Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

Director:

Stanley Kubrick

Writers:

Stanley Kubrick (screenplay) &
Terry Southern (screenplay) ...
(more)

Release Date:

29 January 1964 (USA)

Genre:

Comedy | War

Tagline:

the hot-line suspense comedy

Plot:

An insane general starts a process to nuclear holocaust that a war room of politicians and generals frantically try to stop.

Plot Keywords:

General | Bomber | War Room | U.S. President | Doomsday

Awards:

Nominated for 4 Oscars. Another 13 wins & 4 nominations

Cast

Peter Sellers	...	Group Capt. Lionel Mandrake / President Merkin Muffley / Dr. Strangelove
George C. Scott	...	Gen. 'Buck' Turgidson
Sterling Hayden	...	Brig. Gen. Jack Ripper
Keenan Wynn	...	Col. 'Bat' Guano
Slim Pickens	...	Maj. 'King' Kong
Peter Bull	...	Russian Ambassador Alexi de Sadesky
James Earl Jones	...	Lt. Lothar Zogg
Tracy Reed	...	Miss Scott
Jack Creley	...	Mr. Staines
Frank Berry	...	Lt. Dietrich
Robert O'Neil	...	Adm. Randolph
Glenn Beck	...	Lt. Kivel (as Glen Beck)
Roy Stephens	...	Frank
Shane Rimmer	...	Capt. 'Ace' Owens
Hal Galili	...	Burpelson AFB Defense Team Member
Paul Tamarin	...	Lt. Goldberg
Laurence Herder	...	Burpelson AFB Defense Team Member
Gordon Tanner	...	Gen. Faceman
John McCarthy	...	Burpelson AFB Defense Team Member

Directed by
Stanley Kubrick

Writing credits
Stanley Kubrick		(screenplay) &
Terry Southern		(screenplay) &
Peter George		(screenplay)
Peter George		(book "Red Alert")

Produced by
Stanley Kubrick	....	producer
Victor Lyndon	....	associate producer
Leon Minoff	....	executive producer (uncredited)

Original Music by
Laurie Johnson

Cinematography by
Gilbert Taylor		(director of photography)

Film Editing by
Anthony Harvey

Production Design by
Ken Adam

Art Direction by
Peter Murton

Makeup Department
Stuart Freeborn	....	makeup artist (as Stewart Freeborn)
Barbara Ritchie	....	hairdresser

Production Management
Clifton Brandon	....	production manager

Second Unit Director or Assistant Director
Eric Rattray	....	assistant director

Sound Department
John Aldred	....	dubbing mixer
Richard Bird	....	recordist
John Cox	....	sound supervisor
Leslie Hodgson	....	sound editor

Special Effects by
Wally Veevers	....	special effects
Alan Bryce	....	special effects (uncredited)
Arthur 'Weegee' Fellig	....	special effects advisor (uncredited)
Brian Gamby	....	special effects (uncredited)
Garth Inns	....	special effects (uncredited)
Mike Shaw	....	special effects (uncredited)

Visual Effects by
Vic Margutti	....	travelling matte
Jim Body	....	visual effects camera operator (uncredited)
Bob Cuff	....	matte painter (uncredited)

Camera and Electrical Department
Bernard Ford	....	camera assistant
Kelvin Pike	....	camera operator
Bob Penn	....	still photographer (uncredited)

Costume and Wardrobe Department
Bridget Sellers	....	wardrobe

Editorial Department
Geoffrey Fry	....	assembly editor
Ray Lovejoy	....	assistant editor

Other crew
Pamela Carlton	....	continuity
John Crewdson	....	aviation advisor (as Capt. John Crewdson)
Pablo Ferro	....	main title design: Ferro, Mohammed & Schwartz, Inc.
Jean Bernard	....	pilot: outside bomber views (uncredited)

