Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
In 1930, in Belgium, Gabrielle van der Mal is the stubborn daughter of the prominent surgeon Dr. Pascin Van Der Mal that decides to leave her the upper-class family to enter to a convent, ... See full summary »
Regina is about to divorce her husband when she finds that he has been murdered after converting every penny they owned to cash, which is also missing. She meets Cary Grant who changes his name every 15 minutes or so and is interested in her husband's money, which seems to have come from a WWII payroll he stole. His partners in crime are also very interested in where the money is, as he stole it from them as well. Everyone assumes Regina MUST know where the money is. The situation becomes more tense when the searchers begin turning up dead. Written by
John Vogel <firstname.lastname@example.org>
When Regina is taken to the morgue to identify her husband's body, the coroner's hands are visible as the body drawer is closed. The coroner's fingers would have prevented the drawer from closing or else his fingers would have been injured. See more »
Don't tell me, you didn't know it was loaded. Sylvie! Oh. Can't he do something constructive, like start an avalanche or something?
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Audrey fingers Cary's dimpled chin and asks, "How do you shave in there?"
Just one of the many marvelous moments in "Charade", one of Cary Grant's and Audrey Hepburn's best films. There's a quarter of a million dollars floating around instant-widow Hepburn but nobody can SEE IT (it's right in front of their eyes). Filled with running jokes, colorful and eccentric oddities (such as trenchcoat-wearing George Kennedy with his hook and the little guy who won't stop sneezing), funny set-pieces (like the funeral scene, and Audrey's priceless exaggerated reactions) and suspenseful sequences, not to mention Audrey and Cary looking smashing together. This is one of 50 best films ever made, as good as "Casablanca" and "My Fair Lady". In fact, I think it's better.
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