Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

Director:

Stanley Kubrick

Writers:

Stanley Kubrick (screenplay) &
Terry Southern (screenplay) ...
(more)

Release Date:

29 January 1964 (USA)

Genre:

Comedy | Thriller

Tagline:

the hot-line suspense comedy

Plot:

An insane general starts a process to nuclear holocaust that a war room of politicians and generals frantically try to stop.

Plot Keywords:

General | War Room | Bomber | U.S. President | Doomsday

Awards:

Nominated for 4 Oscars. Another 10 wins & 4 nominations

Cast

Peter Sellers	...	Group Capt. Lionel Mandrake / President Merkin Muffley / Dr. Strangelove
George C. Scott	...	Gen. 'Buck' Turgidson
Sterling Hayden	...	Brig. Gen. Jack Ripper
Keenan Wynn	...	Col. 'Bat' Guano
Slim Pickens	...	Maj. 'King' Kong
Peter Bull	...	Russian Ambassador Alexi de Sadesky
James Earl Jones	...	Lt. Lothar Zogg
Tracy Reed	...	Miss Scott
Jack Creley	...	Mr. Staines
Frank Berry	...	Lt. Dietrich
Robert O'Neil	...	Adm. Randolph
Glenn Beck	...	Lt. Kivel (as Glen Beck)
Roy Stephens	...	Frank
Shane Rimmer	...	Capt. 'Ace' Owens
Hal Galili	...	Burpelson AFB Defense Team Member
Paul Tamarin	...	Lt. Goldberg
Laurence Herder	...	Burpelson AFB Defense Team Member
Gordon Tanner	...	Gen. Faceman
John McCarthy	...	Burpelson AFB Defense Team Member

Directed by
Stanley Kubrick

Writing credits
Stanley Kubrick		(screenplay) &
Terry Southern		(screenplay) &
Peter George		(screenplay)
Peter George		(book "Red Alert")

Produced by
Stanley Kubrick	....	producer
Victor Lyndon	....	associate producer
Leon Minoff	....	executive producer (uncredited)

Original Music by
Laurie Johnson

Cinematography by
Gilbert Taylor		(director of photography)

Film Editing by
Anthony Harvey

Production Design by
Ken Adam

Art Direction by
Peter Murton

Makeup Department
Stuart Freeborn	....	makeup artist (as Stewart Freeborn)
Barbara Ritchie	....	hairdresser

Production Management
Clifton Brandon	....	production manager

Second Unit Director or Assistant Director
Eric Rattray	....	assistant director

Sound Department
John Aldred	....	dubbing mixer
Richard Bird	....	recordist
John Cox	....	sound supervisor
Leslie Hodgson	....	sound editor

Special Effects by
Wally Veevers	....	special effects
Alan Bryce	....	special effects (uncredited)
Arthur 'Weegee' Fellig	....	special effects advisor (uncredited)
Brian Gamby	....	special effects (uncredited)
Garth Inns	....	special effects (uncredited)
Mike Shaw	....	special effects (uncredited)

Visual Effects by
Vic Margutti	....	travelling matte
Jim Body	....	visual effects camera operator (uncredited)
Bob Cuff	....	matte painter (uncredited)

Camera and Electrical Department
Bernard Ford	....	camera assistant
Kelvin Pike	....	camera operator
Bob Penn	....	still photographer (uncredited)

Costume and Wardrobe Department
Bridget Sellers	....	wardrobe

Editorial Department
Geoffrey Fry	....	assembly editor
Ray Lovejoy	....	assistant editor

Other crew
Pamela Carlton	....	continuity
John Crewdson	....	aviation advisor (as Capt. John Crewdson)
Pablo Ferro	....	main title design: Ferro, Mohammed & Schwartz, Inc.
Jean Bernard	....	pilot: outside bomber views (uncredited)

