| Photos (See all 24 | slideshow) | Videos (see all 5) |
| Robert Duvall | ... | THX | |
| Donald Pleasence | ... | SEN | |
| Don Pedro Colley | ... | SRT | |
| Maggie McOmie | ... | LUH | |
| Ian Wolfe | ... | PTO | |
| Marshall Efron | ... | TWA | |
| Sid Haig | ... | NCH | |
| John Pearce | ... | DWY | |
| Irene Cagen | ... | IMM (as Irene Forrest) | |
| Gary Alan Marsh | ... | CAM | |
| John Seaton | ... | OUE | |
| Eugene I. Stillman | ... | JOT | |
| Jack Walsh | ... | TRG (as Raymond J. Walsh) | |
| Mark Lawhead | ... | Shell Dweller | |
| Robert Feero | ... | Chrome Robot | |
| Johnny Weissmuller Jr. | ... | Chrome Robot | |
| Claudette Bessing | ... | ELC | |
| Susan Baldwin | ... | Control Officer | |
| James Wheaton | ... | OMM (voice) | |
| Henry Jacobs | ... | Mark 8 Student | |
| Bill Love | ... | Mark 8 Instructor | |
| Doc Scortt | ... | Monk | |
| Gary Austin | ... | Man in Yellow | |
| Scott L. Menges | ... | Child #1 | |
| Toby L. Stearns | ... | Child #2 | |
| Paul K. Haje | ... | Trial Prosecutor | |
| Ralph Chesse | ... | Trial Proctor | |
| Dion M. Chesse | ... | Trial Defender | |
| Bruce Chesse | ... | Trial Pontifex | |
| Mello Alexandria | ... | Hologram Dancer | |
| Brandyn Barbara Artis | ... | Hologram Dancer (as Barbara J. Artis) | |
| Morris D. Erby | ... | Hologram Newscaster | |
| Willie C. Barnes | ... | Hologram Comic | |
| Richard Quinnell | ... | Hologram Comic | |
| Jean M. Durand | ... | Hologram Listener | |
| Scott Beach | ... | Announcer (voice) | |
| Neva Beach | ... | Announcer (voice) | |
| Terence McGovern | ... | Announcer (voice) (as Terrence McGovern) | |
| Julie Payne | ... | Announcer (voice) | |
| James Cranna | ... | Announcer (voice) | |
| Ruth Silveira | ... | Announcer (voice) | |
| Bruce Mackey | ... | Announcer (voice) | |
| David Ogden Stiers | ... | Announcer (voice) (as David Ogden Steers) | |
| Bart Patton | ... | Announcer (voice) | |
| rest of cast listed alphabetically: | |||
| John Rigg | ... | Computer Operator (uncredited) | |
| Matthew Robbins | ... | THX - End Scene (uncredited) | |
Directed by | |||
| George Lucas | |||
Writing credits | ||
| George Lucas | (story) | |
| George Lucas | (earlier screenplay) | |
| George Lucas | (screenplay) and | |
| Walter Murch | (screenplay) | |
| Matthew Robbins | comic (uncredited) | |
Produced by | |||
| Francis Ford Coppola | .... | executive producer | |
| Edward Folger | .... | associate producer (as Ed Folger) | |
| Larry Sturhahn | .... | producer (as Lawrence Sturhahn) | |
Original Music by | |||
| Lalo Schifrin | |||
Cinematography by | |||
| Albert Kihn | (director of photography) | ||
| David Myers | (director of photography) | ||
Film Editing by | |||
| George Lucas | |||
Art Direction by | |||
| Michael D. Haller | (as Michael Haller) | ||
Production Management | |||
| Al Locatelli | .... | production manager (uncredited) | |
Art Department | |||
| Ted Moehnke | .... | property master | |
Sound Department | |||
| Jim Manson | .... | location sound | |
| Walter Murch | .... | sound montage | |
| Louis Yates | .... | location sound (as Lou Yates) | |
Visual Effects by | |||
| Michael Muir | .... | technical director (directors cut) | |
| Brad Alexander | .... | lead visual effects artist (2004 director's cut) (uncredited) | |
| John Andrew Berton Jr. | .... | visual effects supervisor (2004 director's cut) (uncredited) | |
| Richard Bluff | .... | digital matte painter (2004 director's cut) (uncredited) | |
| Dorian Bustamante | .... | visual effects (2004 director's cut) (uncredited) | |
| Ian Christie | .... | digital effects artist (2004 director's cut) (uncredited) | |
| Zachary Cole | .... | digital artist (2004 director's cut) (uncredited) | |
| Lee Croft | .... | digital paint and rotoscope artist: ILM (2004 director's cut) (uncredited) | |
| Chris Crowell | .... | digital compositor (2004 director's cut) (uncredited) | |
| Sarahjane Javelo | .... | digital paint/rotoscope artist: ILM (2004 director's cut) (uncredited) | |
| Ian Jenkins | .... | technical director: ILM (2004 director's cut) (uncredited) | |
