| Michael Redgrave | ... | Ruxton Towers Reformatory Governor | |
| Tom Courtenay | ... | Colin Smith | |
| Avis Bunnage | ... | Mrs. Smith | |
| Alec McCowen | ... | Brown | |
| James Bolam | ... | Mike | |
| Joe Robinson | ... | Roach | |
| Dervis Ward | ... | Detective | |
| Topsy Jane | ... | Audrey | |
| Julia Foster | ... | Gladys | |
| rest of cast listed alphabetically: | |||
| Ray Austin | ... | Craig (uncredited) | |
| John Brooking | ... | Green (uncredited) | |
| John Bull | ... | Ronalds (uncredited) | |
| James Cairncross | ... | Mr. Jones (uncredited) | |
| Dallas Cavell | ... | Lord Jaspers (uncredited) | |
| Peter Duguid | ... | Doctor (uncredited) | |
| Raymond Dyer | ... | Gordon (uncredited) | |
| Frank Finlay | ... | Booking Office Clerk (uncredited) | |
| Edward Fox | ... | Extra (uncredited) | |
| James Fox | ... | Willy Gunthorpe - Ranley School Runner (uncredited) | |
| Brian Hammond | ... | Johnny Smith (uncredited) | |
| William Ash Hammond | ... | Johnny Smith (uncredited) | |
| Peter Kriss | ... | Scott (uncredited) | |
| Peter Madden | ... | Mr. Smith (uncredited) | |
| Philip Martin | ... | Stacy (uncredited) | |
| Arthur Mullard | ... | Chief Borstal Officer (uncredited) | |
| Anita Oliver | ... | Alice Smith (uncredited) | |
| Christopher Parker | ... | Bill Smith (uncredited) | |
| Robert Percival | ... | Tory Politician (uncredited) | |
| Doug Robinson | ... | Prison Warder (uncredited) | |
| Anthony Sagar | ... | Fenton (uncredited) | |
| John Thaw | ... | Bosworth (uncredited) | |
| Chris Williams | ... | Public School Boy (uncredited) | |
Directed by | |||
| Tony Richardson | |||
Writing credits | ||
| Alan Sillitoe | (screenplay) | |
| Alan Sillitoe | (short story) | |
Produced by | |||
| Michael Holden | .... | associate producer | |
| Tony Richardson | .... | producer | |
Original Music by | |||
| John Addison | |||
Cinematography by | |||
| Walter Lassally | (director of photography) | ||
Film Editing by | |||
| Antony Gibbs | |||
Production Design by | |||
| Ralph W. Brinton | (as Ralph Brinton) | ||
Art Direction by | |||
| Ted Marshall | |||
Costume Design by | |||
| Sophie Devine | (as Motley) | ||
Makeup Department | |||
| Jimmy Evans | .... | makeup artist | |
| Bobbie Smith | .... | hair stylist (as Bobby Smith) | |
Production Management | |||
| Leigh Aman | .... | production supervisor | |
| Robert Sterne | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Basil Rayburn | .... | assistant director | |
Sound Department | |||
| Norman Bolland | .... | sound recordist | |
| Don Challis | .... | sound editor | |
| Stephen Dalby | .... | sound director | |
Stunts | |||
| Dave Tracey | .... | stunts (uncredited) | |
| Robin Webb | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Desmond Davis | .... | camera operator | |
Costume and Wardrobe Department | |||
| Brenda Dabbs | .... | wardrobe | |
Editorial Department | |||
| Brian Smedley-Aston | .... | assistant editor | |
Music Department | |||
| John Addison | .... | conductor | |
| John Addison | .... | music arranger | |
Other crew | |||
| Rita Davison | .... | continuity | |
| Alan Kaplan | .... | production executive | |
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| Paris 36 | Au Revoir Les Enfants | The Witnesses | Rocco and His Brothers | Killer Kid |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
I recently watched this movie again on TV. The wonderful performances by Tom
Courtenay and Michael Redgrave have not diminished with time. The movie is
also full of technical innovations at the time. One of these is common today, a fast switching between the two time frames of the story. The life of the hero in a quasi-prison and the family life that led to his capture and conviction. The movie also predates the current of "Angry Young Men" that was to be so prolific in
British Cinema. Others have remarked on the wondrous scenes of Courtenay
running in open countryside as he trains for a long distance competition. The accompaniment of a jazz trumpet also fit well. But to me the core of the movie is the rage of the hero towards the "establishment" beautifully symbolized by
Michael Redgrave's Headmaster. Don't miss this movie if you have a chance.