward M. Thirlwell) | |
| Frank E. Warner | .... | sound effects creator (as Frank Warner) | |
| Don Zimmerman | .... | sound editorial staff | |
Special Effects by | |||
| L.B. Abbott | .... | special effects | |
Visual Effects by | |||
| Virginia Briggs | .... | continuing imagery | |
| Jim Danforth | .... | animator (uncredited) | |
| Jim Danforth | .... | matte supervisor (uncredited) | |
| Matthew Yuricich | .... | visual effects artist (uncredited) | |
Camera and Electrical Department | |||
| Jim Freeman | .... | camera operator: helicopter photography (as MacGillvray/Freeman) | |
| Norman Harris | .... | gaffer | |
| John Koester | .... | assistant cameraman | |
| Greg MacGillivray | .... | camera operator: helicopter photography (as MacGillvray/Freeman) | |
| Elliott Marks | .... | still photographer | |
| Gerald McClain | .... | assistant camera | |
| Stan McClain | .... | assistant camera: second aerial unit | |
| George Ressler | .... | head grip | |
Editorial Department | |||
| Jack Garsha | .... | color consultant | |
| Joseph R. Marek | .... | negative supervisor | |
| Bobbie Shapiro | .... | editorial associate | |
Music Department | |||
| Israel Baker | .... | musician: violin solo | |
| Tom Catalano | .... | music supervisor | |
| Tom Catalano | .... | soundtrack producer | |
| Neil Diamond | .... | composer: songs | |
| Neil Diamond | .... | music adaptor: background score | |
| Charles Grenzbach | .... | music mixer (as Charles W. Grenzbach) | |
| John C. Hammell | .... | music editor | |
| Lee Holdridge | .... | conductor | |
| Lee Holdridge | .... | music adaptor: background score | |
| Lee Holdridge | .... | music arranger | |
| Don MacDougall | .... | music mixer (as Donald W. MacDougall) | |
| Armin Steiner | .... | musical mixer: soundtrack album | |
Transportation Department | |||
| James Davis | .... | transportation | |
Other crew | |||
| Joan Arnold | .... | production assistant | |
| Ray Berwick | .... | bird trainer | |
| Chris Cagle | .... | aircraft coordinator | |
| James Caliendo | .... | bird trainer (as Jim Caliendo) | |
| Brian Callahan | .... | bird supervision and care | |
| James G. Callahan | .... | bird supervision and care (as James Callahan) | |
| Eileen Dunn | .... | assistant: Mr. Dvore | |
| Gary Gero | .... | bird trainer | |
| Ida Kaul | .... | executive secretary | |
| Gina Lance | .... | documentarian | |
| Catalina Lawrence | .... | script supervisor | |
| Elliott Marks | .... | documentarian | |
| Mike Merrick | .... | producer's representative | |
| George Nolan | .... | helicopter pilot | |
| Leslie Parrish | .... | researcher | |
| Matthew Place | .... | bird supervision and care | |
| Gil Plenty | .... | special assistant to producer | |
| Art Scholl | .... | pilot: aerobatic aircraft | |
| P.K. Strong | .... | film shipping coordinator | |
| William C. Thomas | .... | assistant to producer (as Bill Thomas) | |
| Robert Werden | .... | unit publicist | |
| Earl Cohen | .... | bird handler (uncredited) | |
| John Miller | .... | bird handler (uncredited) | |
| Mark Smith | .... | builder: model bird (uncredited) | |
| Mark Smith | .... | pilot: model bird (uncredited) | |
| Lance Sultzbaugh | .... | bird handler (uncredited) | |
| Tony Urbano | .... | puppeteer (uncredited) | |
Thanks | |||
| Russell Munson | .... | acknowledgment: main title still photograph ©1970 | |
| Charles R. Stribling | .... | gratitude | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I watched this movie at the cinema theater in 1975 or 1976. I loved it! Then i rented it on VHS back in the 80's, and thought it was one of the best films i'd ever seen. Now, i was so lucky to find it on DVD, with Norwegian subtitles (Not that they're really needed here, though). This is clearly a very different film. Very quiet and beautiful, and with Neil Diamonds beautiful songs, that match perfectly. If a film intends to mean anything, the audience needs time to think. In todays modern, fast, loud movies, you hardly get time to breath, lot less to stop and think. With this movie, however, you get plenty of time. And the quiet, beautiful scenes are a part of the message delivered: Take your time, live your life to the full, don't be afraid to try what hasn't been tried before, don't hesitate, and don't stress. And first and last: Don't just accept other people's "thruths". Go find out for yourself. If it works for you, it works! I rated this film 10/10, because it's not only a very good film, it's unique! There has never been another movie quite like it, and probably never will be. This is a brilliant masterpiece of a film.