| Lars Jensvold | .... | visual effects editor (2004 director's cut) (uncredited) | |
| Toan-Vinh Le | .... | digital artist (2004 director's cut) (uncredited) | |
| Gary H. Lee | .... | visual effects (2004 director's cut) (uncredited) | |
| Hiroshi Mori | .... | digital artist (2004 director's cut) (uncredited) | |
| Ken Nielsen | .... | technical director (special edition) (uncredited) | |
| Ben O'Brien | .... | Sabre artist: ILM (2004 directors cut) (uncredited) | |
| Scott Palleiko | .... | technical director: ILM (2004 director's cut) (uncredited) | |
| Brian Pohl | .... | digital artist (2004 director's cut) (uncredited) | |
| Evan Pontoriero | .... | digital artist (2004 directors cut) (uncredited) | |
| Henry Preston | .... | CG supervisor (2004 director's cut) (uncredited) | |
| Paul Sharpe | .... | digital artist (2004 special edition) (uncredited) | |
| Peter Szewczyk | .... | visual effects artist (2004 director's cut) (uncredited) | |
| Catherine Tate | .... | digital compositor: ILM (2004 director's cut) (uncredited) | |
| Pat Tubach | .... | digital artist: ILM (2004 director's cut) (uncredited) | |
| Eric Voegels | .... | digital artist: ILM (2004 director's cut) (uncredited) | |
| Elbert Yen | .... | digital artist: ILM (2004 director's cut) (uncredited) | |
Stunts | |||
| Duffy Hambleton | .... | bike stunts (as Duffy Hamilton) | |
| John Ward | .... | car stunts | |
| Carey Loftin | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Ned Kopp | .... | assistant camera | |
| Steve Lighthill | .... | assistant camera | |
| William Maley | .... | gaffer (as William Mayley) | |
| Ken Phelps | .... | key grip | |
| Bernie Abramson | .... | still photographer (uncredited) | |
| Caleb Deschanel | .... | additional photographer (uncredited) | |
Animation Department | |||
| Hal Barwood | .... | animator | |
Casting Department | |||
| Ronald Colby | .... | casting supervisor | |
Costume and Wardrobe Department | |||
| Donald Longhurst | .... | costumes | |
Editorial Department | |||
| Marcia Lucas | .... | assistant editor | |
Music Department | |||
| Dan Wallin | .... | scoring mixer (uncredited) | |
Other crew | |||
| Hal Barwood | .... | titles | |
| George Burrafato | .... | production assistant | |
| Lillian O. MacNeill | .... | continuity (as Lillian McNeil) | |
| Nick Saxton | .... | production assistant | |
| Stan Scholl | .... | production assistant | |
Thanks | |||
| Carl Bernstein | .... | thanks (as Cal Bernstein) | |
| Caleb Deschanel | .... | thanks | |
| Peter Szewczyk | .... | special thanks | |
| Haskell Wexler | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Sci-Fi section | IMDb USA section |
I'm going to keep it simple..."THX-1138" is no doubt, one of the best sci-fi films ever...and probably one of the most important...it's a strong contender to Kubrick's "2001: A Space Odyssey", and "THX-1138" could easily be a sequel to "2001".
Personally, I think that George Lucas should've went into this direction instead of the direction he chose with his "Star Wars" films, which, many (legions of geeks) would argue, is his best work. But "THX-1138" is significantly a different kind of film experience altogether.
It's not overblown, or over budget, and it doesn't feature any cloyingly cute or overtly annoying characters to make millions of dollars to merchandise. I can't imagine a Robert Duvall "THX-1138" action figure, but if this film was made after "Star Wars" instead, trust me, Lucas would have probably sold it.
Lucas has made a fortune from a franchise of sci-fi films, that are silly and repetitive of themselves, but with "THX-1138", his first film he managed to create something that he has never come close to doing again. If it wasn't for the style, design and fx of this film THERE WOULD BE NO STAR WARS FILMS PERIOD.
It's a shame this film, even after the release of the director's cut, some thirty odd years later, is still underrated and overlooked. Maybe now that it's on DVD, it will find a new larger audience of appreciative fans.
I still prefer the original version over the director's cut, but I still love this film.
BE HAPPY...BUY MORE...this film is a must see!!!