IMDb > The Loneliness of the Long Distance Runner (1962)
The Loneliness of the Long Distance Runner
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The Loneliness of the Long Distance Runner (1962) More at IMDbPro »

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Overview

User Rating:
7.7/10   4,491 votes »
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Up 51% in popularity this week. See why on IMDbPro.
Director:
Writers:
Alan Sillitoe (screenplay)
Alan Sillitoe (short story)
Contact:
View company contact information for The Loneliness of the Long Distance Runner on IMDbPro.
Release Date:
8 October 1962 (USA) See more »
Genre:
Plot:
A rebellious youth, sentenced to a boy's reformatory for robbing a bakery, rises through the ranks of... See more » | Full synopsis »
Plot Keywords:
Awards:
Won BAFTA Film Award. Another 1 win & 1 nomination See more »
User Reviews:
Between the 50s and 60s... See more (50 total) »

Cast

  (in credits order)

Michael Redgrave ... Ruxton Towers Reformatory Governor

Tom Courtenay ... Colin Smith
Avis Bunnage ... Mrs. Smith

Alec McCowen ... Brown

James Bolam ... Mike
Joe Robinson ... Roach
Dervis Ward ... Detective
Topsy Jane ... Audrey
Julia Foster ... Gladys
rest of cast listed alphabetically:
Ray Austin ... Craig (uncredited)
John Brooking ... Green (uncredited)
John Bull ... Ronalds (uncredited)
James Cairncross ... Mr. Jones (uncredited)
Dallas Cavell ... Lord Jaspers (uncredited)
Peter Duguid ... Doctor (uncredited)
Raymond Dyer ... Gordon (uncredited)

Frank Finlay ... Booking Office Clerk (uncredited)

Edward Fox ... Extra (uncredited)

James Fox ... Willy Gunthorpe - Ranley School Runner (uncredited)
Brian Hammond ... Johnny Smith (uncredited)
William Ash Hammond ... Johnny Smith (uncredited)
Peter Kriss ... Scott (uncredited)
Peter Madden ... Mr. Smith (uncredited)
Philip Martin ... Stacy (uncredited)
Arthur Mullard ... Chief Borstal Officer (uncredited)
Anita Oliver ... Alice Smith (uncredited)
Christopher Parker ... Bill Smith (uncredited)
Robert Percival ... Tory Politician (uncredited)
Doug Robinson ... Prison Warder (uncredited)
Anthony Sagar ... Fenton (uncredited)

John Thaw ... Bosworth (uncredited)
Chris Williams ... Public School Boy (uncredited)
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Directed by
Tony Richardson 
 
Writing credits
Alan Sillitoe (screenplay)

Alan Sillitoe (short story)

Produced by
Michael Holden .... associate producer
Tony Richardson .... producer
 
Original Music by
John Addison 
 
Cinematography by
Walter Lassally (director of photography)
 
Film Editing by
Antony Gibbs 
 
Production Design by
Ralph W. Brinton  (as Ralph Brinton)
 
Art Direction by
Ted Marshall 
 
Costume Design by
Sophie Devine  (as Motley)
 
Makeup Department
Jimmy Evans .... makeup artist
Bobbie Smith .... hair stylist (as Bobby Smith)
 
Production Management
Leigh Aman .... production supervisor
Robert Sterne .... production manager
 
Second Unit Director or Assistant Director
Basil Rayburn .... assistant director
John Danischewsky .... third assistant director (uncredited)
Andrew Mollo .... second assistant director (uncredited)
 
Art Department
Thomas Erley .... property supervisor (uncredited)
Josie MacAvin .... set dresser (uncredited)
Terry Parr .... prop buyer (uncredited)
 
Sound Department
Norman Bolland .... sound recordist
Don Challis .... sound editor
Stephen Dalby .... sound director
Tom Buchanan .... boom operator (uncredited)
Karen Heward .... assistant dubbing editor (uncredited)
Derrick Leather .... sound camera operator (uncredited)
 
Stunts
Dave Tracey .... stunts (uncredited)
Robin Webb .... stunts (uncredited)
 
Camera and Electrical Department
Desmond Davis .... camera operator
Fred Anderson .... electrician chargehand (uncredited)
Frank Boston .... camera grip (uncredited)
Aubrey Dewar .... still photographer (uncredited)
Manny Wynn .... focus puller (uncredited)
 
Costume and Wardrobe Department
Brenda Dabbs .... wardrobe
 
Editorial Department
Brian Smedley-Aston .... assistant editor
Pamela Milner-Gardner .... second assistant editor (uncredited)
 
Music Department
John Addison .... conductor
John Addison .... music arranger
 
Other crew
Rita Davison .... continuity
Alan Kaplan .... production executive
Patrick Boyle .... production assistant (uncredited)
Jane Moscrop .... production secretary (uncredited)
 
Crew believed to be complete


Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
Runtime:
104 min
Country:
Language:
Aspect Ratio:
1.66 : 1 See more »
Sound Mix:
Mono (Westrex Recording System)
Certification:
Australia:PG | Finland:S | Hong Kong:IIA | Sweden:15 | UK:X (original rating) | UK:12 (re-rating) (2002) | UK:15 (video rating) (1990)

Did You Know?

Trivia:
First film of Julia Foster.See more »
Goofs:
Miscellaneous: When the boys are doing gardening work one character calls another "you mug" (meaning gullible idiot). This is incorrectly recorded in the subtitles as "you muppet" but the word "muppet" - meaning an idiot - was not in use when the film was made.See more »
Quotes:
[first lines]
Colin Smith:Running was always a big thing in our family, specially running away from the police. It's hard to understand. All I know is that you've got to run, running without knowing why, through fields and woods. And the winning post's no end, even though the barmy crowds might be cheering themselves daft. That's what the loneliness of a long distance runner feels like.
See more »
Movie Connections:
Soundtrack:
Life of LuxurySee more »

FAQ

This FAQ is empty. Add the first question.
34 out of 36 people found the following review useful.
Between the 50s and 60s..., 1 March 2002
Author: Quag7 from Tucson, AZ

I caught this film late at night on cable, and it is the first movie I've seen with Tom Courtenay in it, who is excellent (Either by coincidence or design, King Rat was on only a few nights later).

I'd never heard of this film before, but I was immediately transfixed by its look; something here is remarkable about the way black and white is used to further the overall feel and design of the film.

Having never been to the UK, I don't have a really good sense of how time passes there; to an American, England appears to age barely at all as seen through the cinema. But the themes here and the use of silence and the overall look of the film convey a society in the midst of change; as much as there is here that reminds one of the 1950s, there is an overwhelming 60s theme here about conformity and authority and society which is inescapable. I found myself cheering a bit at the end in the same way I cheered for Paul Newman in Cool Hand Luke; here, as in that film, is the story of an individual who refused to be "broken."

I'd definitely rate this film as a key 1960s film, black and white, and yet thoroughly modern and not at all dated. A lot of care was put into this film from the performances to the camerawork, and while it is not something that would keep you on the edge of your seat, it is certainly a compelling story, compellingly told.

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See more (50 total) »

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The Best British Film Ever? rick_7
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The object they're handling at the end (Spoilers) juanml82
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A question (elixir) ccscd212
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