| Photos (See all 105 | slideshow) |
| Elizabeth Montgomery | ... | Samantha Stephens / ... (254 episodes, 1964-1972) | |
| Agnes Moorehead | ... | Endora (196 episodes, 1964-1972) | |
| David White | ... | Larry Tate (170 episodes, 1964-1972) | |
| Dick York | ... | Darrin Stephens (159 episodes, 1964-1969) |
Series Directed by | |||
| William Asher | (132 episodes, 1964-1972) | ||
| Richard Michaels | (54 episodes, 1968-1972) | ||
| R. Robert Rosenbaum | (23 episodes, 1966-1969) | ||
| Richard Kinon | (8 episodes, 1967) | ||
| E.W. Swackhamer | (7 episodes, 1965-1972) | ||
| Jerry Davis | (4 episodes, 1966) | ||
| Howard Morris | (3 episodes, 1965-1966) | ||
| David Orrick McDearmon | (3 episodes, 1965) | ||
| William D. Russell | (3 episodes, 1965) | ||
| Luther James | (3 episodes, 1968-1970) | ||
| Alan Rafkin | (2 episodes, 1964-1965) | ||
| Paul Davis | (2 episodes, 1967-1968) | ||
Series Writing credits | ||
| Sol Saks | (254 episodes, 1964-1972) | |
| Ed Jurist | (54 episodes, 1966-1972) | |
| Richard Baer | (23 episodes, 1965-1972) | |
| Michael Morris | (22 episodes, 1967-1972) | |
| John L. Greene | (20 episodes, 1964-1971) | |
| Bernard Slade | (17 episodes, 1964-1968) | |
| Bernie Kahn | (14 episodes, 1967-1972) | |
| James S. Henerson | (12 episodes, 1966-1968) | |
| Lila Garrett | (11 episodes, 1967-1971) | |
| Paul David | (9 episodes, 1964-1966) | |
| Paul Wayne | (7 episodes, 1965-1967) | |
| Robert Riley Crutcher | (6 episodes, 1966-1968) | |
| Jerry Mayer | (6 episodes, 1967-1970) | |
| Barbara Avedon | (5 episodes, 1964-1970) | |
| Lawrence J. Cohen | (5 episodes, 1964-1969) | |
| Fred Freeman | (5 episodes, 1964-1969) | |
| Ruth Brooks Flippen | (5 episodes, 1965-1971) | |
| Howard Leeds | (5 episodes, 1965-1967) | |
| David V. Robison | (5 episodes, 1966-1967) | |
| Herman Groves | (4 episodes, 1964-1966) | |
| Rick Mittleman | (4 episodes, 1967-1969) | |
| Peggy Chantler Dick | (4 episodes, 1969) | |
| Douglas Dick | (4 episodes, 1969) | |
| Jack Sher | (3 episodes, 1964-1967) | |
| Danny Arnold | (3 episodes, 1964) | |
| Earl Barret | (3 episodes, 1965-1967) | |
| Ron Friedman | (3 episodes, 1965-1967) | |
| Doug Tibbles | (3 episodes, 1966-1969) | |
| Lee Erwin | (3 episodes, 1966) | |
| Paul L. Friedman | (3 episodes, 1967-1969) | |
| Leo Townsend | (3 episodes, 1969-1972) | |
| Shirley Gordon | (3 episodes, 1969-1970) | |
| Henry Sharp | (3 episodes, 1970-1972) | |
| Phil Sharp | (3 episodes, 1970-1972) | |
| Jerry Davis | (2 episodes, 1964-1965) | |
| Roland Wolpert | (2 episodes, 1964-1965) | |
| Sydney Zelinka | (2 episodes, 1965-1966) | |
| Ken Englund | (2 episodes, 1965) | |
| Jane Klove | (2 episodes, 1965) | |
| Ted Sherdeman | (2 episodes, 1965) | |
| Pauline Townsend | (2 episodes, 1969-1971) | |
Series Produced by | |||
| Harry Ackerman | .... | executive producer (254 episodes, 1964-1972) | |
| Richard Michaels | .... | associate producer (161 episodes, 1965-1970) | |
| William Asher | .... | producer (147 episodes, 1967-1972) | |
| Jerry Davis | .... | producer (56 episodes, 1964-1966) | |
| Ernest A. Losso | .... | associate producer (54 episodes, 1970-1972) | |
| Jerry Briskin | .... | associate producer (38 episodes, 1964-1966) | |
| William Froug | .... | producer (33 episodes, 1966-1967) | |
| Danny Arnold | .... | producer (18 episodes, 1964-1965) | |
Series Original Music by | |||
| Warren Barker | (244 episodes, 1964-1972) | ||
| Jimmie Haskell | (4 episodes, 1966) | ||
| Van Alexander | (3 episodes, 1966) | ||
Series Cinematography by | |||
| Robert Tobey | (216 episodes, 1965-1972) | ||
| Robert Wyckoff | (24 episodes, 1964-1966) | ||
| Frederick Gately | (13 episodes, 1964-1965) | ||
| Lothrop B. Worth | (unknown episodes) | ||
Series Film Editing by | |||
