In 1930, in Belgium, Gabrielle van der Mal is the stubborn daughter of the prominent surgeon Dr. Pascin Van Der Mal that decides to leave her the upper-class family to enter to a convent, ... See full summary »
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
Regina is about to divorce her husband when she finds that he has been murdered after converting every penny they owned to cash, which is also missing. She meets Cary Grant who changes his name every 15 minutes or so and is interested in her husband's money, which seems to have come from a WWII payroll he stole. His partners in crime are also very interested in where the money is, as he stole it from them as well. Everyone assumes Regina MUST know where the money is. The situation becomes more tense when the searchers begin turning up dead. Written by
John Vogel <firstname.lastname@example.org>
During the Seine cruise, the rear projection plates are repeated. The boat passes the same building, the Institut de France, twice - once when Audrey Hepburn and Cary Grant are standing and yet again later when they are seated. See more »
Don't tell me, you didn't know it was loaded. Sylvie! Oh. Can't he do something constructive, like start an avalanche or something?
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It doesn't get any better than this...elegant Grant and Hepburn...
If you're in the mood for a clever mixture of suspense, romance, humor and some fantastic location shots, treat yourself to CHARADE. Audrey Hepburn was never more appealing than she is here--badly in need of help to discover the whereabouts of the hidden money her late husband's enemies want to find. With her life hanging in the balance, she enlists the aid of Cary Grant--but since all is not what it seems, you're in for some surprising plot twists along a very merry ride.
Just relax and let Cary and Audrey do all the work--with the help of a great supporting cast including Walter Matthau, superb in a surprising supporting role. Stanley Donen keeps it all moving at a brisk pace and Henry Mancini's music is a sheer delight.
Highly recommended as an expert, elegant mixture of humor and suspense, even if it does seem to imitate the Hitchcock way of filmmaking.
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