| Photos (see all 5 | slideshow) |
| Giancarlo Giannini | ... | Inspector Tellini | |
| Claudine Auger | ... | Laura | |
| Barbara Bouchet | ... | Maria Zani | |
| Rossella Falk | ... | Franca Valentino | |
| Silvano Tranquilli | ... | Paolo Zani | |
| Annabella Incontrera | ... | Mirta Ricci | |
| Ezio Marano | ... | Masseur | |
| Barbara Bach | ... | Jenny | |
| Stefania Sandrelli | ... | Anna Tellini | |
| Giancarlo Prete | ... | Mario | |
| Anna Saia | ... | Maria's friend | |
| Eugene Walter | ... | Ginetto, the waiter | |
| Nino Vingelli | ... | Inspector Di Giacomo | |
| Daniele Dublino | ... | Entomologist | |
| Giuseppe Fortis | ... | Psychiatrist | |
| Guerrino Crivello | ... | Informer | |
| Fulvio Mingozzi | ... | Surgeon | |
| Giorgio Dolfin | ... | Policeman | |
| Carla Mancini | ... | Client at beauty parlor | |
| rest of cast listed alphabetically: | |||
| Antonio Anelli | ... | Policeman in the projection room (uncredited) | |
| Eleonora Giorgi | ... | Maid in beauty center (uncredited) | |
| Ettore Mattia | ... | La catapulta (uncredited) | |
| Filippo Perego | ... | Policeman in the projection room (uncredited) | |
Directed by | |||
| Paolo Cavara | |||
Writing credits(in alphabetical order) | ||
| Marcello Danon | story | |
| Lucile Laks | screenplay | |
Produced by | |||
| Marcello Danon | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Marcello Gatti | |||
Film Editing by | |||
| Mario Morra | |||
Art Direction by | |||
| Piero Poletto | |||
Set Decoration by | |||
| Luigi Urbani | |||
Costume Design by | |||
| Fiorella Gaetano | |||
Second Unit Director or Assistant Director | |||
| Fabrizio Castellani | .... | first assistant director | |
Sound Department | |||
| Franco Bassi | .... | sound mixer | |
Stunts | |||
| Bruno Ukmar | .... | stunt director | |
Camera and Electrical Department | |||
| Ivo Bernardini | .... | assistant camera | |
| Ivo Spila | .... | assistant camera | |
| Otello Spila | .... | camera operator | |
Editorial Department | |||
| Romano Giomini | .... | assistant editor | |
Music Department | |||
| Ennio Morricone | .... | conductor | |
Other crew | |||
| Paolo Gualdi | .... | production assistant | |
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| La coda dello scorpione | L'uccello dalle piume di cristallo | Il gatto a nove code | Tenebre | Cosa avete fatto a Solange? |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Italy section | Add this title to MyMovies |
Black Belly of the Tarantula is both a great thriller in its own right and surely one of the best entries in the Giallo cycle. The film is reminiscent of several like it, but this one is the most cerebral and most sadistic Giallo I've seen. The modus operandi of the killer at the centre of the story involves jabbing his victim with a poison laced needle which induces paralysis. He then proceeds to gut them while they're still alive and unable to do anything about it! Director Paolo Cavara seems to realise just how malicious this plot is, and so the film is not gratuitous. The reliance on the idea behind the murders is far more shocking than any amount of gore; so it doesn't matter that there isn't a lot of the red stuff. Typically, the film works from an extremely convoluted plot which sees a woman, who is also a member of a private health club, become the victim of blackmail. Around the same time; dead bodies start piling up and our hero; an insecure police detective by the name of Tellini learns that the murders are done in the style of the black wasp killing a tarantula...
As ever with Giallo, the film isn't particularly easy to follow; as there's so much going on that it's easy to miss one or two key plot elements. This is, however, far better than having too little going on and unlike many Giallo's, at least this one mostly resolves everything by the conclusion. There's a very potent stream of sleaze running throughout the film also; as if the killer's methods weren't enough on their own. The film features plenty of sex, and it will please some to learn that many of the murders are depicted with the female victim in the nude. The murder scenes themselves are well orchestrated, and director Paolo Cavara delights in showing us the gentle way that the paralysis needle slips into the victims' necks before having their stomachs ripped open with a hunting knife. The cinematography is superb, and it's safe to say that Black Belly of the Tarantula is one of the better looking Giallo films out there. The locations bode well with the film's style, and scenes that take place on a rooftop and in a luxury swimming pool provide visual treats. Overall, I don't hesitate to name Black Belly of the Tarantula as one of the best Giallo's that I've seen and it comes highly recommended!