The Tale of Zatoichi (1962)
"Zatôichi monogatari" (original title)

The adventures of a blind, gambling masseur who also happens to be a master swordsman.

Director:

Kenji Misumi

Writers:

Minoru Inuzuka (screenplay), Kan Shimosawa (short story)

Stars:

Shintarô Katsu, Masayo Banri, Ryuzo Shimada

Cast

Cast overview, first billed only:
Shintarô Katsu	...	Zatôichi / Blind Man Ichi / Masseur Ichi
Masayo Banri	...	Tane / Tatekichi's sister / Seisuke's ex-lover
Ryuzo Shimada	...	Shigezô of Sasagawa / Sasagawa yakuza boss
Hajime Mitamura	...	Hanji of Matsugishi
Shigeru Amachi	...	Hirate, Miki
Chitose Maki	...	Yoshi / Hanji's wife
Ikuko Môri	...	Yutaka / Shigezô's wife
Michirô Minami	...	Tatekichi / Tane's brother / Saki's lover / Iioka yakuza member
Eijirô Yanagi	...	Sukegorô of Iioka / Iioka yakuza boss
Toshio Chiba	...	Masakichi / Iioka yakuza member (as Toshirô Chiba)
Manabu Morita	...	Seisuke / Tane's ex-lover / Iioka yakuza member
Yoichi Funaki	...	Yogorô / Sasagawa yakuza member
Kinya Ichikawa	...	Mokichi / Sasagawa yakuza member
Eigoro Onoe	...	Rihei / Sasagawa yakuza member
Yoshito Yamaji	...	Yahei / Father of Tane and Tatekichi

Storyline

An impoverished blind masseur becomes a mercenary swordsman, to gain basic respect. The first of novelist Kan Shimozawa's Zatoichi series: 26 films, a TV series and a play, all but two starring controversial singer/producer/director Shintaro Katsu. First of six Zatoichi films directed by Kenji Misumi. The shrewd Zatoichi targets a yakuza-controlled village, because war with a neighboring town's smaller gang is brewing. The broke ex-masseur "Ichi" immediately wins big, by taking advantage of local bakuto's cheating, after they scoff at his asking to join a dice game. The larger horde, who have been given carte blanche by the local governor, summoned Zatoichi. Zatoichi hates the fact that he's become an outlaw, so he strikes up a friendship with the other gang's honorable hired samurai, who has TB.

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Plot Keywords:

zatoichi | samurai | katana sword | dual wield | gambler | 

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Genres:

Action | Adventure | Drama

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Details

Country:

Japan

Language:

Japanese

Release Date:

18 April 1962 (Japan)

Also Known As:

The Tale of Zatoichi

Company Credits

Production Co:

Daiei Motion Picture Company

Technical Specs

Runtime:

96 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

2.35 : 1

Did You Know?

Quotes

Zatôichi: [after asking Zatoichi what she would do with having so much children] Just don't raise them to be gangsters.
Tane: I won't... But why do you say that?
Zatôichi: Because to be a gangster is a foolish way to live.
Tane: Then why don't you live a decent life?
Zatôichi: It's like being stuck in a bog; it's not easy to pull yourself you once you've fallen in.

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Connections

Followed by Zatoichi's Flashing Sword (1964)

User Reviews

Noir cutlery

Zatoichi (Shintaro Katsu) is a blind masseuse (masseuse was a traditional occupation for the blind in Japan) who took up sword fighting to gain more respect ("Zato" is actually a title--"Ichi" was his name; "Zato" was the lowest title in the traditional guild for the blind). He quickly mastered the art--far surpassing the average sword fighter and even the average samurai--as he seems to have a sixth sense. This film has Zatoichi visiting Sukegoro (Eijiro Yanagi) of Iioka, to "cash in" on some owed hospitality. He begins by slightly conning Sukegoro's gang in a gambling game involving dice. Shortly afterward, he learns that Sukegoro's gang is about to enter a war with Shigezo's (Ryuzo Shimada) rival Sasagawa gang. Shigezo has enlisted the services of Hirate (Shigeru Amachi), a famed samurai. Will Zatoichi help Sukegoro win his battle?