Production Companies

• Columbia Pictures Corporation (presents)
• Hawk Films

Distributors

• Columbia Pictures (1964) (USA) (theatrical)
• Columbia Pictures Corporation (1964) (UK) (theatrical)
• Columbia Films (1964) (France) (theatrical)
• Columbia Films (1964) (Belgium) (theatrical)
• Columbia Films (1964) (Finland) (theatrical)
• American Broadcasting Company (ABC) (1968) (USA) (TV) (original airing)
• Criterion Collection, The (1992) (USA) (video) (laserdisc)
• Columbia TriStar (1994) (USA) (video) (laserdisc)
• Columbia TriStar (1997) (USA) (VHS) (widescreen)
• Warner Home Video (1999) (USA) (DVD)
• Warner Home Video (2000) (USA) (DVD)
• Warner Home Video (2001) (USA) (DVD)
• Columbia TriStar Home Video (2004) (USA) (DVD)
• Columbia Film (1964) (Sweden) (theatrical)
• Columbia-Warner Distributors (1974) (Portugal) (theatrical)
• Neue Visionen Filmverleih (2006) (Germany) (theatrical)
• Sony Pictures International (1987) (West Germany) (theatrical)
• Svenska Filminstitutet (SFI) (2001) (Sweden) (theatrical) (re-release)
• Columbia TriStar Home Video (????) (UK) (DVD)
• Columbia TriStar Italia (????) (Italy) (VHS)
• Egmont Entertainment (1999) (2001) (Finland) (DVD) (1-disc editions)
• Mainostelevisio (MTV3) (1990) (1996) (Finland) (TV)
• Nordisk Film (1999) (Sweden) (DVD)
• Nordisk Film (2001) (Sweden) (DVD)
• RCA/Columbia Pictures Home Video (????) (USA) (video) (laserdisc)
• Sony Pictures Home Entertainment Nordic (2005) (Finland) (DVD) (2-disc edition)
• Sony Pictures Home Entertainment (2009) (Netherlands) (DVD) (Blu-ray)
• Sony Pictures Home Entertainment (2009) (Sweden) (DVD) (Blu-ray)
• Sony Pictures Home Entertainment (2009) (USA) (DVD) (Blu-ray)
• Universal Pictures Nordic (2005) (Sweden) (DVD)
• Warner Home Video (????) (USA) (VHS)
• Yleisradio (YLE) (2009) (Finland) (TV)

Other Companies

• British Oxygen  the producers gratefully acknowledge the assistance of
• Ferro, Mohammed & Schwartz  main title by
• Institut Geographique National  location filming (uncredited)
• Marconi Wireless Telegraph Company  the producers gratefully acknowledge the assistance of (as Marconi's Wireless Telegraph)
• Post Logic Studios  digital film mastering (uncredited)
• Solartron Electronics  the producers gratefully acknowledge the assistance of
• Telephone  the producers gratefully acknowledge the assistance of (as Telephone Manufacturing)

Also Known As:

"Dr. Strangelove" - Australia (short title), UK (short title), USA (short title)

MPAA:

Rated PG for thematic elements, some violent content, sexual humor and mild language (re-rating) (2004)

Runtime:

95 min

Country:

UK

Language:

English | Russian

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Canada:A (Nova Scotia) | Canada:PG (Manitoba/Ontario) (Canadian Home Video rating) | Spain:18 | Portugal:M/12 | South Korea:12 | Brazil:10 | Finland:K-12 (1998) | USA:TV-PG | Argentina:Atp | Australia:PG | Canada:G (Québec) | Finland:K-16 (1964) | France:U (re-release) | Germany:12 (re-rating) | Hong Kong:IIA | Iceland:Unrated | Ireland:PG | Japan:Unrated | Netherlands:AL (video rating) | New Zealand:PG | Norway:11 | Singapore:PG (DVD rating) | Sweden:11 | UK:PG | USA:Approved (Certificate No. 20469) (original rating) | USA:GP (re-rating) (1970) | USA:PG (re-rating) (2004) | West Germany:16

Filming Locations:

Arctic

Company:

Columbia Pictures Corporation

Trivia:

Peter Sellers was the first actor to be nominated for a single Academy award (best actor) for a film in which he portrayed three different characters in the same film.

Goofs:

Continuity: When Gen. Ripper and Capt. Mandrake are using the belt-fed machine gun, in one shot Mandrake is holding a chair over his head for protection, but when it cuts and the camera is behind them and Ripper crawls away from the window, Mandrake isn't holding the chair, and the closest chair is 10 feet away from him.

Quotes:

[first lines]
Narrator:For more than a year, ominous rumors had been privately circulating among high-level Western leaders that the Soviet Union had been at work on what was darkly hinted to be the ultimate weapon: a doomsday device. Intelligence sources traced the site of the top secret Russian project to the perpetually fog-shrouded wasteland below the Arctic peaks of the Zhokhov Islands. What they were building or why it should be located in such a remote and desolate place no one could say.

Movie Connections:

Referenced in Serum 114 (2006)

Soundtrack:

When Johnny Comes Marching Home

Truly, an incredible and innovative movie

Stanley Kubrick's first and only comedic masterpiece is still the finest ever made. I love everything in the movie: the brilliant acting, sensational script, flawless direction, and even those quirky visual effects. Not only was this film hilarious, it was a breakthrough for the entire film industry when first released. In addition to it's amazing satirical basis, the film also played a major role in how films were advertised and marketed... as if Peter Seller's performance wasn't enough! The sets were also very convincing and just plain great! So realistic in fact, that the FBI almost investigated how they got the B-52 Bomber replicated to near perfection!

In the end, 'Dr. Strangelove: or How I Learned to Stop Worrying and Love the Bomb' is the best comedy. It's also another milestone in film making and another reason to be astonished when looking at the work of Stanley Kubrick.

An obvious perfect ***** / *****