| Aaron Nibley | (225 episodes, 1964-1971) | ||
| Hugh Chaloupka | (23 episodes, 1964-1966) | ||
| Jack Ruggiero | (23 episodes, 1971-1972) | ||
| Asa Boyd Clark | (2 episodes, 1965-1972) | ||
Series Casting by | |||
| Ernest A. Losso | (53 episodes, 1968-1970) | ||
| Sally Powers | (28 episodes, 1970-1971) | ||
| Al Onorato | (26 episodes, 1971-1972) | ||
| Burt Metcalfe | (8 episodes, 1968-1969) | ||
Series Art Direction by | |||
| Ross Bellah | (254 episodes, 1964-1972) | ||
| Robert Purcell | (198 episodes, 1964-1972) | ||
| Robert Peterson | (31 episodes, 1964-1966) | ||
| Malcolm C. Bert | (16 episodes, 1965-1966) | ||
Series Set Decoration by | |||
| Sidney Clifford | (236 episodes, 1964-1972) | ||
| Louis Diage | (13 episodes, 1964-1967) | ||
| Milton Stumph | (2 episodes, 1966) | ||
| Jack H. Ahern | (2 episodes, 1968) | ||
Series Makeup Department | |||
| Ben Lane | .... | makeup supervisor (140 episodes, 1964-1968) | |
| Rolf Miller | .... | makeup artist (114 episodes, 1968-1972) | |
| Lillian Ugrin | .... | hair stylist (114 episodes, 1968-1972) | |
Series Production Management | |||
| Lawrence Werner | .... | post-production supervisor / post-production executive (140 episodes, 1964-1968) | |
| Seymour Friedman | .... | production supervisor (60 episodes, 1964-1966) | |
Series Second Unit Director or Assistant Director | |||
| Maxwell O. Henry | .... | assistant director (118 episodes, 1965-1972) | |
| R. Robert Rosenbaum | .... | assistant director (66 episodes, 1964-1968) | |
| Steve Siporin | .... | second assistant director (33 episodes, 1966-1967) | |
| Hal W. Polaire | .... | assistant director (18 episodes, 1964-1966) | |
| Marvin Miller | .... | assistant director (14 episodes, 1966-1968) | |
| Mark Sandrich Jr. | .... | assistant director (11 episodes, 1968-1969) | |
| Jerome M. Siegel | .... | assistant director (9 episodes, 1967) | |
| Jack Orbison | .... | assistant director (6 episodes, 1966-1967) | |
| Michael J. Dmytryk | .... | assistant director (3 episodes, 1967-1968) | |
| Jack R. Berne | .... | assistant director (3 episodes, 1968) | |
| Richard Dixon | .... | assistant director (2 episodes, 1966) | |
| Gilbert Mandelik | .... | assistant director (2 episodes, 1970) | |
Series Art Department | |||
| George Ballerino | .... | property master (85 episodes, 1969-1972) | |
Series Sound Department | |||
| Fred J. Brown | .... | sound effects (69 episodes, 1965-1967) | |
| Sid Lubow | .... | sound effects (38 episodes, 1964-1966) | |
| Erick Jolley | .... | mastering engineer (38 episodes, 1965-1966) | |
| Terrance Emerson | .... | sound cable man (2 episodes, 1965) | |
Series Special Effects by | |||
| Hal Bigger | .... | special effects (88 episodes, 1968-1971) | |
| Marlowe Newkirk | .... | special effects (63 episodes, 1966-1968) | |
| Richard Albain | .... | special effects (53 episodes, 1964-1966) | |
| Terry Saunders | .... | special effects (26 episodes, 1971-1972) | |
Series Stunts | |||
| Jesse Wayne | .... | stunt double: Clarke Gordon (1 episode, 1968) | |
Series Camera and Electrical Department | |||
| Charles Gibbs | .... | head grip (54 episodes, 1970-1972) | |
| Arthur D. Kaufman | .... | gaffer (54 episodes, 1970-1972) | |
| Val O'Malley | .... | camera operator (54 episodes, 1970-1972) | |
| Randall Robinson | .... | assistant camera (3 episodes, 1966) | |
| Donald Rohrbach | .... | dolly grip (unknown episodes) | |
Series Costume and Wardrobe Department | |||
| Vi Alford | .... | ladies costumer / costumer: women (114 episodes, 1968-1972) | |
| Byron Munson | .... | men's costumer / costumer: men / ... (114 episodes, 1968-1972) | |
| Michaels-Stern | .... | Dick York's wardrobe (8 episodes, 1968) | |
Series Music Department | |||
| Howard Greenfield | .... | composer: theme music (254 episodes, 1964-1972) | |
