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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

 -  Comedy | War  -  29 January 1964 (USA)
8.5
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Ratings: 8.5/10 from 285,943 users   Metascore: 96/100
Reviews: 800 user | 177 critic | 11 from Metacritic.com

An insane general triggers a path to nuclear holocaust that a war room full of politicians and generals frantically try to stop.

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Title: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) on IMDb 8.5/10

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Top 250 #46 | Nominated for 4 Oscars. Another 14 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Jack Creley ...
Frank Berry ...
Lt. Dietrich
Robert O'Neil ...
Adm. Randolph
Glenn Beck ...
Lt. Kivel (as Glen Beck)
Roy Stephens ...
...
Capt. 'Ace' Owens
Hal Galili ...
Burpelson AFB Defense Team Member
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Storyline

Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, he believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

the hot-line suspense comedy

Genres:

Comedy | War

Motion Picture Rating (MPAA)

Rated PG for thematic elements, some violent content, sexual humor and mild language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

29 January 1964 (USA)  »

Also Known As:

A Delicate Balance of Terror  »

Filming Locations:

 »

Box Office

Budget:

$1,800,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The illuminated symbols on the War Room map displays were cutouts lit by individual floodlights behind them. They generated so much heat that the display was damaged. Air-conditioning had to be installed. See more »

Goofs

In the cockpit scenes, when the aircraft banks during evasive maneuvers, no change appears in the instruments: they continue indicating straight and level flight (notably the attitude indicator). See more »

Quotes

[first lines]
Narrator: For more than a year, ominous rumors had been privately circulating among high-level Western leaders that the Soviet Union had been at work on what was darkly hinted to be the ultimate weapon: a doomsday device. Intelligence sources traced the site of the top secret Russian project to the perpetually fog-shrouded wasteland below the Arctic peaks of the Zhokhov Islands. What they were building or why it should be located in such a remote and desolate place no one could say.
See more »

Crazy Credits

The screenplay title is incorrectly spelled. It reads: 'Base' on the book "Red Alert" by Peter George. This is pointed out on the DVD supplement about the making of the film. See more »

Connections

Referenced in The Muppet Show: Judy Collins (1978) See more »

Soundtracks

We'll Meet Again
(1939) (uncredited)
Music and Lyrics by Ross Parker and Hugh Charles
Performed by Vera Lynn and chorus at the end
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Ultimate Black Comedy
16 February 2001 | by (Aberdeen, Scotland) – See all my reviews

Few films are able to take a deadly serious issue and place it within the context of a broad comedy successfully. Dr. Strangelove does exactly that. Kubrick's masterpiece illustrates in brilliant fashion the idiocy of nuclear war and the idiots who are orchestrating it. What strikes one most however in this cinematic gem are the individual characterisations of Sellers, Scott, Hayden and Pickens. To refer to them as memorable roles is a gross understatement. With names such as President Merkin Muffley, General "Buck" Turgidson, General Jack D. Ripper and Major T.J. "King" Kong, you know that these characters will not be soon forgotten. Other features of the film such as the remarkably designed "war room" set, the hand-held camera techniques employed by Kubrick and the black and white cinematography of Gilbert Taylor only add to the power and impact of "Strangelove." Quite simply, the greatest American film by the greatest American director.


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