| Photos (See all 30 | slideshow) |
| Martin Sheen | ... | Kit | |
| Sissy Spacek | ... | Holly | |
| Warren Oates | ... | Father | |
| Ramon Bieri | ... | Cato | |
| Alan Vint | ... | Deputy | |
| Gary Littlejohn | ... | Sheriff | |
| John Carter | ... | Rich Man | |
| Bryan Montgomery | ... | Boy | |
| Gail Threlkeld | ... | Girl | |
| Charles Fitzpatrick | ... | Clerk | |
| Howard Ragsdale | ... | Boss | |
| John Womack Jr. | ... | Trooper | |
| Dona Baldwin | ... | Maid | |
| Ben Bravo | ... | Gas Attendant | |
| rest of cast listed alphabetically: | |||
| Emilio Estevez | ... | Boy Under Lamppost (uncredited) | |
| Terrence Malick | ... | Caller at Rich Man's House (uncredited) | |
| Charlie Sheen | ... | Boy Under Lamppost (uncredited) | |
Directed by | |||
| Terrence Malick | |||
Writing credits | ||
| Terrence Malick | (written by) | |
Produced by | |||
| Terrence Malick | .... | producer | |
| Edward R. Pressman | .... | executive producer | |
| Louis A. Stroller | .... | associate producer (as Lou Stroller) | |
| Jill Jakes | .... | co-producer (uncredited) | |
Original Music by | |||
| George Aliceson Tipton | (as George Tipton) | ||
Cinematography by | |||
| Tak Fujimoto | (photography) | ||
| Stevan Larner | (photography) | ||
| Brian Probyn | (photography) | ||
Film Editing by | |||
| Robert Estrin | |||
Casting by | |||
| Dianne Crittenden | (as Diane Derfner) | ||
Art Direction by | |||
| Jack Fisk | |||
Costume Design by | |||
| Rosanna Norton | (uncredited) | ||
Makeup Department | |||
| Dona Baldwin | .... | hair | |
Production Management | |||
| Bill Scott | .... | production manager (as William Scott) | |
Second Unit Director or Assistant Director | |||
| John Broderick | .... | assistant director | |
| Carl Olsen | .... | assistant director | |
Art Department | |||
| Ken Hilton | .... | set dresser | |
| Joan Mocine | .... | art work | |
| Edward Richardson | .... | associate art director (as Ed Richardson) | |
| Erik L. Nelson | .... | property master (uncredited) | |
Sound Department | |||
| Doug Crichton | .... | boom man | |
| Maury Harris | .... | production mixer | |
| Sam F. Shaw | .... | sound effects (as Sam Shaw) | |
| John Wilkinson | .... | re-recording mixer (as John Wilkenson) | |
| Sharron Miller | .... | sound editor (uncredited) | |
| James Nelson | .... | supervising sound editor (uncredited) | |
Stunts | |||
| George Fisher | .... | stunts | |
Camera and Electrical Department | |||
| Jack English | .... | gaffer | |
| Douglas Knapp | .... | best boy (as Doug Knapp) | |
| Anthony R. Palmieri | .... | assistant camera (as Tony Palmieri) | |
| Ed Hershberger | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Dona Baldwin | .... | wardrobe | |
Editorial Department | |||
| Marion Segal | .... | assistant editor | |
| Billy Weber | .... | associate editor (as William Weber) | |
Music Department | |||
| Erma E. Levin | .... | music editor (as Erma Levin) | |
| George Aliceson Tipton | .... | conductor (as George Tipton) | |
Other crew | |||
| Rich Cook | .... | production assistant | |
| Gary Littlejohn | .... | autos | |
| Paul Marcus | .... | production assistant | |
| Penny Richardson | .... | production secretary | |
| Connie Lee Stone | .... | production assistant | |
Thanks | |||
| Charlotte Jakes | .... | the producer wishes to thank: for their help and cooperation | |
| Melvin James | .... | the producer wishes to thank: for their help and cooperation | |
| Irvin Kershner | .... | the producer wishes to thank: for their help and cooperation | |
| James Nelson | .... | the producer wishes to thank: for their help and cooperation | |
| Arthur Penn | .... | the producer wishes to thank: for their help and cooperation | |
| Bert Schneider | .... | the producer wishes to thank: for their help and cooperation | |
| Wallace Wolf | .... | the producer wishes to thank: for their help and cooperation | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Surely one of the most brilliant films ever made. The haunting music and cinematography would almost suffice by itself. The hero is little more than a child: the heroine his willing accomplice, and we are made to question what is good and what is evil by seeing the world through the eyes of children. From the moment when the girl's father shoots her dog to punish her, we lose any loyalty to traditional values or to the rights of parents over their children. By the end, it's obvious to us that society doesn't value the lives of those who were killed. It anticipates Natural Born Killers, but perhaps says more and uses a tighter structure.
Brilliantly acted and directed, with many layers to it. A film to watch again and again.