Neurotic businessman must find the right man for his pregnant daughter. In fact, it is little bit complicated.

Director:

Writers:

(based on the play by), (adaptation) | 3 more credits »
Reviews

Watch Now

From $1.99 (SD) on Amazon Video

Photos

Learn more

People who liked this also liked... 

Hibernatus (1969)
Comedy | Fantasy | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

The frozen body of Paul Fournier is discovered in Greenland where he had disappeared during a scientific expedition in 1905. Perfectly conserved he is brought back to life in the 1960s. His... See full summary »

Director: Édouard Molinaro
Stars: Louis de Funès, Michael Lonsdale, Claude Gensac
Action | Comedy
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

Top-notch french restaurant owner Monsieur Septime is involved into crime when one of his famous guests disappears.

Director: Jacques Besnard
Stars: Louis de Funès, Bernard Blier, Maria-Rosa Rodriguez
Jo (1971)
Comedy
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Antoine Brisebard, a famous comedy playwright, is struggling with financial difficulties and is preparing to sell his country villa to an English couple. What no one knows, however, is that... See full summary »

Director: Jean Girault
Stars: Louis de Funès, Claude Gensac, Michel Galabru
Comedy
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

Louis-Philippe Fourchaume, another typical lead-role for French comedy superstar Louis de Funès, is the dictatorial CEO of a French company which designs and produces sail yachts, and fires... See full summary »

Director: Robert Dhéry
Stars: Louis de Funès, Andréa Parisy, Franco Fabrizi
Comedy | History
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Don Salluste, a petty tyrant in his own home and minister of the King of Spain, falls from grace. Wanting revenge, he tries to compromize the Queen with his valet Blaze, introduced as his ... See full summary »

Director: Gérard Oury
Stars: Louis de Funès, Yves Montand, Alice Sapritch
The Discord (1978)
Comedy
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Guillaume has made it: A machine that can clean dirty air by simply sucking all dirt into air balloons and then shipping them far far away so his explanation. Some Japanese business guys, ... See full summary »

Director: Claude Zidi
Stars: Louis de Funès, Annie Girardot, Maurice Risch
Comedy
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

The gendarme Cruchot meets the widow Josepha. They quickly fall in love but Cruchot's daughter doesn't like Josepha and is determined to prevent the wedding by all means necessary.

Director: Jean Girault
Stars: Louis de Funès, Jean Lefebvre, Geneviève Grad
Comedy
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

The whole clique of Cruchot's police station is retired. Now he lives with his rich wife in her castle - and is bored almost to death. He fights with the butler, because he isn't even ... See full summary »

Director: Jean Girault
Stars: Louis de Funès, Jean Lefebvre, Guy Grosso
Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

The ambitious police officer Cruchot is transferred to St. Tropez. He's struggling with persistent nude swimmers, but even more with his teenage daughter, who's trying to impress her rich ... See full summary »

Director: Jean Girault
Stars: Louis de Funès, Geneviève Grad, Michel Galabru
Comedy
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A bigoted Frenchman finds himself forced to impersonate a popular rabbi while on the run from a group of assassins - and the police.

Director: Gérard Oury
Stars: Louis de Funès, Miou-Miou, Suzy Delair
The Sucker (1965)
Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

In this Franco-Italian gangster parody, a shop keeper on his way to an Italian holiday suffers a crash which totals his car. The culprit can only compensate his ruined trip by driving an ... See full summary »

Director: Gérard Oury
Stars: Bourvil, Louis de Funès, Venantino Venantini
The Miser (1980)
Comedy
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Based on Molière's play. The children of Harpagon, Cléante and his sister Elise, are each in love but they still haven't spoken to their father yet. Harpagon is a miser who wants to choose ... See full summary »

Directors: Louis de Funès, Jean Girault
Stars: Louis de Funès, Franck Cabot-David, Hervé Bellon
Edit

Cast

Cast overview:
...
Bertrand Barnier
...
Christian Martin
Mario David ...
Philippe Dubois
Germaine Delbat ...
Charlotte
Claude Gensac ...
Germaine Barnier
Agathe Natanson ...
Colette Barnier
Dominique Page ...
Bernadette
Paul Préboist ...
Charles le domestique
Sylvia Saurel ...
Jacqueline
Philippe Vallauris ...
Le chauffeur
Roger Van Hool ...
Edit

Storyline

Trouble, trouble, trouble! It is indeed under the sign of trouble... and of confusion that the crappy day Bertrand Barnier has just gone through will have been placed. The businessman will not forget it soon! And quite rightly so. Just imagine: a maid that wants to resign to... marry a baron! A masseur who treats you like an executioner of the Holy Inquisition! And, to cap it all, a right-hand man who breaks shocking news after shocking news (demanding a high pay increase, saying he has relieved his employer of a bunch of millions, stating that he has decided to marry his daughter who, incidentally, has been made pregnant by Oscar the former driver...) To say nothing of three black suitcases, one of which contains millions of francs, passing from hand to hand! Is it really possible to make sense of such wild confusion? As that crazy day ends, Barnier thinks he has achieved the impossible. But has he really? Written by Guy Bellinger