| Jack Keller | .... | composer: theme music (254 episodes, 1964-1972) | |
| Ed Forsyth | .... | music supervisor (107 episodes, 1964-1967) | |
| Don Kirshner | .... | music consultant (44 episodes, 1966-1967) | |
Series Other crew | |||
| William Asher | .... | production consultant / creative consultant (102 episodes, 1964-1967) | |
| Bobbi Shane | .... | production secretary / assistant to producer / ... (54 episodes, 1970-1972) | |
| Bernard Slade | .... | script consultant (37 episodes, 1965-1966) | |
| Ruth Brooks Flippen | .... | script consultant (33 episodes, 1966-1967) | |
| Richard Michaels | .... | script supervisor (31 episodes, 1964-1965) | |
| Danny Arnold | .... | script consultant (20 episodes, 1964-1966) | |
| Melody McCord | .... | stand in: Elizabeth Montgomery / stand-in: Elizabeth Montgomery (17 episodes, 1965-1972) | |
| Fredd Wayne | .... | historical consultant (2 episodes, 1966) | |
| Harry Ackerman | .... | creative consultant (unknown episodes) | |
| Ed Jurist | .... | story editor/writer: 52 episodes + 2 as cowriter=54 (unknown episodes) | |
| Elizabeth Montgomery | .... | creative consultant (unknown episodes) | |
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| "I Dream of Jeannie" | "Sabrina, the Teenage Witch" | Stardust | Harry Potter and the Goblet of Fire | Mr. Blandings Builds His Dream House |
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Jeannie and Bewitched have to be two of the most formulaic and predictable shows ever aired on TV. Every episode of Bewitched had ,in different orders and combinations, the same formula of Endora zaps something to muck up Darrin, and it pays off in Darrin's favour; witchcraft of some sort interferes with Darrin's work and he gets fired, then re-hired, when the witchcraft again pays off, or is foiled. While in the meantime, Gladys Kravitz, Mrs Stavens, or some unsuspecting extra is baffled by it all, and theres always some unbelievable explanation at the end of it all which the long suffering cast members swallow. With that in mind, its bizarre that it still rates in re - runs, and its bizarre that I've taped about 7 blank tapes worth of the show from TV that I watch again and again. I can't get enough of it. So. obviously the show has a lot of appeal which allows viewers to look beyond, or perhaps enjoy the formula. I think the appeal lies in alot of things. First, the magic is a huge and fascinating drawcard. Wouldn't we all love to be able to make things appear and disappear with a twitched, and wouldn't we all love Barbara Eden as our Genie who's madly in love with us? We all would (males, anyway RE Barbara Eden), and thats what draws us to the shows. Its also brilliant and magical itself to see the special effects being done nearly forty years ago without computers or complex editing machines. That really put a smile on my face. The characters were all so far - out an exotic, all kind of like British aristocrats who had lost all air of conservatism, and lived carefree lives zapping from the Riviera to lunch in Shanghai. They were so funny, fantastic and appealing. I loved the conflict too; Endora and Darrin, Darrin and Larry; Darrin and Serena etc. And the actors of course were all brilliant, and having a tremendous time playing their roles, and fun roles they were. The chemistry on set between York and Montgomery was so believable and real, the flamboyance and gestures of Endora and Dr Bombay was loads of fun, and the comic timing of York was always perfect. Yes, Betwitched and Jeannie have to be my two favourite TV shows of all time, because they're just unpretentious, lightweight and appealing entertainment, and thats why they've lasted so long, because who would take a show about witches seriously anyway. And thats its charm.