Production Companies

• Columbia Pictures Corporation (presents)
• Hawk Films

Distributors

• Columbia Pictures (1964) (USA) (theatrical)
• Columbia Pictures Corporation (1964) (UK) (theatrical)
• Columbia Films (1964) (France) (theatrical)
• Columbia Films (1964) (Belgium) (theatrical)
• Columbia Films (1964) (Finland) (theatrical)
• American Broadcasting Company (ABC) (1968) (USA) (TV) (original airing)
• Criterion Collection, The (1992) (USA) (video) (laserdisc)
• Columbia TriStar (1994) (USA) (video) (laserdisc)
• Columbia TriStar (1997) (USA) (VHS) (widescreen)
• Warner Home Video (1999) (USA) (DVD)
• Warner Home Video (2000) (USA) (DVD)
• Warner Home Video (2001) (USA) (DVD)
• Columbia TriStar Home Video (2004) (USA) (DVD)
• Columbia Film (1964) (Sweden) (theatrical)
• Columbia-Warner Distributors (1974) (Portugal) (theatrical)
• Neue Visionen Filmverleih (2006) (Germany) (theatrical)
• Sony Pictures International (1987) (West Germany) (theatrical)
• Svenska Filminstitutet (SFI) (2001) (Sweden) (theatrical) (re-release)
• Columbia TriStar Home Video (????) (UK) (DVD)
• Columbia TriStar Italia (????) (Italy) (VHS)
• Egmont Entertainment (1999) (2001) (Finland) (DVD) (1-disc editions)
• Mainostelevisio (MTV3) (1990) (1996) (Finland) (TV)
• Nordisk Film (1999) (Sweden) (DVD)
• Nordisk Film (2001) (Sweden) (DVD)
• RCA/Columbia Pictures Home Video (????) (USA) (video) (laserdisc)
• Sony Pictures Home Entertainment Nordic (2005) (Finland) (DVD) (2-disc edition)
• Sony Pictures Home Entertainment (2009) (Germany) (DVD) (Blu-ray)
• Sony Pictures Home Entertainment (2009) (Netherlands) (DVD) (Blu-ray)
• Sony Pictures Home Entertainment (2009) (Sweden) (DVD) (Blu-ray)
• Sony Pictures Home Entertainment (2009) (USA) (DVD) (Blu-ray)
• Universal Pictures Nordic (2005) (Sweden) (DVD)
• Warner Home Video (????) (USA) (VHS)
• Yleisradio (YLE) (2009) (Finland) (TV)

Other Companies

• British Oxygen  the producers gratefully acknowledge the assistance of
• Ferro, Mohammed & Schwartz  main title by
• Institut Geographique National  location filming (uncredited)
• Marconi Wireless Telegraph Company  the producers gratefully acknowledge the assistance of (as Marconi's Wireless Telegraph)
• Post Logic Studios  digital film mastering (uncredited)
• Solartron Electronics  the producers gratefully acknowledge the assistance of
• Telephone  the producers gratefully acknowledge the assistance of (as Telephone Manufacturing)

Also Known As:

"Dr. Strangelove" - Australia (short title), UK (short title), USA (short title)

MPAA:

Rated PG for thematic elements, some violent content, sexual humor and mild language (re-rating) (2004)

Runtime:

95 min

Country:

USA | UK

Language:

English | Russian

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Argentina:Atp | Australia:PG | Canada:G (Québec) | Finland:K-16 (1964) | France:U (re-release) | Germany:12 (re-rating) | Hong Kong:IIA | Iceland:Unrated | Ireland:PG | Japan:Unrated | Netherlands:AL (video rating) | New Zealand:PG | Norway:11 | Singapore:PG (DVD rating) | Sweden:11 | UK:PG | USA:Approved (Certificate No. 20469) (original rating) | USA:GP (re-rating) (1970) | USA:PG (re-rating) (2004) | West Germany:16 | Canada:A (Nova Scotia) | Canada:PG (Manitoba/Ontario) (Canadian Home Video rating) | Spain:18 | Portugal:M/12 | South Korea:12 | Brazil:10 | Finland:K-12 (1998) | USA:TV-PG (TV rating)

Filming Locations:

Arctic

Company:

Columbia Pictures Corporation

Trivia:

Major Kong's plane's primary target, is an ICBM complex at Laputa. In Jonathan Swift's 1726 novel 'Gulliver's Travels', Laputa is a place inhabited by caricatures of scientific researchers. It's also a play on words: "la puta" is Spanish slang for "prostitute."

Goofs:

Crew or equipment visible: Strings can be seen holding up the model of the bomber.

Quotes:

[first lines]
Narrator:For more than a year, ominous rumors had been privately circulating among high-level Western leaders that the Soviet Union had been at work on what was darkly hinted to be the ultimate weapon: a doomsday device. Intelligence sources traced the site of the top secret Russian project to the perpetually fog-shrouded wasteland below the Arctic peaks of the Zhokhov Islands. What they were building or why it should be located in such a remote and desolate place no one could say.

Movie Connections:

Referenced in Color Me Kubrick (2005)

Soundtrack:

When Johnny Comes Marching Home

Laughing at Fear

What makes this film so powerful is the message that it made at the time of its release. This film came out at a height of paranoia of the nuclear age and the Cold War, right around the time of the Cuban Missile Crisis. This film depicts a horrible, tragic incident in which a breach in the government and a few diplomatic mistakes result in nuclear holocaust. So, why didn't this film inspire panic? Because of the brilliant way in which Kubrick presents it... as a satire. The scariest thing about this film in retrospect is not how it depicts the impending doom of the Cold War, but how it makes you laugh at it. By presenting it with humor, it conveys just how much of a farce the nuclear arms race was in real life. And I don't think that any other film has captured the absurdity of war nearly as well as this one has. And I am not likely to believe that one ever will. In my opinion, Kubrick has never made a better film since. And kudos to George C. Scott for his astounding performance, as well as Peter Sellers for the most versatile acting I've seen from an actor in one film, and to Sterling Hayden, for performing the most serious, yet the most hilarious role in film with perfect accuracy. Beware of fluoridation!