A young Bruce Wayne is in his third year of trying to establish himself as Batman, protector of Gotham City. Living in Gotham, a metropolis where shadows run long and deep, beneath elevated... See full summary »
The arch-villains of the United Underworld - the Joker, the Penguin, the Riddler and the Catwoman - combine forces to dispose of Batman and Robin as they launch their fantastic plot to control the entire world. From his submarine, Penguin and his cohorts hijack a yacht containing a dehydrator, which can extract all moisture from humans and reduce them to particles of dust. The evildoers turn the nine Security Council members in the United World Building into nine vials of multicolored crystals! Batman and Robin track the villains in their Batboat and use Batcharge missiles to force the submarine to surface. Written by
Aaron Handy III <firstname.lastname@example.org>
Scenes shot in the arch-criminals' headquarters lair were filmed at an angle. Rumors at the time were that this was intentional and was meant to show that the four (Catwoman, Penguin, Joker, and Riddler) were crooked. See more »
The Bat Ladder is seen coiled up under the Bat Copter en route to the yacht in the opening. However, when the copter takes off from the airport, nothing is seen under the Bat Copter. See more »
This yacht is bringing a revolutionary scientific invention to Gotham City. On a peaceful afternoon motor ride, millionaire Bruce Wayne and his youthful ward Dick Grayson have been summoned back to Wayne Manor by an urgent but anonymous call for help; the invention *and* its custodian are reported in grave danger aboard the yacht! Never ones to shirk responsibility, Bruce and Dick, with characteristic speed and resolve, descend promptly into The Batcave, and then, as they have done...
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The film ends with THE END, then it suddenly changes to THE LIVING END.....? See more »
Having, losing, gaining... to a generation of kids this WAS Batman. Only when Tim Burton reinvented the big screen perception of the "caped crusader" did it become outdated.
The third of the new films, Batman Forever parodied this film and the series with a "holy" joke. Unfortunately the movie in question was the first to be directed by Joel Schumacher, and so was consequently brash and bereft of wit. Yes, thanks to ShoeMaker this version of Gotham has suddenly become the coolest yet again.
It's all such brilliant fun, awash with the irony so gloriously absent from Batman & Robin. Michael Keaton was a wonderfully dark Batman, but the other two were planks. Adam West is knowingly hammy as the title role, and relishes the deliberately cheesy lines. He has a potbelly and a costume that looks like it was made out of an old binliner. Anyone who cannot see the genius of that is beyond help. Burt Ward's brilliantly overacted Robin is also hilarious, and far less irritating than the asinine Chris O'Donnell version.
The Batmobile is ace, too. I remember having a chunky Corgi model of the car that shot out matchsticks across the room. Much better than a CGI-enhanced penile extension. Even the rubbish filmed backdrops are fun. Everything's a bat-something in this film, a rope ladder having a large "Bat Ladder" sign tied to the end.
This is a fantastic movie, how could anyone not love it? Some hilarious scenes include the shark fight, the trap door spring and Batman with the biggest (and longest-fused) bomb in history. Look at this dialogue exchange where they try to work out which supervillain is behind the mayhem: "But wait! It happened at sea. See? C for Catwoman." "An exploding shark ... was pulling my leg." "The Joker! It all led to a sinister riddle. Riddle -er. Riddler?"
Fortunately, it turns out they're all involved, along with Burgess Meredith as the Penguin. The scenes set on the villains' hideout are shot with the camera at slanted angles, an inspired touch. All the poor things about this film work in its favour - Cesar Romero as the Joker looks about 80 and clearly hasn't bothered to shave off his moustache, but it works, as does the full-bore "acting" of Meredith and Merriwether. Only Frank Gorshin as the Riddler slightly disappoints; though that's because he's nowhere near as over the top. He is, of course, infinitely preferable to Jim Carrey. Anyway, they all work superbly together and the film doesn't feel top-heavy. A huge flaw of the new series, where more than one villain never quite clicked, can you imagine Nicholson, Pfeiffer, Carrey and DeVito all in the same movie? Of course it'd be impossible not just in budget but in egos, so having modest TV actors here serves the story well. One strange element of characterisation is seeing the Joker getting bossed around by the Penguin, something that would never happen in the comics.
Some of it's so wilfully silly it almost goes too far. If you put your tongue into your cheek you may choke, and seeing a Pentagon head playing tiddlywinks eggs the joke a little, though the whole thing is so well-meaning that you simply can't hold it against the movie. The plot, though, really isn't up to much at all, something I never noticed as a child (but then I never realised it was a comedy when I was a child, either). A repetitious sequence of events that sees the villains constantly trying to destroy Batman and Robin from afar, the heroes trying to locate their secret base. It goes round in circles, but a glorious "Biff! Pow!" fight on a submarine and a sideways swipe at eugenics make sure it all ends in style.
Lastly, look out for the scene where Ward and West run up and down on the spot ("Luckily we're in tip-top condition!") while a film background of a street and the theme tune play - a classic. Simple, silly fun and almost relentlessly appealing. So much so I nearly added another point to the total... 6/10.
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