This is the first in a series of 26 Zatoichi films (and a television series that ran for four seasons in the 1970s), all starring Katsu in the title role. Remarkably, 25 of the Zatoichi films were made in little more than a ten-year period. This first film was based on a short story by Kan Shimozawa.

I haven't seen most of the Zatoichi films yet, and I hadn't seen any of them for a long time, so it's difficult for me to compare Zatoichi 1 with the rest of the series, but I was slightly disappointed with this film. It's a bit too much in the realm of realist drama for my tastes, and as such, moves at a slow clip. There are no big fight scenes until the last 20 minutes or so, and those aren't filmed, directed or choreographed very spectacularly. But the black and white cinematography (which only lasted for one more Zatoichi film) is frequently arresting and the dramatic material does present some intriguing situations, many concerned with various shades of ethical grayness. If you're in the market for an Asian "art-house" drama with a slight martial arts edge, Zatoichi 1 may be just the film for you. If you're looking for something more visceral, or for exciting action, it would probably be safe and wiser to start later in the series.

The visual style caught my attention more often than any other aspect of Zatoichi. Director Kenji Misumi, who went on to do five more Zatoichi films after this one, has cinematographer Chishi Makiura shoot in a stark black and white that has a strong, even exaggerated film noirish edge. The whites can be almost blinding and the darks are pitch black. There are a lot of shadows. Much of the film takes place at night and indoors. It's an attractive way to use the minimal sets. The scenes set in different environments are pleasant in their contrast. A scene at a lakeside begins with a Zen Art-styled water through branches shot. The big fight scene near the end has some interesting lake shots and even better village labyrinth shots. The climactic Western (the genre)-like showdown on a bridge is also nicely staged and photographed.

The story, using a script by Minoru Inuzuka, focuses on interesting character arcs for the two principals--Zatoichi and Hirate. Especially Zatoichi has a questionable morality when the film begins, but both gradually come to be more concerned with being honorable, just and unselfish by the film's end. This is in contrast to the characters embroiled in romantic relationship dilemmas--Otane (Masayo Banri), Tatekichi (Michio Minami) and Seisuke (Manabu Morita), and even the gang bosses, Shigezo and Sukegoro, who all have little to no character development arc, although Otane is already ethically good (per the conventional wisdom) at the beginning of the film.

But Zatoichi and Hirate are initially set against each other as surrogate representatives of warring "families", in what amounts to a yakuza/samurai version of Romeo & Juliet (and by extension West Side Story, 1961). Of course there is no romantic angle between Zatoichi and Hirate, but there is a deep respect and a bonding through a brotherly love that eventually triumphs in its own way over "turf wars". There is an expected end to their relationship, but the appearance of this development (most significantly to the gang bosses) is quite different than what is actually going on between the two of them. The romantic angle is covered instead by Zatoichi's relationship with Otane, which has the appropriate air of being forbidden to cover the Romeo and Juliet/West Side Story analogy, and which also ends up being defined by an intriguing selflessness that rarely rears its head in western (the culture) films.

Zatoichi is a fascinating character. Katsu doesn't have a typical martial arts or action star look--already in this film, he appears to be middle aged (beyond his actual age of 30 at the time of shooting) and a bit chubby. His "sixth sense" abilities and cunningness verge on the magical, as do his swordsmanship skills. The character isn't nearly as well explored here as he could be, but given that there were 25 more films to come (and a recent remake with a new Zatoichi), I suppose it's more excusable.

It doesn't help that it takes awhile to get up to speed on the relatively large cast of characters with sometimes complex relationships to one another (especially if you're like me and you have trouble remembering character names as well as trouble remembering who is who when characters have similar looks), but once you figure out that it's a kind of West Side Story, it's easy enough to get the gist of events unfolding.