| Alex Cord | ... | Jason Porter | |
| Samantha Eggar | ... | Myra Shelton | |
| John Marley | ... | Nikos Samarakis | |
| Nadja Tiller | ... | Leni Samarakis | |
| Enzo Tarascio | ... | Inspector Giuranna | |
| Horst Frank | ... | Stephen | |
| Enzo Cerusico | ... | Alberto | |
| Carlo De Mejo | ... | Igor Samarakis | |
| Daniela Surina | ... | Irene | |
| Vladan Holec | ... | Otello (as Vladan Milasinovic) | |
| Christina von Blanc | ... | Velia (as Christiane Von Blank) | |
| Mario Maranzana | ... | Sgt. Vitanza | |
| Wendy D'Olive | ... | Giselle | |
| Pier Luigi D'Orazio | ... | Minelli | |
| Ivan Pavicevac | ... | Policeman | |
| Cinzia Bruno | ... | Motorcyclist's girlfriend | |
| Rodolfo Bigotti | ... | Motorcyclist | |
| Carla Mancini | |||
| Rosita Torosh | (as Rosa Toros) | ||
| Alessandro Angeloni | |||
| Pietro Fumelli | |||
| rest of cast listed alphabetically: | |||
| Bruno Bertocci | ... | Servant (uncredited) | |
| Carla Brait | ... | Danzatrice (uncredited) | |
| Aristide Caporale | ... | Muratore (uncredited) | |
Directed by | |||
| Armando Crispino | |||
Writing credits(in alphabetical order) | ||
| Lucio Battistrada | ||
| Armando Crispino | ||
| Lutz Eisholz | ||
| Bryan Edgar Wallace | short story | |
Produced by | |||
| Artur Brauner | .... | producer | |
Original Music by | |||
| Riz Ortolani | |||
Cinematography by | |||
| Erico Menczer | |||
Film Editing by | |||
| Alberto Gallitti | |||
Art Direction by | |||
| Giantito Burchiellaro | |||
Set Decoration by | |||
| Giovanni Natalucci | |||
Costume Design by | |||
| Luca Sabatelli | |||
Second Unit Director or Assistant Director | |||
| Victor Tourjansky | .... | assistant director | |
Sound Department | |||
| Bruno Zanoli | .... | sound mixer | |
Editorial Department | |||
| Edoardo Romani | .... | assistant editor | |
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| Autopsy | So Sweet, So Dead | The Girl in Room 2A | La corta notte delle bambole di vetro | The Abandoned |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Italy section |
Amando Crispino's L'ETRUSCO UCCIDE ANCORA aka. THE ETRUSCAN KILLS AGAIN is an interesting and somewhat unusual Giallo from the greatest Giallo-year 1972. 1972 was the year of several of the greatest genre masterpieces including Sergio Martino's YOUR VICE IS A LOCKED ROOM AND ONLY I HAVE THE KEY, Fulci's DON'T TORTURE A DUCKLING, Massimo Dallamano's WHAT HAVE YOU DONE TO SOLANGE and Emilio Miraglia's THE RED QUEEN KILLS SEVEN TIMES. While L'ETRUSCO UCCIDE ANCORA is not as essential as these aforementioned titles it is highly interesting and creepy as the sight of this Giallo's mandatory murder series is an ancient Etruscan burial ground, which gives this particular Giallo a supernatural atmosphere.
The American archaeologist Jason Porter (Alex Cord) is head of a team that has discovered an ancient Etruscan burial ground including fascinating and mysterious pieces of mural art. Shortly after the discovery, a young couple is murdered in the same manner as depicted in the Etruscan tomb, which had not been opened for 2,500 years. It seems as if someone is trying to point out Jason, a womanizer with a drinking problem, as the murderer. Is the culprit one of the eccentric people in Jason's surrounding, or has an Etruscan fiend risen from tomb to perform his bloody deeds? As in most good Gialli, almost every character in the movie is a suspect.
L'ETRUSCO UCCIDE ANCORA is elegantly filmed in nice Northern Italian locations and accompanied by a very good and intense score from the great Riz Ortolani. The murders are quite bloody and well-made, most of them being Giallo-typically filmed from the murderer's perspective. The female cast members are all lovely to look at, especially Samantha Eggar and Christina Von Blanc, who is known for her mostly exhibitionist roles in some of the Spanish Exploitation-icon Jess Franco's movies. Besides Alex Cord, the cast includes several other well-known actors including John Marley (THE GODFATHER) as a sadistic elderly orchestra conductor and the always-sinister Horst Frank who plays a flamboyantly homosexual designer here.
Overall, L'ETRUSCO UCCIDE ANCORA may not be an outstanding Giallo-masterpiece, but it is definitely an elegant and creepy specimen of the genre that should not be missed by my fellow Giallo- and Eurohorror fans. My rating: 7.5/10