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3 out of 5 people found the following review useful:
voilà, finally a genius french comedy, 2 January 2009
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Author:
cheese_cake from dc, usa
France as we all know is famous for their art-house flicks, the new
wave, the new new wave and of course old school gangster flicks.
therefore, i was amazed to find this gem of a gangster spoof funny
movie. you know a movie is good, when you can't even tell its plot, a.
because it too nebulous/zany, b. it would ruin it for you. it has more
twists than a road winding along the ocean front of California and it
runs like a well oiled Peugeot (i know) from a vintage class. fast and
so so smooth.
it starts with a gangster who just got out of jail, named Pomme-Chips
(hehehe...french fries, genius)...who's out to get his revenge on the
guy who stole his girl. he's got friends, there's gambling, the guy
he's after has a cousin who's in a play, his girlfriend gets seduced
again...they all meet in a bar, then a play house, an elevator, a party
with a general, a huge viola has a significant cameo, skeletons and so
on. i really just can't tell you more about the story, but it will not
bore you for a second.
the dialog is insanely good, eg, 110 00:10:45,573 --> 00:10:50,442 Did
you see her hips sway? Only women who've suffered have that. 111
00:10:50,613 --> 00:10:53,730 Are you talking nonsense now? - Yes.
the title translates to "salad by the roots"...no idea what the analogy
is to. the cast is semi-famous from that era and they do a killer job.
the girlfriend starts out hot and only keeps on getting into more
stylish (cough) outfits. good ole un-feminism. i like the whole french
style, direct and to the point. the old uncle is a hoot...i'm laughing
just thinking about that scene. the director is unfairly obscure
outside of France, despite having made a bunch of comic gems, but the
fking french never provide any English subs...la moral superiorite et
la frenchies....see my french even got better...tut a laire, aloe, bon
nuit (sounds good in my head...hehehe) !!!
acting and writing/directing at the top of the range, 28 December 2009
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Author:
xavier-2 from Variable
With De Funes at the threshold of stardom (1964 would also see him in
the first of the Gendarme and Fantomas series as well as in Faites
Sauter la Banque!), Darc already in it, and a mix of reliable veterans
(Blanche) and future stars (Serrault), the actor lineup is outstanding.
But what makes the movie even more outstanding is the dialog. Lautner
and Audiard were at their very peak, also penning and directing Les
Barbouzes and Les Tontons Flingueurs in that period - perhaps the
finest dialog in post-WW II French cinema, on par (in the original)
with the likes of Sweet Smell of Success or Some Like it Hot. The
storyline (no spoiler meant here) mixes elements of gangster, con
(wo)man and chase movies. The crossovers and recurrences (where is that
body?) are hilarious. Like all movies of this kind, the ending poses a
quandary for the writers, and this is done more than honorably in this
case. The technical quality is not contemporary of course, and I
presume the dialog will lose some of its flavor in most translations,
but the storyline and the acting will make this a worthwhile watch in
any language for those who appreciate 60's cinema.
To follow up on cheese_cake's review: the title refers to the dead and
buried ("eating dandelions by their roots"). It is a paraphrase of the
title of the novel from which the movie's writers started. Of course,
the title is also playful: the body of interest in the movie, dead
though it may be, isn't that static; some of those chasing it, however,
fear that they will end up pushing up daisies indeed.
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