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

See all certifications »
Edit

Details

Country:

Language:

Release Date:

11 October 1967 (France)  »

Also Known As:

Oscar  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Trivia

Finnish censorship visa # 076268. See more »

Connections

Remade as Oscar (1991) See more »

Soundtracks

Generique
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
De Funès as the Art and the instrument of his Unique Talent...
20 January 2017 | by (France) – See all my reviews

A cocky and insolent accountant asks his rich boss, a prosperous real estate promoter, for a generous raise… so he can marry a woman… who happens to be the boss' daughter. That's for the starters, now, it gets tricky, if the boss says 'no', the accountant won't give him back a large sum of money he stole from the company. Well, he didn't steal it technically but he took it out of a technicality. This is crazy already but there's more to come. Little does the accountant know that the girl isn't even his boss' daughter, but he already started the wacky chain of events which, one imbroglio leading to another, made the boss' daughter reveal that she's in love with someone… and pregnant. Does she tell the truth? We suspect it is since the happy father's name is "Oscar" but really, it hardly matters, truth is only a matter of perception… and gags.

"Oscar", based on a long-time running play created by Claude Magnier, belongs to the tradition of French screwball comedy, which means, it doesn't have much of plot and anything that should happen must work as a set-up for laughs. How could the film have a plot anyway? The departure it takes is so complicatedly crazy that even the resolutions that come after are not to be taken for granted, some of them even pave the way to crazier and sometimes needlessly complicated situations and other misunderstandings. This is situation comedy elevated to cinematic format. I don't mean this as a criticism, but as a neutral term because this branch of humor fits this unity of location/ time/ story structure, though it doesn't have the edge or wit of other based-on- plays comedies such as "Santa Claus is a Bastard", "Dinner of Schmucks" or "The First Name".

Yet, this is one of the most successful plays in France with a running record of 13 years (and it was produced again in the 2000's) and the reason why it works so much is because it's not about the situation, but about the reaction of one man to all of them: Bertrand Barnier played by Louis de Funès. Once De Funès took the leading role, he never left it and ended up playing it 600 times, it was maybe the role of his lifetime, and people didn't go to see the play but De Funès play in it. De Funès has always been known for his eccentric tantrums, his mimics à la Donald Duck, his tics and his embodiment of this temporary madness called anger by Romans, well, given all the situations he comes through in "Oscar", the fans had their money's worth. The film is a never-ending series of shouting, grimacing. On that level, it can be seen as the consummate De Funès' movie.

Indeed, while the other actors do justice to their parts, honorable mention to Claude Rich as the son-in-law-to-be, Paul Preboist as the butler and the always delightful Claude Gensac as Barnier's wife, De Funès is the pillar of the film. It might sound as a compliment but it is also the film's Achilles' heel because if you're not a fan or if you get rapidly tired of noises and gesticulations, you'll find the experience a bit exhaustive. This is a significant difference between Molinaro and Oury, Oury made movies where De Funès was part of a duo so that the film could be enjoyable on many other levels. In "Oscar", it's a hit-or-miss, and even fans that love De Funès for sentimental reasons might find the film too noisy. Speaking for myself, I couldn't stand the crying noises of the spoiled little daughter, which were worse than nails on a chalkboard, even as an intended effect, it was horrible. Fortunately, they were not overused.

But there are also some great moments and the best is the one where after being insulted in the phone by a man who's supposedly pimply, De Funès goes into a long rant mocking his big nose and spots on his face, without any words, only body language, a plane flying over a face and bombarding it, a nose so big, it become an elastic object, he pulls it, he even mimics the struggle to pull it, he steps on it, it misses and hits his face, then he pulls it again and blows in it, until his face explodes. This is all done with an invisible form that becomes, in the hand of the master, a prop of his comedic genius, contributing to one of the funniest French comedy moments. At the end, he just lies down and there's a silent moment as if Molinaro gave a little time for the viewers, and for the actor, to catch their breath. This little touch works like a magnificent punch line.

De Funès improvised this moment during the play and each new day, each day inventing a new visual gag, and you could hear the roaring laughter in the audience. Maybe this is what lacks in "Oscar", as the result might feel a bit too stagy but this scene is the culmination of De Funès' talent, one that ended up affecting his health and causing a heart attack in 1975, forcing him to go for quieter roles, different from "Oscar". But "Oscar" is still the best illustration to what made De Funès so great, a unique talent that made Oury say he was like a violin player and the violin himself, De Funès translated the situations into laughs through his acting, but he was also, as a body and a face, the instrument of his own laughs.

To see "Oscar" is to understand what made De Funès one of the best comic actors ever, he could carry alone a whole movie.


0 of 0 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?